Marie-Julie Halligner
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Marie-Julie Halligner
Marie-Julie Boulanger, née Marie-Julie Halligner (29 January 1786 – 23 July 1850), was a French mezzo-soprano. She performed her entire career under the stage name Mme Boulanger, appearing in the world premieres of '' Le maître de chapelle'', '' L'ambassadrice'', ''Le domino noir'', and ''La fille du régiment''. Biography Born in Paris, her parents were middle-class shopkeepers. She was the older sister of Sophie Halligner, an actress at the Odéon-Théâtre de l'Europe and the Théâtre de l'Ambigu-Comique who had married the actor Frédérick Lemaître in 1826. Halligner entered the Paris Conservatory in 1806 to study ''solfeggio''; she was a pupil of Charles-Henri Plantade and Pierre-Jean Garat. Halligner's debut at the Opéra-Comique in 1811 was considered "an immense success". A notable soubrette at the Opéra-Comique between 1811 and 1835, she continued performing until 1845, though her voice had started to fail her in the later years. She performed in the wor ...
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Marie-Julie Halligner
Marie-Julie Boulanger, née Marie-Julie Halligner (29 January 1786 – 23 July 1850), was a French mezzo-soprano. She performed her entire career under the stage name Mme Boulanger, appearing in the world premieres of '' Le maître de chapelle'', '' L'ambassadrice'', ''Le domino noir'', and ''La fille du régiment''. Biography Born in Paris, her parents were middle-class shopkeepers. She was the older sister of Sophie Halligner, an actress at the Odéon-Théâtre de l'Europe and the Théâtre de l'Ambigu-Comique who had married the actor Frédérick Lemaître in 1826. Halligner entered the Paris Conservatory in 1806 to study ''solfeggio''; she was a pupil of Charles-Henri Plantade and Pierre-Jean Garat. Halligner's debut at the Opéra-Comique in 1811 was considered "an immense success". A notable soubrette at the Opéra-Comique between 1811 and 1835, she continued performing until 1845, though her voice had started to fail her in the later years. She performed in the wor ...
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Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps.
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Nadia Boulanger
Juliette Nadia Boulanger (; 16 September 188722 October 1979) was a French music teacher and conductor. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. From a musical family, she achieved early honours as a student at the Conservatoire de Paris but, believing that she had no particular talent as a composer, she gave up writing music and became a teacher. In that capacity, she influenced generations of young composers, especially those from the United States and other English-speaking countries. Among her students were many important composers, soloists, arrangers, and conductors, including Grażyna Bacewicz, Burt Bacharach, Daniel Barenboim, Lennox Berkeley, İdil Biret, Elliott Carter, Aaron Copland, John Eliot Gardiner, Philip Glass, Roy Harris, Quincy Jones, Dinu Lipatti, Igor Markevitch, Astor Piazzolla, Virgil Thomson, and George Walker. Boulanger taught in the U.S. and England, workin ...
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Michael Of Chernigov
Saint Michael of Chernigov (russian: Михаи́л Черни́говский, uk, Миха́йло Все́володович Чернігівський) or Mikhail Vsevolodovich (russian: Михаил Всеволодович, uk, Михайло Всеволодович) ( – Saray, 20 September 1246) was a Rus' prince (a member of the Rurik dynasty). He was grand prince of Kiev (now Kyiv), 1236–1240, 1240, 1241–1243); and he was also prince of Pereyaslavl (1206), of Novgorod-Seversk (1219–1226), of Chernigov (1223–1235, 1242–1246), of Novgorod (1225–1226, 1229–1230), and of Halych (1235–1236). Archaeological evidence reveals that Chernihiv towns enjoyed an unprecedented degree of prosperity during his period which suggests that promoting trade was a priority for him. Commercial interests, in part, also motivated him to seize control of Halych and Kiev because they were channels through which goods from the Rhine valley and Hungary passed to Chernihiv (Uk ...
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Raissa Mychetsky
Raissa is a female given name. It is a variant of Raisa (given name) popular in Russia and South Asia (as a feminine form of Rais) People Mononym * Raissa (singer, born 1971), full name Raissa Khan-Panni, English singer-songwriter * Raissa (Malaysian-British singer), known for her debut single "Bullying Boys" Given name *Raissa Santana (b. 1995), Miss Brasil 2016 *Raissa Kelly (b. 1976) French singer in Tachelhit * Raissa Calza (1894-1979) Ukrainian dancer who became a prominent classical archaeologist *Raissa Myshetskaya, better known as Nadia Boulanger, French musicologist and music teacher *Raïssa Maritain (1883-1960), Russian poet and philosopher who immigrated to France *Raissa Feudjio (b. 1995), Cameroonian footballer * Raïssa Koublitskaïa (1928–2021), Soviet Belarusian agricultural worker and politician *Raissa Venables (b. 1977), American photographer * Raissa Ruus (1942–1986), Estonian middle-distance runner at the 1972 Summer Olympics *Raissa L. Berg (1913-2006) ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ...
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Ernest Boulanger (composer)
Ernest Henri Alexandre Boulanger (16 September 1815 – 14 April 1900) was a French composer of comic operas and a conductor. He was more known, however, for being a choral music composer, choral group director, voice teacher, and vocal contest jury member. Biography Boulanger was born into a Parisian musical family. His father, Frédéric Boulanger, who left the family when Ernest was only a small child, was a cellist and professor of singing at the Paris Conservatory, winner of the First Prize in cello at the Conservatory in 1797 and a professor of cello, attached to the Sainte-Chapelle, King's Chapel. His mother, Marie-Julie Halligner, was a mezzo-soprano at the Opéra-Comique, Théâtre de l'Opéra-Comique in Paris. He was a pupil at the Paris Conservatory where he studied under Jean-François Le Sueur, and Fromental Halévy. He studied piano with the virtuoso pianist Charles-Valentin Alkan; and operatic composition with Daniel Auber and Ferdinand Hérold. At the age of 19, B ...
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Frédéric Boulanger
Frédéric Boulanger (June 1777-?) was a French cellist and professor of singing at the Paris Conservatory. From Dresden, he was the winner of the first prize in cello at the Conservatory in 1797 and a Professor of cello, attached to the King's Chapel. He was the father of Ernest Boulanger, a composer of comic operas, husband to mezzo-soprano Marie-Julie Halligner of the Théâtre de l'Opéra-Comique and grandfather to Nadia Boulanger and Lili Boulanger Marie Juliette "Lili" Boulanger (; 21 August 189315 March 1918) was a French composer and the first female winner of the Prix de Rome composition prize. Her older sister was the noted composer and composition teacher Nadia Boulanger. Biography .... He left his family though when Ernest was a small child. References French classical cellists Academic staff of the Conservatoire de Paris 1777 births Musicians from Dresden Year of death missing German emigrants to France {{cellist-stub ...
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François-Adrien Boieldieu
François-Adrien Boieldieu (, also ) (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Biography Born during the Ancien Régime in Rouen, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (''La fille coupable'' in 1793, followed by ''Rosalie et Mirza'' in 1795). They brought him immediate success. During the Revolutionary period, Boieldieu left for Paris and ...
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Nicolas Isouard
Nicolas Isouard (also known as ''Nicolò'', ''Nicolò Isoiar'' or ''Nicolò de Malte''; 18 May 1773 – 23 March 1818) was a Maltese-born French composer. Biography Born in Porto Salvo, Valletta, Malta, Isouard studied in Rabat or Mdina with Francesco Azopardi, in Palermo with Giuseppe Amendola, and in Naples with Nicola Sala and Pietro Alessandro Guglielmi. From 1795 he was organist at ''St. John de Gerusalemme'' in Valletta at the Conventual Church of the Order of Saint John, ''San Giovanni di Malta''. He moved to Paris, where he worked as a free composer and became friends with Rodolphe Kreutzer. The pair worked together on several operas, including ''Le Petit page, ou La Prison d'état'' (1800) and ''Flaminius à Corinthe'' (1801). Isouard adopted the pseudonym Nicolò (or Nicolò de Malte) and found rapid success in the field of opéra comique with ''Michel-Ange ''(1802) and ''L'Intrigue aux fenêtres'' (1805). He composed regularly for the ''Théâtre de l'Opéra-Comique'', ...
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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ...
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