Man Of The Year (song)
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Man Of The Year (song)
"Man of the Year" is a song by American hip hop recording artist Schoolboy Q. The song was released as the second official single from his major-label debut album ''Oxymoron'', on November 23, 2013, by Top Dawg and Interscope Records. The song, produced by frequent collaborators Nez & Rio, first appeared on the soundtrack to the 2013 video game ''NBA Live 14''. The song samples "Cherry", as performed by American electronic band Chromatics, from the 2013 compilation album ''After Dark 2''. The song debuted at number 81 and later peaked at 62 on the US ''Billboard'' Hot 100. Background and release On May 13, 2013, the music video for Top Dawg label-mate Kendrick Lamar's single "Bitch, Don't Kill My Vibe", was released. Later that day, the director's cut of the video was released, which included a bonus clip featuring a snippet of a new song by Schoolboy Q. Shortly after the video was released, American production duo Nez & Rio, who previously contributed production on Schoolbo ...
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Schoolboy Q
Quincy Matthew Hanley (born October 26, 1986), better known by his stage name Schoolboy Q (stylized as ScHoolboy Q), is an American rapper. In 2009, Hanley signed to Carson-based independent record label Top Dawg Entertainment (TDE) and in late 2011, secured a recording contract with major label Interscope Records. Hanley is also a member of the hip-hop supergroup Black Hippy, alongside label-mates and fellow California-based rappers Ab-Soul, Jay Rock, and Kendrick Lamar. In 2008, Hanley released his first full-length project, a mixtape titled ''ScHoolboy Turned Hustla''. He later released a follow-up in 2009, titled ''Gangsta & Soul''. He then returned in January 2011, with his first independent album, titled '' Setbacks''. The project, released under TDE, to digital retailers only, reached number 100 on the US ''Billboard'' 200 chart. A little over a year later, his second independent album ''Habits & Contradictions'', was also released exclusively to digital retailers. Th ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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Music Critic
''The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at the ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ...
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Twitter
Twitter is an online social media and social networking service owned and operated by American company Twitter, Inc., on which users post and interact with 280-character-long messages known as "tweets". Registered users can post, like, and 'Reblogging, retweet' tweets, while unregistered users only have the ability to read public tweets. Users interact with Twitter through browser or mobile Frontend and backend, frontend software, or programmatically via its APIs. Twitter was created by Jack Dorsey, Noah Glass, Biz Stone, and Evan Williams (Internet entrepreneur), Evan Williams in March 2006 and launched in July of that year. Twitter, Inc. is based in San Francisco, California and has more than 25 offices around the world. , more than 100 million users posted 340 million tweets a day, and the service handled an average of 1.6 billion Web search query, search queries per day. In 2013, it was one of the ten List of most popular websites, most-visited websites and has been de ...
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Habits & Contradictions
''Habits & Contradictions'' is the second studio album by American rapper Schoolboy Q. It was released on January 14, 2012, exclusively on iTunes, by Top Dawg Entertainment. The album features guest appearances from ASAP Rocky, Jhené Aiko, Dom Kennedy, Currensy, Ab-Soul, Kendrick Lamar and Jay Rock. The production was handled by American producers The Alchemist, Lex Luger, Mike Will Made It, Best Kept Secret and ASAP Ty Beats, as well as members of Top Dawg Entertainment in-house production team Digi+Phonics. Background On September 22, 2011, via his Twitter feed, Schoolboy Q announced the title of his second independent album to be ''Habits & Contradictions''. He described it as a "prequel to '' Setbacks''". On September 26, he released the first offering off the album, a song titled "Druggys wit Hoes Again" featuring Ab-Soul. The song was originally titled "Extra Pills", however Schoolboy Q said it reminded him so much of "'Druggys wit Hoes' times 10". The song was later relea ...
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Snippet
A snippet is defined as a small piece of something; it may in more specific contexts refer to: * Sampling (music), the use of a short phrase of a recording as an element in a new piece of music * Snipets, (sic) a series of short TV interstitials produced by Kaiser Broadcasting and Field Communications in the 1970s and early 1980s * Snippet (programming), a short reusable piece of computer source code * Solder Solder (; NA: ) is a fusible metal alloy used to create a permanent bond between metal workpieces. Solder is melted in order to wet the parts of the joint, where it adheres to and connects the pieces after cooling. Metals or alloys suitable ..., in small pieces *"Snippet", a song by Blonde Redhead from ''Blonde Redhead'' {{disambiguation ...
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Director's Cut
A director's cut is an edited version of a film (or video game, television episode, music video, or commercial) that is supposed to represent the director's own approved edit in contrast to the theatrical release. "Cut" explicitly refers to the process of film and game editing; in preparing a film for release, the director's cut is preceded by the assembly and rough editor's cut and usually followed by the final cut meant for the public film release and video game release. Director's cuts of film are not generally released to the public because on most films the director does not have the final cut privilege. Those with money invested in the film, such as the production companies, distributors, or studios, may make changes intended to make the film more profitable at the box office. This sometimes means a happier ending or less ambiguity, or excluding scenes that would earn a more audience-restricting rating, but more often means that the film is simply shortened to provide more ...
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Bitch, Don't Kill My Vibe
"Bitch, Don't Kill My Vibe" ( edited for radio as "Trick, Don't Kill My Vibe" or simply "Don't Kill My Vibe"), is a song by American rapper Kendrick Lamar, from his major-label debut studio album ''Good Kid, M.A.A.D City'' (2012). The song, produced by frequent collaborator Sounwave of Top Dawg Entertainment in-house production team Digi+Phonics, heavily samples "Tiden Flyver", by Danish electronic group Boom Clap Bachelors. It was originally intended to be a collaboration with American singer Lady Gaga, but her contributions were ultimately excluded from the final recording due to timing issues. A remix of "Bitch, Don't Kill My Vibe" featuring American rapper Jay-Z was sent to radio as the album's fifth single on March 21, 2013, with the original version and another remix featuring British singer Emeli Sandé later being released. The song's music video, directed by The Lil Homie and OG Mike Mihail, notably ends with an abrupt cut to a black title screen reading "Death to Moll ...
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Kendrick Lamar
Kendrick Lamar Duckworth (born June 17, 1987) is an American rapper and songwriter. Known for his Progressive rap, progressive musical styles and Social consciousness, socially conscious songwriting, he is often considered one of the most influential hip hop artists of his generation. Born and raised in Compton, California, Lamar began his career as a teenager performing under the stage name K.Dot. He quickly garnered local attention which led to him signing a recording contract with Top Dawg Entertainment (TDE) in 2005. After becoming a founding member of the hip hop supergroup Black Hippy, Lamar dropped his stage name and started using his first and middle names professionally. In 2011, he released his debut studio album ''Section.80'', a Political hip hop#Conscious hip hop, conscious hip hop record. The album was met with positive reviews and included his debut single "HiiiPoWeR, HiiiiPower". In 2012, Lamar secured a record deal with Dr. Dre’s Aftermath Entertainment, unde ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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