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Marie Bilders-van Bosse
Maria Philippina (Marie) Bilders-van Bosse (Amsterdam, 21 February 1837 – Wiesbaden, 11 July 1900) was a painter, famous for her landscape paintings in an early Dutch-impressionist style. Biography Marie van Bosse was a daughter of Pieter Philip van Bosse (1809-1879) and Maria Johanna Reynvaan (1809-1864). Her father was a lawyer and Minister of Finance in The Netherlands for more than twenty years. Because of his work at the ministry, the family moved to The Hague. Marie van Bosse was a niece of the artist Sara Stracké-van Bosse. At age eighteen Marie van Bosse decided that she wanted to become a painter – a rather unusual decision for a woman of that time. She was taught in painting by the Dutch artist Hendrik van de Sande Bakhuyzen and frequently advised by Johannes Bosboom. It was Bosboom who encouraged her to exhibit her works. From 1875 she received lessons from Johannes Warnardus Bilders (1811-1890). They married in 1880, with Bosboom and Hendrik Willem Mesdag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hague School
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the Realism (visual arts), realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the ''Gray School''. Precursors After the great periods of Dutch art in the Dutch Golden Age painting, Golden Age of the 17th century, there were economic and political problems which diminished activity in art. The fine arts in the Netherlands enjoyed a revival around 1830, a time now referred to as the Romanticism, Romantic period in Dutch painting. The style was an imitation of the great 17th-century artists. The most widely accepted paintings of this period were landscapes and paintings which reflected national history. Andreas Schelfhout was a painter of landscapes, especially winter scenes, but also woodlands and the dunes between The Hague ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teylers Museum
Teylers Museum () is an art, natural history, and science museum in Haarlem, Netherlands. Established in 1778, Teylers Museum was founded as a centre for contemporary art and science. The historic centre of the museum is the neoclassical Oval Room (1784), which was built behind the house of Pieter Teyler van der Hulst (1702–1778), the so-called ''Fundatiehuis'' (Foundation House). Pieter Teyler was a wealthy cloth merchant and banker of Scottish descent, who bequeathed his fortune for the advancement of religion, art, and science. He was a Mennonite and follower of the Scottish Enlightenment. History In his will, Pieter Teyler stipulated that his collection and part of his fortune should be used to establish a foundation for their promotion: Teylers Stichting. The Teyler legacy to the city of Haarlem was split into two societies: Teylers First or Theological Society (Dutch: ''Teylers Eerste of Godgeleerd Genootschap''), intended for the study of religion and Teylers Second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Boijmans Van Beuningen
Municipal Museum Boijmans Van Beuningen () is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from the two most important collectors of Frans Jacob Otto Boijmans and Daniël George van Beuningen. It is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum Rotterdam, Natural History Museum. The museum opened in 1849. It houses the collections of Frans Jacob Otto Boijmans (1767–1847) and Daniël George van Beuningen (1877–1955). The museum has become the house of over 151,000 artworks over 170 years. In the collection, ranging from Medieval art, medieval to contemporary art, are works of Rembrandt, Claude Monet, Vincent van Gogh, and Salvador Dalà and other famous collections that includes the masterpieces of the âAchilles series€™ by Peter Paul Rubens an‘A Cornfield, in the Background the Zuiderzee’by Jacob van Ruisdael. In 2013, the museum had 292,711 visitors and was the List of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rijksmuseum Amsterdam
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation Rijksmuseum. Retrieved on 4 April 2013. On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by |
Gijsbert Van Tienhoven
Gijsbert van Tienhoven (12 February 1841 – 10 October 1914) was a liberal Dutch politician. He started his political career in the municipal council and executive of Amsterdam, and served as mayor of Amsterdam from 1880 to 1891. He spent one year in the House of Representatives and eleven years in the Senate before being appointed formateur after the 1891 general election. For three years, he served as Prime Minister of the Netherlands and Minister of Foreign Affairs before his cabinet fell in 1894. He also served as Queen's Commissioner of North Holland for fourteen years, between 1897 and 1911. Early life and education Gijsbert van Tienhoven was born in De Werken in North Brabant, on 12 February 1841. He was the eighth child in a family of twelve. His father, Gijsbert van Tienhoven (10 April 1801, Ameide), was a contractor of public works and landowner in Werkendam. His mother was Klazina Christina van den Bogaard (12 August 1806, Rozenburg). He enjoyed private primary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Louisa Geertruida Bosboom-Toussaint
Anna Louisa Geertruida Bosboom-Toussaint (September 16, 1812April 14, 1886) was a Dutch novelist. Life and career Geertruida Toussaint was born in Alkmaar, Netherlands, on 16 September 1812. Her father, a pharmacist of Huguenot descent, gave her a fair education, and at an early period of her career she developed a taste for historical research, fostered by a forced indoor life as a result of weak health. Her first romance, ''Almagro'', appeared in 1837, followed by ''De graaf van Devonshire'' ("The Earl of Devonshire") in 1838; ''De Engelschen te Rome'' ("The English at Rome") in 1840, and ''Het Huis Lauernesse'' ("The House of Lauernesse") in 1841, an episode of the Reformation that has been translated into many European languages. These stories, mainly founded upon some of the most interesting epochs of Dutch history, betrayed a remarkable grasp of facts and situations, combined with an undoubted mastery over her mother tongue, although her style is sometimes involved and no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World's Columbian Exposition
The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ... in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park (Chicago), Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American Architecture of the United States, architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Science And Industry (Chicago)
The Museum of Science and Industry (MSI) is a science museum located in Chicago, Illinois, in Jackson Park, in the Hyde Park neighborhood between Lake Michigan and The University of Chicago. It is housed in the former ''Palace of Fine Arts'' from the 1893 World's Columbian Exposition. Initially endowed by Julius Rosenwald, the Sears, Roebuck and Company president and philanthropist, it was supported by the Commercial Club of Chicago and opened in 1933 during the Century of Progress Exposition. Among the museum's exhibits are a full-size replica coal mine, captured during World War II, a model railroad, the command module of Apollo 8, and the first diesel-powered streamlined stainless-steel passenger train (''Pioneer Zephyr''). History The Palace of Fine Arts (also known as the Fine Arts Building) at the 1893 World's Columbian Exposition was designed by Charles B. Atwood for D. H. Burnham & Co. During the fair, the palace displayed paintings, prints, drawing, sculpture, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nationale Tentoonstelling Van Vrouwenarbeid 1898
Nationale Tentoonstelling van Vrouwenarbeid 1898 (literary: 'National Exhibition of Women's Work') was a national exhibition which took place in The Hague in The Netherlands 9 July – 21 September 1898. Maria Grever en Berteke Waaldijk: Feministische Openbaarheid. De Nationale Tentoonstelling van Vrouwenarbeid in 1898. Amsterdam, Stichting Beheer IISG/IIAV, 1998, {{ISBN, 9068611518 The exhibition was organized on the initiative of the women's organisation Tesselschade. It featured artwork and handicrafts by female artists, products by businesswomen, as well as speeches, lectures, performances, and other activities. The purpose was to draw attention to women's work and the terms under which they worked and to encourage women to be active professionally. The exhibition is considered to be a major event within the Dutch women's movement within the first-wave feminism First-wave feminism was a period of feminist activity and thought that occurred during the 19th and early 20th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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