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Man With Red Hat
''Man with a Red Hat'' is a tempera on panel painting attributed to Italian Renaissance painter Vittore Carpaccio, created around 1490–1493. It is housed in the Museo Correr in Venice. Description The attribution to Carpaccio is disputed. Bartolomeo Montagna and Lorenzo Lotto have been also proposed as artists responsible for the piece, while others have assigned it to an unknown master from Ferrara Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream ... or Bologna. The dating is less controversial, having been assigned to the early 1490s, when Carpaccio was painting the '' Legend of Saint Ursula '' and other cycles in Venice, and personal portraits of noblemen were becoming common. The painting depicts an unknown man's face and (partially) bust, above a landscape background. ...
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Portrait Of A Man In A Red Hat
''Portrait of a Man in a Red Hat'' is a 1465–1470 oil on oak panel painting by Hans Memling, one of the first portraits he produced in Bruges, with similarities to his '' Portrait of a Man'' - its subject is unknown. It has some similarities to portraits by Jan van Eyck and Rogier van der Weyden, though the fictive stone frame is Memling's invention. In 1823 it was bought by L.J. Nieuwenhuys, who later sold it to prince William of Orange William III (William Henry; ; 4 November 16508 March 1702), also widely known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic fro .... It was bought at the auction of William's collection in 1850 by its present owner, the Städelsches Kunstinstitut und Städtische Galerie, in Frankfurt am Main. Sources * Till-Holger Borchert, ''De portretten van Memling'' (tentoonstelling Brugge 2005), Ludion, 2005 (nummer 1), p. 151 ...
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Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ...
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Museo Correr
The Museo Correr () is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice. History The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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Bartolomeo Montagna
Bartolomeo (or Bartolommeo) Montagna (, , ; 1450?– 11 October 1523) was an Italians, Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonna (art), Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects, ''Lives'' as a student of Andrea Mantegna but this is widely contested by art historians. Life He was born Bartolomeo Cincani and later changed his name to Bartolomeo Montagna. The first known written record of his existence is from 1459 and list him as a minor. The first known documentation of him as an adult is in 1480 as a witness of a will ...
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