|
Malaika (singer)
Malaika (born Malaika LeRae Sallard, January 2, 1972, in Seattle, Washington) also known under name Malaika Sallard Johnson, is a female African American dance singer from Seattle, Washington. During her short lived music career she recorded only one album entitled ''Sugar Time'', which managed two Top 5 hits on the US '' Billboard'' Hot Dance Music/Club Play chart, including her number #1 single, " Gotta Know (Your Name)" in 1993. Sallard is tied with another A&M recording artist, CeCe Peniston, who took her own chances by performing backup vocals on the Overweight Pooch's album record '' Female Preacher'' in 1991, originally intended for Malaika. Discography Albums Singles Other contributions See also *List of number-one dance hits (United States) *List of artists who reached number one on the US Dance chart References External links *Malaikaon Discogs Discogs (short for discographies) is a database of information about audio recordings, including comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seattle, Washington
Seattle ( ) is a port, seaport city on the West Coast of the United States. It is the county seat, seat of King County, Washington, King County, Washington (state), Washington. With a 2020 population of 737,015, it is the largest city in both the U.S. state, state of Washington and the Pacific Northwest region of North America. The Seattle metropolitan area's population is 4.02 million, making it the List of metropolitan statistical areas, 15th-largest in the United States. Its growth rate of 21.1% between 2010 and 2020 makes it one of the nation's fastest-growing large cities. Seattle is situated on an isthmus between Puget Sound (an inlet of the Pacific Ocean) and Lake Washington. It is the northernmost major city in the United States, located about south of the Canada–United States border, Canadian border. A major gateway for trade with East Asia, Seattle is the fourth-largest port in North America in terms of container handling . The Seattle area was inhabited by Nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Female Preacher
''Female Preacher'' is the debut, and to date the only album recorded by Tonya Davis, a US rapper better known as Overweight Pooch, which was released in 1991 on A&M Records. Although the record indicated that Pooch had some potential, her album didn't go far commercially. Three songs were issued on single including a promo release, "Hip House Party", initially also promoted on ''Jam Harder: The A&M Underground Dance Compilation'' in 1990. The compilation scored at number sixty-three on the U.S. R&B/Hip-Hop Albums chart and at number one-hundred-thirty-one on the Top 200 ''Billboard'' Albums. "Ace Is a Spade", originally titled as "Ace a Spade", contained samples of "New Day" and the James Brown's hit "Soul Power" The final single from the set " I Like It", it featured background vocals by CeCe Peniston who also contributed to the set with additional two tracks that she also co-wrote; "Kickin' Da Blues" and "Female Preacher". The single itself reached number sixteen in the U. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Number-one Dance Hits (United States)
This is a list of number-one dance hits as recorded by ''Billboard'' magazine's Dance Club Songs chart – a weekly national survey of popular songs in U.S. dance clubs. It began on October 26, 1974, under the title ''Disco Action'' chart. It is compiled by ''Billboard'' exclusively from playlists submitted by nightclub disc jockeys, who must apply and meet certain criteria to become "''Billboard''-reporting DJs". Below are links to lists showing the songs that have topped the chart. Dates shown represent "week-ending" ''Billboard'' issue dates. ''Billboard'' has adopted former publication rival ''Record Worlds chart statistics from the weeks between March 29, 1975, and August 21, 1976, into their ''Hot Dance Club Play'' chart history, as ''Billboard'' did not publish a national chart during this time (''Billboard'' published multiple charts featuring regional- or city-specific hits during this era). From the chart's inception until the week of February 16, 1991, several (or eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finally (CeCe Peniston Album)
''Finally'' is the debut album by American singer CeCe Peniston, released on January 30, 1992 by A&M Records. Prior to the release of this album, Peniston released her debut single "Finally", which topped the US ''Billboard'' Hot Dance Music Club Play chart on October 26, 1991, peaking eventually at number five on the ''Billboard'' Hot 100 and at number two in the UK Singles Chart. The album yielded two additional singles which achieved dance number one status in the US; "We Got a Love Thang", co-written by Chantay Savage, and " Keep On Walkin'", written in collaboration with Kym Sims. Both songs entered the UK Singles Chart top 10 and the ''Billboard'' Hot 100 top 20 in the US. Despite the success of the singles, the album itself climbed only to number seventy on the US ''Billboard'' 200. However, during its thirty-six weeks long presence in the chart it sold over 554,000 copies in the US. The album peaked at number ten on the UK Albums Chart. The total worldwide sales of the al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
So Much Love (Malaika Song)
"So Much Love" is a 1992 song and the debut single by Malaika, released on A&M Records. The composition, written by the singer herself, D'Mosis and Rodney K. Jackson, was the lead single of her only album released to date, ''Sugar Time''. The song charted at number five on the U.S. ''Billboard'' Hot Dance Music/Club Play and at number six on the Canadian Dance/Urban Singles Chart. Credits and personnel * Malaika – lead vocals, writer * D'Mosis – writer, * Rodney K. Jackson – writer, producer * Felipe Delgado - programming * David Morales - additional producer, remix A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The o ... Track listings ; 12" Maxi, UK, AMX 0084 # "So Much Love (Techno Mix)" - 5:51 # "So Much Love (Original Mix)" - 6:46 # "So Much Love (Bassman Mix)" - 5:52 ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot 100 Airplay
The Radio Songs chart (previously named Hot 100 Airplay until 2014 and Top 40 Radio Monitor until 1991) is released weekly by ''Billboard (magazine), Billboard'' magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales (both Hot Singles Sales, physical and the Hot Digital Songs, digital) and streaming activity, that determine the chart positions of songs on the Billboard Hot 100, ''Billboard'' Hot 100. History Radio airplay has always been one of the component charts of the Hot 100. Prior to the establishment of the Hot 100, ''Billboard'' published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in 1959 as jukeboxes lost their popularity. During the 1960s and 1970s, ''Billboard'' continued to collect airplay data as a component of the Hot 100 but did not make the chart public. The airplay-only chart d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Airplay
R&B/Hip-Hop Airplay (previously known as Hot R&B/Hip-Hop Airplay) is a chart published by ''Billboard'' magazine that ranks the top R&B and hip hop songs in the United States, based on audience impressions from a panel of radio stations monitored by Nielsen Broadcast Data Systems. It was also used in sister publication '' R&R'', which listed the chart as Urban National Airplay. The chart is not the R&B/hip-hop subset of the Hot 100 Airplay chart, but rather uses a separate panel of R&B stations in urban and urban adult contemporary markets. It was the primary airplay component chart of the US Hot R&B/Hip-Hop Songs chart until the issue dated October 20, 2012, when Hot R&B/Hip-Hop Songs was revamped to include digital sales, streaming, and airplay from all radio formats. The Hot R&B/Hip-Hop Airplay chart encompasses two separate airplay charts, both of which are based on radio spins rather than audience impressions: Mainstream R&B/Hip-Hop and Adult R&B Airplay, which measure airpla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Dance Singles Sales
In the issue dated March 16, 1985, '' Billboard'' magazine debuted its first chart devoted exclusively to 12-inch Singles Sales. The 50-position weekly ranking joined ''Billboard''s established Club Songs chart, reduced to the same 50 positions, both under the title Hot Dance/Disco. A coupling from MCA Records' ''Beverly Hills Cop'' soundtrack, Patti LaBelle's " New Attitude" and Harold Faltermeyer's "Axel F", held the No. 1 slot for the chart's first week and was also No. 1 for the second consecutive week on the most played dance/disco chart. On June 20, 1992, the chart was renamed Maxi-Singles Sales, then simply Dance Singles Sales on March 1, 2003. The chart included maxi-singles that did not appear on Club Play by artists of other genres such as rapper 2Pac, the industrial metal band Ministry and alternative rock band the Smiths. " Every Day Is Exactly the Same" by Nine Inch Nails was number one on the sales chart more than any other single at 36 weeks, yet never appeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Dance Club Play
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Dance Chart
The Canadian dance chart was first known to be published on November 13, 1976 by ''RPM'' magazine under the name ''Top 30 Disco Playlist''. The song which held the number-one spot on this first chart was "Keep It Comin' Love / I'm Your Boogie Man" by KC and the Sunshine Band. No chart was published from January 1980 until September 3, 1988. The final archived chart was under the name ''Top 30 Dance'' and was published on October 16, 2000, three weeks before the magazine ceased publication. The song which held the number-one spot on the final archived chart was "Here Comes the Sunshine" by Love Inc. See also *List of number-one dance hits (Canada) References External links''RPM'' Dance/Urban archive {{Record Charts Canadian record charts Electronic dance music Dance music Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categorie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
