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Marie-Madeleine Guimard
Marie-Madeleine Guimard (27 December 1743 — 4 May 1816) was a French ballerina who dominated the Parisian stage during the reign of Louis XVI. For twenty-five years she was the star of the Paris Opera. She made herself even more famous by her love affairs, especially by her long liaison with the Prince of Soubise. According to Edmond de Goncourt, when d'Alembert was asked why dancers like La Guimard made such prodigious fortunes, when singers did not, he responded, "It is a necessary consequence of the laws of motion". Biography She was the love child of Fabien Guimart and Anne Bernard, and was legitimated at a late date (December 1765). Dancer She was trained by the great choreographer d'Harnoncourt, who had entered her at the age of fifteen among the corps de ballet of the Comédie-Française. After a first affair with the dancer Leger, which produced a child, she was engaged at the Opéra (1761) and made her debut, as Terpsichoré, 9 May 1762, and soon was seen dancing at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mime
Multipurpose Internet Mail Extensions (MIME) is an Internet standard that extends the format of email messages to support text in character sets other than ASCII, as well as attachments of audio, video, images, and application programs. Message bodies may consist of multiple parts, and header information may be specified in non-ASCII character sets. Email messages with MIME formatting are typically transmitted with standard protocols, such as the Simple Mail Transfer Protocol (SMTP), the Post Office Protocol (POP), and the Internet Message Access Protocol (IMAP). The MIME standard is specified in a series of requests for comments: , , , , and . The integration with SMTP email is specified in and . Although the MIME formalism was designed mainly for SMTP, its content types are also important in other communication protocols. In the HyperText Transfer Protocol (HTTP) for the World Wide Web, servers insert a MIME header field at the beginning of any Web transmission. Clients ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Carrogis Carmontelle
Louis Carrogis Carmontelle (b. Paris, 15 August 1717 – d. Paris, 26 December 1806) was a French dramatist, painter, architect, set designer, author, and designer of one of the earliest examples of the French landscape garden, Parc Monceau in Paris. He also invented the ''transparent'', an early ancestor of the magic lantern and motion picture, for viewing moving bands of landscape paintings. Biography Carmontelle came from a modest background; his father was a bootmaker. He studied drawing and geometry, and at the age of twenty three qualified for the title of engineer, and entered the service of the Duc de Chevreuse and the Duc de Luynes at the Château de Dampierre, where he taught drawing and mathematics to the children. In 1758, he entered the service of the Comte Pons de Saint-Maurice, governor of the Duc de Chartres and commander of regiment of Orléans-dragons as a topographical engineer. In addition to his drawing duties, he wrote farces and tales. After 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Louveciennes
The Château de Louveciennes in Louveciennes, in the Yvelines département of France, is composed of the château itself, constructed at the end of the 17th century. It was then expanded and redecorated by Ange-Jacques Gabriel for Madame du Barry in the 18th century, and the music (or reception) pavilion was constructed by Claude Nicolas Ledoux (1770–71). The pavilion sits in the middle of a park that was designed in the 19th century. The Château The château is an approximately cubic construction, of average size and modest appearance, which borders the ''chemin de la Machine'' (n° 6), a favourite subject of the Impressionists Camille Pissarro and Alfred Sisley. History In 1684, Louis XIV ordered the construction of a château in the proximity of an aqueduct built to bring water drawn from the Seine by the Machine de Marly to the Château de Marly. The king gave the building to Baron Arnold de Ville, the engineer of Liège who had conceived the hydraulic installation. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mme Du Barry
Jeanne Bécu, Comtesse du Barry (19 August 1743 – 8 December 1793) was the last ''maîtresse-en-titre'' of King Louis XV of France. She was executed, by guillotine, during the French Revolution due to accounts of treason—particularly being suspected of assisting ''émigrés'' flee from the Revolution. In order for the king to take Jeanne as a ''maîtresse-en-titre'', she had to be married to someone of high rank so she could be allowed at court; she was hastily married on 1 September 1768, to Comte Guillaume du Barry. The marriage ceremony was accompanied by a false birth certificate, created by Jean du Barry. The certificate made Jeanne younger by three years and dissimulated her “poor” background. Henceforth, she was deemed as an official ''maîtresse-en-titre'' to the king. Her arrival at the French royal court was considered scandalous by some, as she had been a prostitute and a commoner. For these reasons, she was disliked by many, including Marie Antoinette. Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Collé
Charles Collé (14 April 1709 – 3 November 1783) was a French dramatist and songwriter. Biography The son of a notary, he was born in Paris. He became interested in the rhymes of Jean Heguanier, the most famous writer of couplets in Paris. From a notary's office, Collé was transferred to that of the receiver-general of finance, where he remained for nearly twenty years. When about seventeen, however, he made the acquaintance of Alexis Piron, and afterwards, through Gallet (1698?–1757), of Panard. The example of these three masters of the vaudeville decided his future but also made him diffident; and for some time he composed nothing but ''amphigouris''—verses whose merit was measured by their unintelligibility. The friendship of the younger Crébillon helped broaden his horizons, and the establishment in 1729 of the famous "Société du Caveau", a drinking-club known for its wit and good company, gave him a field for the display of his fine talent for popular song. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel Particulier
An ''hôtel particulier'' () is a grand townhouse, comparable to the Townhouse (Great Britain), British townhouse or mansion. Whereas an ordinary ''maison'' (house) was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an ''hôtel particulier'' was often free-standing and, by the 18th century, would always be located ''entre cour et jardin'' – between the ''cour d'honneur'' (an entrance court) and the garden behind. There are ''hôtels particuliers'' in many large cities in France. Etymology and meaning The word ''hôtel'' represents the Old French "hostel" from the Latin ''hospitālis'' "pertaining to guests", from ''hospes'', a stranger, thus a guest.Cassell's Latin Dictionary The adjective ''particulier'' means "personal" or "private". The English word ''hotel'' developed a more specific meaning as a commercial building accommodating travellers; modern French also uses ''hôtel'' in this sense. For example, the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boiseries
Panelling (or paneling in the U.S.) is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials. Panelling was developed in antiquity to make rooms in stone buildings more comfortable both by insulating the room from the stone, and reflecting radiant heat from wood fires, making heat more evenly distributed in the room. In more modern buildings, such panelling is often installed for decorative purposes. Panelling, such as wainscoting and boiserie in particular, may be extremely ornate and is particularly associated with 17th and 18th century interior design, Victorian architecture in Britain, and its international contemporaries. Wainscot panelling The term wainscot ( or ) originally applied to high quality riven oak boards. Wainscot oak came from large, slow-grown forest trees, and produced boards that were knot-free, low in tannin, light in weight, and easy to work wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantin
Pantin () is a commune in the northeastern suburbs of Paris, France. It is located from the centre of Paris. In 2019 its population was estimated to be 59,846. Pantin is located on the edge of the city of Paris and is mainly formed by a plain crossed by national roadway 2 and 3, the Paris–Strasbourg railway line and the canal de l'Ourcq. Geography Pantin borders the Paris Boulevard Périphérique, an inner ring road, and is traversed by national routes N2 and N3, as well as the Paris-Strasbourg railway line and the Ourcq canal. Name The name Pantin was recorded for the first time in 1067 as ''Pentini'', perhaps from the Roman patronym Pentinus, a variant of Pantaenus or Repentinus, but this etymology is not certain. History On 1 January 1860, the city of Paris was enlarged by annexing neighbouring communes. On that occasion, a small part of the commune of Pantin was annexed to Paris. On 24 July 1867, a part of the territory of Pantin was detached and merged with a par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument Du Costume
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Moreau
Jean-Michel Moreau (26 March 1741 – 30 November 1814), also called Moreau le Jeune ("the younger"), was a French draughtsman, illustrator and engraver. Biography Moreau le Jeune, as he is usually called, was born in Paris. He was the pupil of the painter Louis-Joseph Le Lorrain who accompanied his master to St Petersburg in 1758 when Le Lorrain went to be the first director of the Saint Petersburg Academy of Fine Arts established the previous year, where Moreau briefly taught drawing before returning to Paris in 1759, after Le Lorrain's unexpected death. He worked for the engraver Jacques-Philippe Lebas, producing reproductive drawings of contemporary paintings and those of Old Masters for engravers to work from and learning etching During the 1760s he also provided drawings to be engraved for the ''Recueil d’antiquités'' of the comte de Caylus, who kept a benevolent watch over him. For Diderot and Alembert’s ''Encyclopédie'' he provided pen and wash drawings for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Arnould
Sophie Arnould (13 February 1740, in Paris – 18 October 1802, in Paris) was a French operatic soprano. Born Magdeleine Sophie Arnould, she studied in Paris with Marie Fel and La Clairon, and made her stage debut at the Opéra de Paris on 15 December 1757 and sang there for 20 years. She created for Christoph Wilibald Gluck the roles of Eurydice in '' Orphée et Eurydice'' and the title role in ''Iphigénie en Aulide''. She also obtained considerable success in operas by Jean-Philippe Rameau, François Francoeur, and Pierre-Alexandre Monsigny. Her love life was extremely colorful. Her tumultuous relationship with Louis-Léon de Brancas, duc de Lauragais, resulted in four children, including , colonel of the First Empire dead at Essling. She was also the lover of Paul Barras and Nicolas-François de Neufchâteau, among many others.Jean Haechler, ''Le règne des femmes - 1715-1792'', Paris, Grasset, 2001, . In fact, she was notorious for having as many affairs with women as wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_by_Jean-Baptiste_Greuze.jpg "Click for more on -> Sophie Arnould")