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Mambo (1938 Song)
"Mambo" is a 1938 danzón nuevo ritmo by Arcaño y sus Maravillas. It was composed by the band's cellist/multi-instrumentalist Orestes López. The piece includes a final section with syncopated montunos which would give rise to the mambo music genre popularized by Dámaso Pérez Prado and others. Personnel *Antonio Arcaño (replaced by Eulogio Ortiz on 1951 recording) – flute *Jesús López – piano *Israel "Cachao" López – double bass *Orestes López – cello *Miguel Valdés – viola *Enrique JorrÃn – violin *Elio Valdés – violin *Fausto Muñoz – violin * Félix Reina - violin *Antonio Sánchez "Musiquita" – violin *Ulpiano DÃaz – timbales *Eliseo MartÃnez – tumbadora *Gustavo Tamayo Gustavo E. Tamayo is a Colombian ophthalmologist known for developing a refractive surgery method known as Contoured Ablation Patterns (CAP), which enables doctors to make surgeries faster and at an easier rate. Tamayo has also developed and pat ... – güiro References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón-mambo
The danzón-mambo (also known as ''danzón de nuevo ritmo'') is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form. Origins The danzón-mambo was created by the musicians and arrangers of Antonio Arcaño's charanga, Arcaño y sus Maravillas, which was founded in 1937 (Orovio 1981:324). According to Santos (1982), The main forces behind Arcano's mambo were the Lopez brothers, Orestes ... and Israel (the great "Cachao") ..., who did most of the composing and arranging for the group, and played the 'cello and the string bass, respectively. Characteristics Generally speaking, the ''danzón-mambo'' represents a further and stronger incorporation of elements of the ''son'' into the ''danzón''. The first sections, or ''danzones'', did not depart significantly from the traditional ''danzà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcaño Y Sus Maravillas
Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón-mambo by its two main composers and musicians: Orestes López (piano, cello, bass) and his brother Israel López "Cachao" (bass). Such upbeat version of the danzón served as a precursor of the mambo popularized by Pérez Prado, as well as the chachachá created by Enrique JorrÃn, a violinist who started his career in the Maravillas. Other important musicians in the Maravillas were pianist Jesús López (unrelated to Orestes and Israel), timbalero Ulpiano DÃaz, violinist Félix Reina and flautist Eulogio Ortiz. Antonio Arcaño, former member of singer Fernando Collazo's La Maravilla del Siglo, founded his orchestra in November 1937 under the name La Maravilla de Arcaño, featuring many of the members of Collazo's group. Collazo himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes López
Orestes López Valdés (August 28, 1908 – January 26, 1991), nicknamed Macho, was a Cuban multi-instrumentalist, composer and bandleader. As a double bassist he was a founding member of the Havana Philharmonic Orchestra, and later a member of the National Symphony Orchestra of Cuba. A long-time member of the charanga Arcaño y sus Maravillas, where he played cello and piano, he is considered the co-creator of the mambo, together with his brother Israel "Cachao" López, and one of the most prolific danzón composers of the 20th century. Biography Early life and career Orestes López was born in Old Havana on August 28, 1908, into a family of musicians. As a pre-teenager he studied piano, cello, violin and the five-key ebony flute. In 1924, at age 15, he became double bassist for the newly-founded Havana Philharmonic Orchestra directed by Pedro Sanjuán. A few years later, he was playing bass for Miguel "El Moro" Vázquez's charanga. According to his brother Cachao, in 1926 he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tres Cantos
Tres Cantos is a municipality of Spain located in Community of Madrid. Originally belonging to Colmenar Viejo, it seceded from the latter municipality in 1991, becoming the youngest municipality in the region. The urbanised area was conceived as a "satellite city" of Madrid developed by urban planners in the 1970s. It has a population of 48 326 inhabitants in 2020. The city, as other planned cities, has a distinctive structure. It consists of three ''phases'' and a newer development "Nuevo Tres Cantos". The two first phases are subdivided in ''sectors''. Most sectors, especially in the first phase (North), include internally pedestrian public spaces, being surrounded by streets. The names of urban places are usually related to the sector in which they are located–for example, the ''Sector Océanos'' consists of five streets named after the five oceans. The town hosts a number of Spanish headquarters of companies such as Siemens, Danone, Beiersdorf, advanced research at Merck, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montuno
Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so ''son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Another possibility is that the word ''montuno'' comes from the word ''montura'', the Spanish word for "saddle", because the rhythm in son music is like riding a horse. Or it may mean the final section of a song-based composition; in this sense it is simply part of a piece of music. Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term ''montuno'' is also used for a piano ''guajeo'', the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement.Orovio, Helio 2004. ''Cuban music from A to Z''. Tumi, Bath. p141 References See also *Son montuno *Call and response (music) *Coro-pregà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mambo (music)
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the ''guajeos'' typical of son cubano (also known as ''montunos''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito RodrÃguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dámaso Pérez Prado
Dámaso is a Spanish masculine given name. The name is equivalent to that of Pope Damasus I in English. The name also exists in Italian as Damaso, though it is uncommon. People * Dámaso Alonso (1898–1990), Spanish poet * Dámaso Berenguer, 1st Count of Xauen (1873–1953), Spanish soldier and politician * Dámaso Blanco (born 1941), Venezuelan baseball third baseman * Dámaso Centeno (1850–1892), Argentine politician and orphanage founder * Dámaso Espino (born 1983), Panamanian baseball catcher * Dámaso GarcÃa (1957–2020), Dominican baseball player * Dámaso González (1948–2017), Spanish bullfighter * Dámaso Antonio Larrañaga (1771–1848), Uruguayan priest, naturalist and botanist * Dámaso Marte (born 1975), Dominican Major League Baseball relief pitcher * Dámaso Pérez Prado (1916–1989), Cuban musician * Dámaso RodrÃguez MartÃn "El Brujo" (1945–1991), Spanish serial killer * Dámaso Ruiz-Jarabo Colomer (1949–2009), Spanish jurist * Dámaso de Toro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Arcaño
Antonio Arcaño Betancourt (Atarés, Havana 29 December 1911 – 1994) was a Cuban flautist, bandleader and founder of Arcaño y sus Maravillas, one of Cuba's most successful charangas. He retired from playing in 1945, but continued as director of the group until its dissolution in 1958. Despite his early retirement due to health problems, he is considered one of the most influential flautists in Cuba. After leaving La Maravilla del Siglo, a very popular charanga, Arcaño founded La Maravilla de Arcaño, later known as Arcaño y sus Maravillas. The band featured the López brothers, Israel López "Cachao" and Orestes López, composers and multi-instrumentalists that originated the danzón-mambo, the direct precursor of the mambo, through compositions such as " Rareza de Melitón", "Se va el matancero" and, above all, "Mambo", the piece that lent its name to the genre. Arcaño was posthumously inducted into the International Latin Music Hall of Fame in 2000. See also * José Faja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel "Cachao" López
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique JorrÃn
Enrique JorrÃn ( Candelaria, Pinar del RÃo, December 25, 1926 - Havana, December 12, 1987) was a Cuban charanga violinist, composer and music director. He is considered the inventor of the '' cha-cha-chá'', a popular style of ballroom music derived from danzón. Biography At an early age, his family moved to the El Cerro neighborhood of Havana, where JorrÃn was to live for the rest of his life. At the age of 12, he began to show a particular interest in music and decided to learn the violin. He then pursued musical studies at the Municipal Conservatory of Havana. He started out as a violinist in the orchestra of Cuba's National Institute of Music, under the direction of González Mántici. In 1941, he became a member of the '' danzonera'' Hermanos Contreras. It was here that he became interested in popular music. Next, he joined the renowned '' charanga'' Antonio Arcaño y sus Maravillas. In the early 1950s, while a member of Ninón Mondéjar's Orquesta América, he cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Reina
Félix Rafael Herrera Altuna (May 21, 1921 – February 10, 1998), better known as Félix Reina, was a Cuban violinist, arranger, music director and composer. Since the mid-1940s, he was a member of many popular charangas, including Arcaño y sus Maravillas, Orquesta América and Fajardo y sus Estrellas. In 1959, after Fajardo went into exile, he became the leader of his orchestra, the Estrellas Cubanas, which he directed until his death. A prolific composer, his most performed danzones include "Angoa", "Los jóvenes del silencio" and "El niche". In the 1950s, he primarily wrote chachachás and his bolero "Si te contara" became a standard of the genre. Life and career Born in Trinidad, Sancti SpÃritus, Cuba, Félix Reina began his musical studies with his father and with violin teacher Isidro Cintra. After playing in local orchestras for some time, he moved to Havana in 1946, joining the charanga directed by flutist José Antonio DÃaz. Soon, he joined Arcaño y sus Maravillas, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
