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Main Cathedral Of The Russian Armed Forces
The Main Cathedral of the Russian Armed Forces (Cathedral of the Resurrection of Christ; russian: Главный храм Вооружённых сил России (Храм Воскресения Христова)) is a lavish Russian Patriarchal cathedral in honour of the Resurrection of Christ and "dedicated to the 75th anniversary of victory in the Great Patriotic War, as well as the military feats of the Russian people in all wars", built in the Patriot Park in the Odintsovsky District, Moscow Oblast. The cathedral was built with donations and budget funds from the Moscow city government and the Moscow Oblast. It was consecrated as part of the celebration of the 75th anniversary of Soviet victory on the Eastern Front of World War II. An exhibition dedicated to the history of the Russian state and its armed forces will be located on-site. The construction of the cathedral was completed on 9 May 2020, on the annual Victory Day. It was consecrated on 14 June. It was opened on ...
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Patriot Park
Patriot Park (russian: Парк «Патриот») is a theme park in Kubinka, Russia that is themed around equipment of the Russian military. The park, which officially opened in 2016, is designed around a military theme, and includes interactive exhibits with military equipment. The park incorporates the Aviation Museum of the Kubinka air base and the Kubinka Tank Museum. The location of the exhibits and the restrictions for civilian visitors are changed very often without any notifications. In 2020 the Main Cathedral of the Russian Armed Forces was completed and plans for an Armed Force Museum are in progress. The park has hosted International Military-Technical Forum "Army" since 2015. Specifications * Total land area — 5,414 hectares (54.14 km2) * Military base — 3,530 hectares (35.3 km2) * Civilian part — 1,884 hectares (18.84 km2) * Maximum planned attendance is 20,000 visitors The shooting range inside Patriot Park has an area of over 160 hec ...
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Façade
A façade () (also written facade) is generally the front part or exterior of a building. It is a loan word from the French (), which means ' frontage' or ' face'. In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building. From the engineering perspective, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws greatly restrict or even forbid their alteration. Etymology The word is a loanword from the French , which in turn comes from the Italian , from meaning 'face', ultimately from post-classical Latin . The earliest usage recorded by the ''Oxford English Dictionary'' is 1656. Façades added to earlier buildings It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade. For example, in the city of Bath, The Bunch of Grapes ...
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Vault (architecture)
In architecture, a vault (French ''voûte'', from Italian ''volta'') is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed. Vault types Corbelled vaults, also called false vaults, with horizontally joined layers of stone have been documented since prehistoric times; in the 14th century BC from Mycenae. They were built regionally until modern times. The real vault construction with radially joined stones was already known to the Egyptians and Assyrians and was introduced into the buil ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Rome, Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean civilisation, Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman dynasty, Norman Kingdom of Sicily in the 12th century, by the eastern-influenced R ...
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Saviour-Not-Made-by-Hands
According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus had been imprinted—the first icon ("image"). The image is also known as the Mandylion (from Greek μανδύλιον "cloth, towel"), in Eastern Orthodoxy, it is also known as Acheiropoeiton (Εἰκόν' ἀχειροποίητη), or "icon not made by hand". In the tradition recorded in the early 4th century by Eusebius of Caesarea, King Abgar of Edessa wrote to Jesus, asking him to come cure him of an illness. Abgar received a reply letter from Jesus, declining the invitation, but promising a future visit by one of his disciples. One of the seventy disciples, Thaddeus of Edessa, is said to have come to Edessa, bearing the words of Jesus, by the virtues of which the king was miraculously healed. Eusebius said that he had transcribed and translated the actual letter in the Syriac chancery documents of the ...
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Enamelled Glass
Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass. All proper uses of the term "enamel" refer to glass made into some flexible form, put into place on an object in another material, and then melted by heat to fuse them with the object. It is called vitreous enamel or just "enamel" when used on metal surfaces, and "enamelled" overglaze decoration when on pottery, especially on porcelain. Here the supporting surface is glass. All three versions of the technique have been used to make brush-painted images, which on glass and pottery are the normal use of the technique. Ena ...
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Copper
Copper is a chemical element with the symbol Cu (from la, cuprum) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pinkish-orange color. Copper is used as a conductor of heat and electricity, as a building material, and as a constituent of various metal alloys, such as sterling silver used in jewelry, cupronickel used to make marine hardware and coins, and constantan used in strain gauges and thermocouples for temperature measurement. Copper is one of the few metals that can occur in nature in a directly usable metallic form ( native metals). This led to very early human use in several regions, from circa 8000 BC. Thousands of years later, it was the first metal to be smelted from sulfide ores, circa 5000 BC; the first metal to be cast into a shape in a mold, c. 4000 BC; and the first metal to be purposely alloyed with another metal, tin, to crea ...
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Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the " veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pre ...
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Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon p ...
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Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints ...
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Cobalt Glass
Cobalt glass—known as "smalt" when ground as a pigment—is a deep blue coloured glass prepared by including a cobalt compound, typically cobalt oxide or cobalt carbonate, in a glass melt. Cobalt is a very intense colouring agent and very little is required to show a noticeable amount of colour. Cobalt glass plates are used as an optical filter in flame tests to filter out the undesired strong yellow light emitted by traces of sodium, and expand the ability to see violet and blue hues, similar to didymium glass. Moderately ground cobalt glass (potassium cobalt silicate)—called "smalt"—has been historically important as a pigment in glassmaking, painting, pottery, for surface decoration of other types of glass and ceramics, and other media. The long history of its manufacture and use has been described comprehensively. Cobalt aluminate, also known as "cobalt blue", can be used in a similar way. Cobalt glass such as Bristol blue glass is appreciated for its attractive colo ...
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Gzhel
Gzhel is a Russian style of blue and white ceramics which takes its name from the village of Gzhel and surrounding area, where it has been produced since 1802. Overview About thirty villages located southeast of Moscow produce pottery and ship it throughout Russia. The name Gzhel became associated with pottery in the 14th century. Gzhel pottery was originaly created by potters in their homes; however, fairly early on these potters started to organize into workshops to increase production. The workshops eventually became factories with pieces formed in moulds and potters being responsible for separate pieces, a specific style, or decoration. The earliest pieces were created of earthenware. The pottery was painted solid white with distintive blue designs. Pottery was also produced using a tin based white glaze and coloured glaze designs in blue, green, yellow, and brown, rather than just blue on a white background, in a style that is referred to as Maiolica. The body colo ...
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