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Maiden Of The Cancer Moon
''Maiden of the Cancer Moon'' is a live album by American psychedelic rock band Quicksilver Messenger Service. Track listing Side One #"Back Door Man" #" Codine" #"Mona/Maiden of the Cancer Moon/Mona" Side Two #"Gold and Silver" #"Smokestack Lightning" Side Three #"Light Your Windows" #"Dino's Song" #"The Fool" Side Four #" Who Do You Love?" #"Mona/Maiden of the Cancer Moon/Mona" Personnel * John Cipollinavocals, guitar * Gary Duncanvocals, guitar * David Freibergvocals, bass guitar, viola * Greg Elmore Gregory Dale Elmore (born September 4, 1946, in the Coronado Naval Air Station, California) is an American drummer, formerly with The Brogues and the San Francisco rock band Quicksilver Messenger Service. Elmore also played regularly with Terr ...drums References Quicksilver Messenger Service albums 1983 live albums {{1980s-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quicksilver Messenger Service
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles (only one, "Fresh Air" charted, reaching number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of that er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Rock
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock. The term is sometimes used interchangeably with "psychedelic rock", but it also specifically refers to a more musically intense subgenre or sibling of the psychedelic rock style. Compared to other psychedelic rock, acid rock features a harder, louder, heavier, or rawer sound. It developed mainly from the American West Coast, where groups did not focus on the novelty recording effects or whimsy of British psychedelia, and instead emphasized the heavier qualities associated with both the positive and negative extremes of the psychedelic experience. As the movement p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back Door Man
"Back Door Man" is a blues song written by Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album. Lyrics In Southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. Dixon's lyrics include: The philandering "back-door man" is a theme of several blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man", Martin sang in "Strange Loving Blues" (1925). Recording and releases "Back Door Man" was recorded in Chicago in June 1960. Accompanying Howlin' Wolf on vocals is Otis Spann on piano, Hubert Sumlin on guitar, Willie Dixon on double bass, and Fred Below on d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codine (song)
"Cod'ine" (also spelled "Codine" or "Codeine") is a contemporary folk song by singer-songwriter Buffy Sainte-Marie. Considered one of the earliest anti-drug songs, Sainte-Marie wrote the piece after becoming addicted to codeine which she had been given for a bronchial infection. She recorded it for her debut album, ''It's My Way!'' (1964). "Cod'ine" is a solo performance by Sainte-Marie, with her vocal accompanied by a twelve-string acoustic guitar. The lyrics are a personalized portrayal of addiction; the spelling reflects her pronunciation of the word, which rhymes with "rise" and "time" in the song's verses. As one of her best-known songs, it is included on several compilations. Her performance at the Newport Folk Festival was filmed and appears on Murray Lerner's documentary ''Festival'' (1967). A variety of artists have recorded "Cod'ine" (usually as "Codine"), making it one of Sainte-Marie's most often covered songs. Background and composition In the early 1960s, after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cipollina
John Cipollina (August 24, 1943 – May 29, 1989) was a guitarist best known for his role as a founder and the lead guitarist of the prominent San Francisco rock band Quicksilver Messenger Service. After leaving Quicksilver he formed the band Copperhead, was a member of the San Francisco All Stars and later played with numerous other bands. Early years John and his twin sister Manuela were born in Berkeley, California, on August 24, 1943. Cipollina attended Tamalpais High School, in Mill Valley, California, as did his brother, Mario (born 1954), and sister, Antonia (born 1952). Their father, Gino, was of Italian ancestry (Genovese and Piemontese origins). He was a realtor, and their mother, Evelyn, and godfather, José Iturbi, were concert pianists. John showed great promise as a classical pianist in his youth, but his father gave him a guitar when he was 12 and this quickly became his primary instrument. Equipment and technique Cipollina had a unique guitar sound, mixing s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Duncan
Gary Duncan (born Eugene Duncan, Jr., adopted at birth and named Gary Ray Grubb, September 4, 1946 – June 29, 2019) was an American guitarist, singer and songwriter. He was guitarist with The Brogues, then most notably with Quicksilver Messenger Service, where the complex interplay between himself and fellow-guitarist John Cipollina did much to define the unique sound of that San Francisco based band. Early life and musical career Born in San Diego, Duncan grew up in Ceres, California, where (as Gary Grubb) he played guitar for the Ratz until they finished their performance itinerary as an opening act for the Byrds and the Rolling Stones at the War Memorial Auditorium in San Jose, California. It was in 1965 when, as Gary Cole, he joined the Brogues, in Merced, California, and met future Quicksilver Messenger Service drummer Greg Elmore. It was with the Brogues that he adopted the stage name Gary Duncan. He stayed with them until they broke up in 1965. Quicksilver Messenge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Freiberg
David Freiberg ( ; born August 24, 1938) is an American musician best known for contributing vocals, keyboards, electric bass, rhythm guitar, viola and percussion as a member of Quicksilver Messenger Service, Jefferson Airplane, and Jefferson Starship.Fenton, Craig. ''Have You Seen the Stars Tonite: The Jefferson Starship Flight Manual 1974–1978 & J.S. The Next Generation 1992–2007'' (2008) () Among other tracks, he co-wrote "Jane", a hit for Jefferson Starship. Career Singer-songwriter Classically trained in violin and viola, Freiberg began his career moonlighting as a coffeehouse singer-songwriter (playing acoustic guitar) during the American folk music revival while working for a railroad. For a while, he shared a house in Venice, California with David Crosby and Paul Kantner before being briefly jailed for marijuana possession. Prior to being incarcerated, he also became acquainted with Dino Valenti, then Crosby's nominal roommate on a houseboat in Sausalito, Californ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
