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Mangal-Kāvya
Mangal-Kāvya ( bn, মঙ্গলকাব্য; '' lit.'' "Poems of Benediction") is a group of Bengali religious texts, composed more or less between 13th and 18th centuries, notably consisting of narratives of indigenous deities of rural Bengal in the social scenario of the Middle Ages. The Mangal-Kāvyas usually give prominence to a particular deity amalgamated with a Vedic or Hindu mythological god and the narratives are usually written in the form of verses. ''Manasā Mangal'', ''Chandī Mangal'' and ''Dharma Mangal'', the three major genus of Mangal-Kāvya tradition include the portrayal of the magnitude of Manasā, Chandī and Dharmathakur respectively. They are considered the greatest among all the native divinities in Bengal. But restraining the accounts of other deities, there are also minor Mangal-Kāvyas known as ''Shivāyana'', ''Kālikā Mangal'', ''Rāya Mangal'', ''Shashtī Mangal'', ''Sītalā Mangal'' and ''Kamalā Mangal'' etc. Each strain is composed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandimangalkavya
The Chandimangal () is an important subgenre of mangalkavya, the most significant genre of medieval Bengali literature. The texts belonging to this subgenre eulogize ''Chandi'' or ''Abhaya'', primarily a folk goddess, but subsequently identified with Puranic goddess Chandi. This identification was probably completed a few centuries before the earliest composition of the Chandimangalkavya. Most of the texts of this subgenre comprises two unrelated narratives. The narrative of Kalketu and Phullara is known as the ''Akhetik Khanda'' (hunter section), and the narrative of Dhanapati and his wives, Lahana and Khullana is known as the ''Banik Khanda'' (merchant section). Both of these narratives were probably mentioned in a sloka of the Brihaddharma Purana (Bangabasi edition, Uttarkhanda, Ch.16) also. In Mukundaram's work an additional section, ''Deb Khanda'' is found. This section comprises the narratives of Sati and Parvati and has mostly followed the Puranas.Sen, Sukumar (1991, reprint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundarban
Sundarbans (pronounced ) is a mangrove area in the delta formed by the confluence of the Padma, Brahmaputra and Meghna Rivers in the Bay of Bengal. It spans the area from the Baleswar River in Bangladesh's division of Khulna to the Hooghly River in India's state of West Bengal. It comprises closed and open mangrove forests, land used for agricultural purpose, mudflats and barren land, and is intersected by multiple tidal streams and channels. Sundarbans is home to the world's largest area of mangrove forests. Four protected areas in the Sundarbans are enlisted as UNESCO World Heritage Sites, viz. Sundarbans West (Bangladesh), Sundarbans South (Bangladesh), Sundarbans East (Bangladesh) and Sundarbans National Park (India). Despite these protections, the Indian Sundarbans were considered endangered in a 2020 assessment under the IUCN Red List of Ecosystems framework. The Sundarbans mangrove forest covers an area of about , of which forests in Bangladesh's Khulna Division exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbol
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The variable 'x', in a mathematical equation, may symbolize the position of a particle in space. The academic study of symbols is semiotics. In cartography, an organized collection of symbols forms a legend for a map ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annada Mangal
''Annada Mangal'' ( bn, অন্নদামঙ্গল), or ''Nutan Mangal'' ( bn, নূতনমঙ্গল), is a Bengali narrative poem in three parts by Bharatchandra Ray, written in 1752–53. It eulogizes Hindu goddess Annapurna, a form of Parvati, worshipped in Bengal. It is the only poem in the medieval Mangalkavya tradition that does not create a separate subgenre, as no other poet ever ventured to praise Annapurna in their works. ''Annada Mangal'' is divided into three Books: ''Annada Mangal'' or ''Annada Mahatmya'', ''Bidya Sundar'' or ''Kalika Mangal'' and ''Mansingh'' or ''Annapurna Mangal''. ''Annada Mangal'' or ''Annada Mahatmya'' has three separate narratives. The first narrative describes the stories of Shiva and Dakshayani, the birth of Parvati, the marriage of Shiva and Parvati, the founding of Varanasi and Parvati's staying in Varanasi as Annapurna. The second narrative describe Vyasa's attempt to found Vyasakashi and his subsequent failure while the thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmamangalkavya
The Dharmamangal () is an important subgenre of mangalkavya, with narratives of local deities of rural Bengal, the most significant genre of medieval Bengali literature. The texts belonging to this subgenre eulogize Dharmathakur, a folk deity worshipped in the Rarh region of Bengal. According to tradition, the earliest poet of ''Dharmamangal'' was Mayura Bhatta. The Dharmamangal texts were meant for singing during the twelve-day ritual ceremony, known as '' Gajan''. These texts are part of a larger group of texts associated with the worship of Dharma. In addition to the ''Dharmamangal'' texts, this larger group includes a number of works known as the ''Dharmapuran''s, which narrate the story of creation and the liturgical works known as the ''Samjatpaddhati''s.Sen, Sukumar (1991, reprint 2007). ''Bangala Sahityer Itihas'', Vol.II, , Kolkata: Ananda Publishers, , pp.110-79 ''Dharmamangal'' The texts of the ''Dharmamangal'' comprise two narratives, * the narrative of the Puranic king ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandir
A Hindu temple, or ''mandir'' or ''koil'' in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion.; Quote: "The Hindu temple is designed to bring about contact between man and the gods" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve the boundaries between man and the divine". The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majilpur
Jaynagar Majilpur () is a town and a municipality of the South 24 Parganas district in the Indian state of West Bengal. It is situated in the southern suburbs of Kolkata. As an urban setup in the vicinity of Kolkata, the town is within the area of Greater Kolkata. It is a part of the area covered by the Kolkata Metropolitan Development Authority (KMDA). Jaynagar and Majilpur are two separate towns. Since the formation of the municipality, these twin towns are known together as Jaynagar Majilpur. The town is very famous for its confectionery called ''Jaynagarer Moa''. Etymology Jaynagar is an ancient settlement. The name of Jaynagar comes from the name of the local goddess '' Joychandi'', from which the town derived the name, ''Joychanditala''. Over time it became ''Joychandinagar'' and then ''Joynagar'' or ''Jaynagar''. Another ancient settlement is Majilpur. The etymology of the name is an interesting one. Originally the Ganges would flow over where the town is, but slowly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
