Marie Podvalová
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Marie Podvalová
Marie Podvalová (5 September 1909 – 16 May 1992) was a Czech opera singer who had a long career at the National Theatre in Prague from 1936 to 1978. A dramatic soprano who excelled in the Czech repertoire, she garnered particular acclaim for her portrayal of the title heroine in Bedřich Smetana's ''Libuše''. Her physical beauty and dramatic talents further added to her great popularity among Czech audiences. Biography Born in Čakovice, Prague, Podvalová first studied the violin before studying singing voice privately in Prague. She entered the Prague Conservatory where she studied voice with A. Fatissová and Doubravka Brambergová. She made her professional opera debut in 1935 at the Mahen Theatre in Brno as Marina in Modest Mussorgsky's ''Boris Godunov''. Under the recommendation of conductor Václav Talich, Podvalová was made a principal artist at the Prague National Theater in 1936. She was the theatre's leading dramatic soprano for the next 38 years. Among her sig ...
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Čakovice
Čakovice (German ''Tschakowitz'') is a municipal district (''městská část'') in Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and List of cities in the Czech Republic, largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 milli .... It is located in the north-eastern part of the city. As of 2008, there were 8,644 inhabitants living in Čakovice. The municipal district consists of three cadastral areas (''katastrální území''): Čakovice, Miškovice and Třeboradice. The Čakovice cadastre has an area of 3.83 km2 and a population of 6,417 inhabitants. The first written record of Čakovice is from the 11th century. The town became part of Prague in 1968. External links Praha-Čakovice - Official homepage Districts of Prague {{Prague-geo-stub ...
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Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ...
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Soviet Union
The Soviet Union,. officially the Union of Soviet Socialist Republics. (USSR),. was a transcontinental country that spanned much of Eurasia from 1922 to 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad (Russian SFSR), Kiev (Ukrainian SSR), Minsk ( Byelorussian SSR), Tashkent (Uzbek SSR), Alma-Ata (Kazakh SSR), and Novosibirsk (Russian SFSR). It was the largest country in the world, covering over and spanning eleven time zones. The country's roots lay in the October Revolution of 1917, when the Bolsheviks, under the leadership of Vladimir Lenin, overthrew the Russian Provisional Government ...
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Julietta
''Juliette'' is an opera by Bohuslav Martinů, who also wrote the libretto, in French, based on the play ''Juliette, ou La clé des songes'' (''Juliette, or The Key of Dreams)'' by the French author Georges Neveux. A libretto in Czech was later prepared for its premiere which took place at the Prague National Theatre on 16 March 1938. ''Juliette'' has become widely considered as Martinů's masterpiece. Performance history Martinů became aware of the play by Neveux in 1932, two years after its premiere at the in Paris (8th arrondissement) on 7 March 1930.Smaczny, Jan. "''Julietta''". In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. It appears that Neveux had come to an agreement with Kurt Weill to base a musical comedy on his play, but on hearing some of Martinů's music, passed his favour to the Czech.Bohuslav Martinů: ''Juliette ou la Clé des songes''. In: Kaminski, Piotr. ''Mille et Un Opéras''. Fayard, 2003, pp. 839–841. The initial work on ...
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Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his '' Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental w ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary reference ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Dalibor (opera)
''Dalibor'' is a Czech opera in three acts by Bedřich Smetana. The libretto was written in German by Josef Wenzig, and translated into Czech by Ervin Špindler. It was first performed at the New Town Theatre in Prague on 16 May 1868. The opera received criticism at the time for being overly influenced by German opera, including that of Richard Wagner's ''Lohengrin''. The subject of the opera is ( fl. c. 1490), a Czech knight who took part in an uprising in Ploskovice in support of the oppressed people and was sentenced to death in 1498, during the reign of Vladislaus II of Hungary. The plot bears a resemblance to that of Ludwig van Beethoven's opera ''Fidelio'', in that the central female characters in each opera disguise themselves in male clothing and gain the confidence of a jailor to try to save the imprisoned hero. Performance history Smetana had great affection for the opera, but because of the lukewarm reception, died thinking that he had failed with this opera. The rev ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ...
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Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ...
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