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Marietta Brambilla
Maria Teresa Rebecca Brambilla better known as Marietta Brambilla (6 June 1807 – 6 November 1875) was an Italian contralto who sang leading roles in the opera houses of Europe from 1827 until her retirement from the stage in 1848. She is best known today for having created the roles of Maffio Orsini in Donizetti's ''Lucrezia Borgia'' and Pierotto in his ''Linda di Chamounix'', but she also created several other roles in lesser-known works. She was the elder sister of the opera singers Teresa and Giuseppina Brambilla and the aunt of Teresina Brambilla who was also an opera singer. Life and career Brambilla was born in Cassano d'Adda, the daughter of Gerolamo and Angela (''née'' Columbo) Brambilla. She was the eldest of five sisters, all of whom became opera singers. Teresa (1813–1895) was a soprano who created the role of Gilda in ''Rigoletto''. Giuseppina sang both contralto and soprano roles and was married to the tenor Corrado Miraglia. Both had very prominent careers. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassano D'Adda
Cassano d'Adda (Milanese: ; Bergamasque: ) is a town and ''comune'' in the Metropolitan City of Milan, Lombardy, Italy, located on the right side of the Adda River. It is on the border of the Metropolitan City of Milan and the province of Bergamo. It is served by Cassano d'Adda railway station. Geography The territory of Cassano d'Adda is divided in two parts, which are both characterised by a difference in height of 20–25 meters, by the river Adda. The river, which still flows in a deep crack in Vaprio, stretches out in a wide riverbed in Cassano, in which its waters split into several branches separated by rocky and wooded islets. Origins of the name Other etymological variations of its name thrived in time: # "''Casa sana''": from which derives the name Cas-sano; # ''Cassanum'': from which derives the name Cassano; # ''Cassianum'', which derives from the ancient gens Cassia; # ''Cassium'', probably the Latin name of a superintendent of a composite "mansion", from which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Di Rohan
''Maria di Rohan'' is a ''melodramma tragico'', or tragic opera, in three acts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, after Lockroy and Edmond Badon's ''Un duel sous le cardinal de Richelieu'', which had played in Paris in 1832. The story is based on events of the life of Marie de Rohan. Performance history The opera premiered at the Kärntnertortheater, Vienna on 5 June 1843. In newer times, it was staged by the Grand Théâtre de Genève in 2001 and by the Donizetti Festival, Bergamo, in 2011. The opera was performed in concert by Opera Rara, London, in 2009 and by Washington Concert Opera in 2018. Roles Synopsis ''The story of ''Maria Di Rohan'' is both simple (the classic love triangle) and complicated. Chalais loves Maria, who has been forced to secretly marry Chevreuse. Chevreuse is in deep trouble, because he has killed a nephew of Richelieu. The opera is divided into three parts: Unfortunate Consequences of Duels; Not Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Ricci
Federico Ricci (22 October 1809 – 10 December 1877), was an Italian composer, particularly of operas. Born in Naples, he was the younger brother of Luigi Ricci, with whom he collaborated on several works. Federico studied at Naples as had his brother. His first big success was with ''La prigione di Edimburgo'', one of his best serious works. He stayed with serious subjects for several years, and of these ''Corrado d'Altamura'' was a particular success. However, his last collaboration with his brother, a comedy called ''Crispino e la comare'', was hailed as the masterpiece of both composers, so Federico devoted himself thereafter entirely to comedy. After another success closely followed by a major flop in Vienna, Federico took an official job teaching in St Petersburg and for 16 years he wrote no operas. In 1869 he moved to Paris, and there ''Une folie à Rome'' ran for 77 nights; other French comedies of his — mainly revisions of his own and his brother's earlier works — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Ricci (composer)
Luigi Ricci (8 July 1805 – 31 December 1859), was an Italian composer, particularly of operas. He was the elder brother of Federico Ricci, with whom he collaborated on several works. He was also a conductor. Life Ricci was born and educated in Naples, where he wrote his first opera at the conservatory in 1823. His triumphs in 1831 at La Scala with ''Chiara di Rosembergh'' and in 1834 with ''Un'avventura di Scaramuccia'' made him famous throughout Europe, and in 1835 he and his younger brother Federico collaborated in the first of the four operas they wrote together. In 1837 Ricci ran into financial problems, brought about mainly by his extravagant life-style. He was forced to accept a job at Trieste, and he composed no operas for seven years. Then, however, he fell in love, at the same time, with both Francesca and Ludmila, the 17-year-old identical twin sisters of the singer Teresa Stolz, also singers, and this inspired him to create (in 1845) an opera for them both to si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Coccia
Carlo Coccia (14 April 1782 – 13 April 1873) was an Italian opera composer. He was known for the genre of opera semiseria. Life and career Coccia was born in Naples, and studied in his native city with Pietro Casella, Fedele Fenaroli, and Giovanni Paisiello, who introduced him to King Joseph Bonaparte for whom he became the private musician. He wrote his first opera, ''Il matrimonio per lettera di cambio'', in 1807, but it was a failure; however, the following year, with the help of Paisiello, his second opera, ''Il poeta fortunato'', was well received. He then moved to Venice, where he concentrated on opera semiseria, of which ''Clotilde'' from 1815, is perhaps the best example. Accused of imitating other composers, and of producing too many uneven operas in great haste, he was eventually eclipsed by the emerging Gioachino Rossini, Rossini, and left for Lisbon, where he remained from 1820 to 1823. He then settled in London in 1824, where he was conductor at Her Majesty's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Antonio Coppola
Pietro Antonio Coppola (11 December 1793 – 13 November 1876) was an Italian composer and conductor. Born in Castrogiovanni, he was trained by his father and at the Naples Conservatory. He is chiefly known for his many operas, of which his most famous, '' Nina pazza per amore'', premiered at the Teatro Valle in Rome in February 1835. While his works have rarely been performed after the 19th century, during his lifetime they enjoyed success in major opera houses in Italy, France, Portugal, and Spain. As a conductor he was particularly active at the Teatro Nacional de São Carlos in Lisbon. He died in Catania Catania (, , Sicilian and ) is the second largest municipality in Sicily, after Palermo. Despite its reputation as the second city of the island, Catania is the largest Sicilian conurbation, among the largest in Italy, as evidenced also by ... at the age of 82. References 1793 births 1876 deaths People from Enna Italian classical composers Italian m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Vaccai
Nicola Vaccai (15 March 1790 – 5 or 6 August 1848) was an Italian composer, particularly of operas, and a singing teacher. Life and career as a composer Born at Tolentino, he grew up in Pesaro, and studied music there until his parents sent him to Rome to study law. Having no intention of becoming a lawyer, he took voice lessons and eventually studied counterpoint with Giuseppe Jannaconi, an important Roman composer. When Vaccai turned twenty one, he went to Naples and became a disciple of Paisiello, whose ''Barber of Seville'' was considered a comic masterpiece until Rossini's ''Barber'' swept it from the stage 35 years later.J.G. Paton, 'Introduction', in Nicola Vaccai, ''Practical Method of Italian Singing'' ed. J.G. Paton (G. Schirmer, 1975), pp. iii-iv. Vaccai launched his career in Venice, initially earning his living by writing ballets and teaching voice. He had his first operatic success with ''I solitari di Scozia'' in Naples in 1815. In Parma he was commissioned to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as prolific a number of works as either; and his development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique. Biography Early years Mercadante was born illegitimate in Altamura, near Bari in Apulia; his precise date of birth has not been recorded, but he was baptised on 17 September 1795. Mercadante studied flute, violin and composition at the conservatory in Naples, and organized concerts among his compatriots.Michael Rose, "Mercadante: Flute Concertos", booklet accompanying the 2004 RCA CD recording with James Galway and I Solisti Veneti under Claudio Scimone. The opera composer Gioachino Rossini sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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