Mariangiola Criscuolo
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Mariangiola Criscuolo
Mariangiola Criscuolo (c. 1548–1630) was an Italian painter of the Renaissance period, active mainly in her native city of Naples. She is known for portraiture and history painting, and excelled in painting altarpieces. She was also involved in the foundation of one of the first female-organized schools of art during the sixteenth century. Born to painter Giovanni Filippo Criscuolo (died 1624); her uncle, Giovanni Angelo (Gian Angelo) was also a painter. She married the painter Giovanni Antonio di Amato the younger. Early life and education Mariangela Criscuolo was born c. 1548 in Naples, Italy. She was exposed to art at a young age as members of her family were already established Neapolitan artists. Her uncle, Giovanni Angelo Criscuolo (c. 1500- after 1577 Naples), was originally a notary that later became a painter. Her father, Giovanni Filippo Criscuolo (c. 1529 – 1561), was also an artist in Naples, whose style was similar to followers of Raphael. The similarities ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Giovanni Antonio D’Amato
Giovanni Antonio Amato or Amati (c. 1475–1555) was an Italian painter of the Renaissance period. Born in Naples, he copied the style of Pietro Perugino. He was also called ''il Vecchio''. He followed the style of Pietro Perugino, and among his pupils were Giovanni Vincenzo Corso, Giovanni Bernardo Lama, Battista Loca, Pietro Negroni, Simone il Giovane Papa, and Cesare Turco. His nephew, Giovanni Antonio di Amato the younger married the painter Mariangiola Criscuolo. Another painter named Giovanni Antonio D’Amato was active in Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ... Naples. He painted a ''Vergine Lauretana'' for the church of Santa Maria del Popolo agli Incurabili and the ''Vision of San Romualdo'' for the ceiling of the choir of the Eremo dei Ca ...
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Italian Women Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Painters From Naples
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Italian Renaissance Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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1630 Deaths
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocr ...
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1548 Births
__NOTOC__ Year 1548 ( MDXLVIII) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. Events January–June * February 14 – Battle of Uedahara: Firearms are used for the first time on the battlefield in Japan, and Takeda Shingen is defeated by Murakami Yoshikiyo. * April 1 – Sigismund II Augustus succeeds his father, Sigismund I the Old, as King of Poland and Grand Duke of Lithuania. * May 11 – The great fire in Brielle begins. * June ** Ming Chinese naval forces commanded by Zhu Wan destroy the pirate haven of Shuangyu, frequented by Chinese, Japanese and Portuguese smugglers. ** John Dee starts to study at the Old University of Leuven. July–December * July 7 – A marriage treaty is signed between Scotland and France, whereby five-year-old Mary, Queen of Scots, is betrothed to the future King Francis II of France. * August 7 – Mary, Queen of Scots, leaves for France. * October 20 &ndash ...
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Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)''
Oxford Art Online, publish ...
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Benevento
Benevento (, , ; la, Beneventum) is a city and ''comune'' of Campania, Italy, capital of the province of Benevento, northeast of Naples. It is situated on a hill above sea level at the confluence of the Calore Irpino (or Beneventano) and the Sabato. In 2020, Benevento has 58,418 inhabitants. It is also the seat of a Catholic archbishop. Benevento occupies the site of the ancient Beneventum, originally Maleventum or even earlier Maloenton. The meaning of the name of the town is evidenced by its former Latin name, translating as good or fair wind. In the imperial period it was supposed to have been founded by Diomedes after the Trojan War. Due to its artistic and cultural significance, the Santa Sofia Church in Benevento was declared a UNESCO World Heritage Site in 2011, as part of a group of seven historic buildings inscribed as Longobards in Italy, Places of Power (568–774 A.D.). A patron saint of Benevento is Saint Bartholomew, the Apostle, whose relics are kept ther ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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