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Manumission Inscriptions At Delphi
The archaeological site of Delphi is an incredible source of information on Greek epigraphy. The most numerous single category of inscriptions are the manumission inscriptions, which reach roughly a number of 1300. Acts of manumission In antiquity, manumission was the act of freeing slaves by their owners. Slaves belonged to their masters until they served long enough or until they gathered the necessary sum of money for their liberation. When that moment came, the act of manumission had to be guaranteed by a god, most commonly Apollo. The slave was thus fictitiously sold to the deity, so that the sale action could never be violated. The act was recorded on inscriptions with a rather formulaic expression. The majority of the manumission inscriptions of Delphi are gathered in two main spots: on the supporting wall of the parodoi of the theatre and on the polygonal wall, particularly the part which served as back wall to the portico of the Athenians. Most of the inscriptions date be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphi
Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The oracle had origins in prehistory and it became international in character and also fostered sentiments of Greek nationality, even though the nation of Greece was centuries away from realization. The Ancient Greece, ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as Omphalos of Delphi, the omphalos (navel). The sacred precinct of Ge or Gaia was in the region of Phocis (ancient region), Phocis, but its management had been taken away from the Phocis (ancient region), Phocians, who were trying to extort money from its visitors, and had been placed in the hands of an Amphictyonic League, amphictyony, or committee of persons chosen mainly from Central Greece. According to the Suda, Delphi took its n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigraphy
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literature, literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manumission
Manumission, or enfranchisement, is the act of freeing enslaved people by their enslavers. Different approaches to manumission were developed, each specific to the time and place of a particular society. Historian Verene Shepherd states that the most widely used term is gratuitous manumission, "the conferment of freedom on the enslaved by enslavers before the end of the slave system". The motivations for manumission were complex and varied. Firstly, it may present itself as a sentimental and benevolent gesture. One typical scenario was the freeing in the master's will of a devoted servant after long years of service. A trusted bailiff might be manumitted as a gesture of gratitude. For those working as agricultural laborers or in workshops, there was little likelihood of being so noticed. In general, it was more common for older slaves to be given freedom. Legislation under the early Roman Empire put limits on the number of slaves that could be freed in wills (''lex Fufia Can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parodos
A parodos (also parode and parodus; grc, πάροδος, 'entrance', plural ), in the theater of ancient Greece, is a side-entrance to the stage, or the first song that is sung by the chorus at the beginning of a Greek tragedy. Side-entrance to the theater The parodos is a large passageway affording access either to the stage (for actors) or to the orchestra (for the chorus) of the ancient Greek theater. The parodoi can be distinguished from the entrances to the stage from the ''skene'', or stage building, as the two parodoi are long ramps located on either side of the stage, between the and the ''theatron'', or audience seating area. The term ('way in') is also used. Scholars note that was an older term for the passageway while ''parodos'' was widely used by writers from Aristotle onwards. Entrance song of the chorus ''Parodos'' also refers to the ode sung by the chorus as it enters and occupies its place in the orchestra. Aristotle defined it as "the first whole utterance of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery And Religion
Historically, slavery has been regulated, supported, or opposed on religious grounds. In Judaism, slaves were given a range of treatments and protections. They were to be treated as an extended family with certain protections, and they could be freed. They were property but could also own material goods. Early Christian authors maintained the spiritual equality of slaves and free persons while accepting slavery as an institution. Early modern papal decrees allowed the enslavement of the unbelievers, though popes denounced slavery from the 15th century onward. This denouncement of slavery did not discourage for instance the diocese of the Anglican church from having an indirect involvement with the religious conversion of Negro slaves in Barbados, which one of the main principles were the divine right of the master over the slave. In the eighteenth century, the abolition movement took shape among Christians across the globe, but various denominations did not prohibit slavery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Inscriptions
The Greek-language inscriptions and epigraphy are a major source for understanding of the society, language and history of ancient Greece and other Greek-speaking or Greek-controlled areas. Greek inscriptions may occur on stone slabs, pottery ostraca, ornaments, and range from simple names to full texts. Inscriptiones Graecae The ''Inscriptiones Graecae'' (IG), Latin for ''Greek inscriptions'', project is an academic project originally begun by the Prussian Academy of Science, and today continued by its successor organisation, the ''Berlin-Brandenburgische Akademie der Wissenschaften''. Its aim is to collect and publish all known ancient inscriptions from the ancient world. As such it will eventually make all other previous collections redundant. It is divided by regions. I/II/III - Attica IV - Aegina, Pityonesus, Cecryphalia, the Argolid V - Laconia, Messenia and Arcadia VII - Megarid, Oropus, and Boeotia IX - Aetolia, Acarnania, West Locris and Thessaly X - Epirus, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
