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Margarethe Siems
Margarethe Siems (20 December 1879 – 13 April 1952) was a German operatic dramatic coloratura soprano and voice teacher. A Kammersängerin of the Dresden State Opera, between 1909 and 1912 Siems created leading roles in three operas by Richard Strauss: Chrysothemis in '' Elektra'', the Marschallin in ''Der Rosenkavalier'', and Zerbinetta in ''Ariadne auf Naxos''. Biography Margarethe Siems was born in Breslau (now Wrocław). After early training in piano and violin, she studied singing at the Dresden Conservatory with the Hungarian soprano, Aglaja Orgeni, who had herself been a pupil of Pauline Viardot and Mathilde Marchesi. She made her opera début at the Neues deutsches Theatre, Prague in 1902 as Marguerite de Valois in Meyerbeer's ''Les Huguenots'' and became a member of the Dresden State Opera in 1908. At Dresden she sang in the premieres for both ''Elektra'' as Chrysothemis (1909) and ''Der Rosenkavalier'' as the Marschallin (1911). Strauss considered her his ideal for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathilde Marchesi
Mathilde Marchesi (née Graumann; 24 March 1821 – 17 November 1913) was a German mezzo-soprano, a singing teacher, and a proponent of the bel canto vocal method. Biography Marchesi was born in Frankfurt. Her father's last name was Graumann; her aunt was the pianist and friend of Beethoven, Dorothea von Ertmann (née Graumann). In her adolescence her family fortunes failed, so she travelled at the age of 22 to Vienna to study voice. Thereafter she went to Paris and studied with Manuel García II, who was to have the foremost influence on her. She made her debut as a singer in 1844, and had a short career in opera and recital. Her voice, however, was only adequate, so she moved to teaching in 1849. In 1852, she married Italian baritone Salvatore Marchesi (pseudonym of Salvatore de Castrone della Rajata) (d. 1908). It was in this field that she would become famous. She taught at the conservatory in Cologne and, in the 1870s at the Vienna Conservatory, where she tutored Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Soprano
A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long- suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A ( A3) to "high C" (C6).Coffin (1960) Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. Drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Scott (artistic Director)
Michael Scott was the founder of the London Opera Society. In his role as the society's sole artistic director, he brought to London Marilyn Horne, Joan Sutherland, and Boris Christoff. He was also responsible for introducing Sherrill Milnes, Ruggero Raimondi, and Montserrat Caballé. He was a highly regarded expert in the field of opera with an extensive knowledge of the history of vocal music, and his books include volumes 1 and 2 of ''The Record of Singing'' and ''The Great Caruso''. In 1992, he also wrote ''Maria Meneghini Callas'', being one of the few Maria Callas biographers to have seen her frequently on stage in her prime. He was also a contributor to ''Opera News''. In the review of this book for ''Opera News'', Albert Innaurato writes, "His is the only biography to understand how Callas compares with and differs from Tetrazzini, Ponselle and Patti. And since Scott is neither a hysteric nor a fan, he is just and interesting in comparing Callas with Tebaldi and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Gutheil-Schoder
Marie Gutheil-Schoder (16 February 1874 – 4 October 1935) was an important German soprano. Born Marie Schoder in Weimar, she married Gustav Gutheil in 1899, with whom she lived until his death in 1914. In 1920, she married the photographer Franz Xaver Setzer. She debuted in the secondary role of the First Lady at the Weimar Court Opera in ''The Magic Flute'' in her native city of Weimar in 1891. Gustav Mahler engaged her for the Vienna State Opera in 1900, where she remained until 1926. She appeared at the Royal Opera House as Octavian in ''Der Rosenkavalier'' in 1913. One of her famous roles was her portrayal of a "strange, Nietzschean" Carmen. She was seen in the 1914 Vienna premiere of Richard Strauss's ballet, ''Josephslegende'' as Potiphar's Wife. She created Esmeralda in the world premiere of Franz Schmidt's opera '' Notre Dame'' in the same year. Gutheil-Schoder created the fiercely difficult single role of Arnold Schoenberg's monodrama ''Erwartung'' in 1924 in Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermine Bosetti
Hermine Bosetti ''née'' von Flick (28 September 1875, Vienna – 1 May 1936, Hohenrain or Munich), was a German coloratura soprano. Bosetti sang her debut in Wiesbaden (1898) as "Ännchen" in ''Der Freischütz''. In 1900, she was a member of the Vienna State Opera and from 1901 until 1924 she was a star singer with the Bavarian State Opera. In 1903, she sang the role of "Colombina" in the first performance of ''Le donne curiose'' (Ermanno Wolf-Ferrari). She appeared in most of the German opera houses as well as in the Netherlands, Belgium, London, and Russia. In 1908, she sang in Vienna as a guest in roles such as "The Queen of the Night" and "Marguerite de Valois". She recorded for G&T Recordings, Odeon, and Gramophone. She taught at the Hoch Conservatory in Frankfurt am Main from 1926–28. Among her students were Marcia Van Dresser and Adele Kern. In 1913, she became the face of Aok products in Germany in their advertising, claiming "I have used Aok soap for years". Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stuttgart
Stuttgart (; Swabian: ; ) is the capital and largest city of the German state of Baden-Württemberg. It is located on the Neckar river in a fertile valley known as the ''Stuttgarter Kessel'' (Stuttgart Cauldron) and lies an hour from the Swabian Jura and the Black Forest. Stuttgart has a population of 635,911, making it the sixth largest city in Germany. 2.8 million people live in the city's administrative region and 5.3 million people in its metropolitan area, making it the fourth largest metropolitan area in Germany. The city and metropolitan area are consistently ranked among the top 20 European metropolitan areas by GDP; Mercer listed Stuttgart as 21st on its 2015 list of cities by quality of living; innovation agency 2thinknow ranked the city 24th globally out of 442 cities in its Innovation Cities Index; and the Globalization and World Cities Research Network ranked the city as a Beta-status global city in their 2020 survey. Stuttgart was one of the host cities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")
