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Madurai R. Muralidaran
Kalaimamani Shri Guru Madurai R. Muralidaran is an acclaimed dance Guru (teacher), composer, dancer, choreographer, lyricist, playwright and director best known for his large body of modern compositions for Bharatanatyam dancers and his many elaborate dance musical productions. His works explore the complexities of Bharathanatyam theory and rhythms while remaining accessible and appealing to a modern lay audience. Biography The Times of India's special publication ''Madhura Geetham'', about the artistic heritage of Madurai, recognized Shri Muralidaran as one of the stalwarts of Indian classical dance and music. Shri Muralidaran began his training at age 7 under Guru Kalaimamani Chamundeeswari. He founded Nrithyakshethra Dance Academy in Chennai, India in 1978 and has since trained over 750 dancers as a Dance Guru (teacher). Shri Muralidaran taught nattuvangam and dance to around 4500 students in India and around the world during the pandemic time. He serves on the advisory boar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Missing (living People)
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaimamani
The Kalaimamani is the highest civilian award in the state of Tamil Nadu, India. These awards are given by the ''Tamil Nadu Iyal Isai Nataka Mandram'' (literature, music and theatre), a unit of the Directorate of Art and Culture, Government of Tamil Nadu, to recognise artists in the state for their achievements. The Tamil Nadu government has appointed dancer Chitra Visweswaran as the secretary of Tamil Nadu Iyal Isai Nataka Manram. Film music director Deva is its chairman. Awardees by year 1958 :Film Personalities: Padmini 1962 :Film Personalities: Sivaji Ganesan 1968 :Film Personalities: K. A. Thangavelu :Music: Sangeetha Kalanidhi Late K.S.Narayanaswamy (Vainika) 1969 :Film Personalities: Sowcar Janaki 1970 Music: M. S. Viswanathan (Composer) 1971 :Music: Madras A. Kannan, classical music (mridangam) 1972 :Film Personalities: J. Jayalalithaa :Music: P. K Subbaiyar 1977 :Film Personalities: Srividya 1979 :Film Personalities: Vyjayanthimala :Music:Manna Dey 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman
Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine '' vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth, and considered to be an incarnation or son of Shiva in Shaivism. Hanuman is mentioned in several other texts, such as the epic ''Mahabharata'' and the various Puranas. Evidence of devotional worship to Hanuman is largely absent in these texts, as well as in most archeological sites. According to Philip Lutgendorf, an American Indologist, the theological significance of Hanuman and devotional dedication to him emerged about 1,000 years after the composition of the ''Ramayana'', in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent.Paula Richman (2010), ''Review: Lut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venkateswara
Venkateswara, also known by various other names, is a form of the Hinduism, Hindu god Vishnu. Venkateswara is the presiding deity of the Tirumala Venkateswara Temple, located in Tirupati, Sri Balaji District, Andhra Pradesh, India. Etymology Venkateswara literally means, "Lord of Venkata (hill), Venkata". The word is a combination of the words ''Venkata'' (the name of a hill in Andhra Pradesh) and ''isvara'' ("Lord"). According to the ''Brahmanda Purana, Brahmanda'' and ''Bhavishya Purana, Bhavishyottara'' Puranas, the word "Venkata" means "destroyer of sins", deriving from the Sanskrit words ''vem'' (sins) and ''kata'' (power of immunity). It is also said that 'Venkata' is a combination of two words: '''ven''' (keeps away) and kata''' (troubles). Venkata means he 'who keeps away troubles' or 'who takes away problems' or such terms in a similar context. Legend Every year, hundreds of thousands of devotees donate a large amount of wealth at the Tirumala Venkateswara Temple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayyappan
Ayyappan an incarnation of dharma sastha, also called Manikandan, is a Hindu deity popular in Southern India, He is considered to be the epitome of dharma, truth, and righteousness and is often called upon to obliterate evil. Although devotion to Ayyappan has been prevalent earlier in South India, his popularity rose only in the late 20th century. According to Hindu theology, he is the son of Harihara (Vishnu in the form of Mohini, and Shiva).Constance Jones and Ryan James (2014), Encyclopedia of Hinduism, Infobase Publishing, , page 58 Ayyappan is also referred to as Ayyappa, Sastavu, Hariharasudhan, Manikandan, Shasta or Dharma Shasta and Sabarinath. The iconography of Ayyappan depicts him as a handsome celibate ( Brahmachari) deity doing yoga and as an epitome of Dharma, who wears a bell around his neck. In the Hindu tradition popular in the Western Ghats of India, he was born with the powers of Shiva and Vishnu to confront and defeat the shape-shifting evil Buffalo demoness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nandi (bull)
Nandi ( sa, नन्दि), also known as Nandikeshwara or Nandideva, is the bull vahana of the Hindu god Shiva. He is also the guardian deity of Kailash, the abode of Shiva. Almost all Shiva temples display stone-images of a seated Nandi, generally facing the main shrine. According to Saivite siddhantic tradition, he is considered as the chief guru of eight disciples of Nandinatha Sampradaya, namely, Sanaka, Sanatana, Sanandana, Sanatkumara, Tirumular, Vyagrapada, Patanjali, and Sivayoga Muni, who were sent in eight different directions, to spread the wisdom. The Cham Hindus of Vietnam believes that when they die, the Nandi will come and take their soul to the holy land of India from Vietnam. The Sanskrit word nandi ( sa, नन्दि) has the meaning of happy, joy, and satisfaction, the properties of divine guardian of Shiva- Nandi. It is recently documented, that the application of the name Nandi to the bull (Sanskrit: ''Vṛṣabha''), is in fact a development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rukmini Vijayakumar
Rukmini Vijayakumar is an Indian dance choreographer, Bharatanatyam dancer, and actress from engaluru . Along with her performances on stage, she has appeared in films such as '' Ananda Thandavam'' (2009), ''Bhajarangi'' (2013), '' Kochadaiyaan'' (2014), ''Final Cut of Director'' (2016) and ''Kaatru Veliyidai'' (2017). Career Rukmini Vijayakumar is the artistic director of Raadha Kalpa dance company, and the director of LshVa, an art space. She is the founder of The Raadha Kalpa Method, a pedagogical system of training classical Indian and particularly Bharatanatyam dancer. Rukmini's approach to Bharatanatyam is dedicated, rigorous and layered. She has presented her work as a soloist all over the world, including venues such as the Jacobs Pillow festival, Drive East NYC, and the Korzo Theater. Recently she played ‘the goddess of love’ in ‘Sukanya’, produced by The Royal Opera house in London. She studied Bharatanatyam under Guru Narmada, Guru Padmini Rao and Guru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shobana
Shobana Chandrakumar Pillai (born 21 March 1970) is an Indian actress and Bharatanatyam dancer. She acts predominantly in Malayalam films along with Telugu and Tamil films with few Hindi, Kannada and English films. She has won two National Film Awards, one Kerala State Film Awards, two Filmfare Awards South, with 14 Nominations for Best Actress Category in three different south Indian languages, Tamil Nadu State's Kalaimamani Award in 2011 and numerous other awards. She won the National Film Award for Best Actress twice, for her performances in the Malayalam film ''Manichitrathazhu'' (1993) and the English film ''Mitr, My Friend'' (2001). Subsequent to the year 1999, Shobana turned extremely selective about her films. Shobana was trained under the Bharata Natyam dancers Chitra Visweswaran and Padma Subrahmanyam. She emerged as an independent performer and choreographer in her twenties and currently runs a dance school, ''Kalarpana'', in Chennai. In 2006, the Government of In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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