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Madrid Painter
The Madrid Painter was an Attic black-figure vase painter active during the late period of the style, around 520 BC. He was active during the time when the red-figure style was in the process of gradually replacing black-figure as the dominant technique. His works are noticeably influenced by the new developments, but tend to follow the older traditions. Thus, he does paint anatomical detail and uses new postures influenced by the new style. Thus, he depicts a shield using perspective foreshortening or one leg in a frontal, the other in a side view, on a figure of the dying Kyknos. But the same vase shows features the outmoded animal frieze predella along with such new elements.Vatican 418, found at Vulci, ''Attic Black-Figure Vase-Painters'' 324,39 His conventional name is derived from a vase held by the Museo Arqueológico Nacional de España in Madrid. Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydria Delphic Tripod MNA Inv10913
The hydria ( el, ὑδρία; plural hydriai) is a form of Greek pottery from between the Geometric period, late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning ‘jug’. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Culture of ancient Greece, Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Vase Painting
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foreshortening
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyknos
:''The butterfly genus ''Cycnus'' is now synonymized with '' Panthiades. In Greek mythology, multiple characters were known as Cycnus (Ancient Greek: Κύκνος) or Cygnus. The literal meaning of the name is "swan", and accordingly most of them ended up being transformed into swans. * Cycnus, son of Ares. *Cycnus, king of Kolonai. *Cycnus, friend of Phaethon. *Cycnus, son of Apollo. *Cycnus, son of King Ederion (Ancient Greek: Ἐδερίων) or Eredion of Achaea, who, in the 6th century CE account of John Malalas, seduced Leda and made her mother of triplets: the Dioscuri and Helen. In all other sources, she had these children by Zeus who approached her in the shape of a swan (''kyknos''). *Cycnus, one of the Suitors of Penelope who came from Dulichium along with other 56 wooers. He, with the other suitors, was shot dead by Odysseus with the assistance of Eumaeus, Philoetius, and Telemachus. *''Cycnus'', a blunder for ''Guneus'' in the manuscript of Hyginus' Fab. 97 (lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulci
Vulci or Volci (Etruscan language, Etruscan: ''Velch'' or ''Velx'', depending on the romanization used) was a rich Etruscan civilization, Etruscan city in what is now northern Lazio, central Italy. As George Dennis (explorer), George Dennis wrote, "Vulci is a city whose very name... was scarcely remembered, but which now, for the enormous treasures of antiquity it has yielded, is exalted above every other city of the ancient world." Vulci was located near the coast of the Tyrrhenian Sea about 80 km northwest of Rome, on the Fiora River, between Montalto di Castro and Canino. Remains of the city can be seen today. The Vulci, like other Etruscans, became master sculptors in bronze as acknowledged by ancient writers. Although most large bronzes have been lost, there remain some magnificent examples of Etruscan bronze work such as the Chimera of Arezzo and the Monteleone chariot, possibly made in Vulci. In the 19th century thousands of the ancient tombs of Vulci were discovere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum Of Spain
The National Archaeological Museum ( es, Museo Arqueológico Nacional; MAN) is a museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain. History The museum was founded in 1867 by a Royal Decree of Isabella II as a depository for numismatic, archaeological, ethnographical and decorative art collections of the Spanish monarchs. The establishment of the museum was predated by a previous unmaterialised proposal by the Royal Academy of History in 1830 to create a museum of antiquities. The museum was originally located in the Embajadores district of Madrid. In 1895, it moved to a building designed specifically to house it, a neoclassical design by architect Francisco Jareño, built from 1866 to 1892. In 1968, renovation and extension works considerably increased its area. The museum closed for renovation in 2008 and reopened in April 2014. Following a restructuring of the collection in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the third-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the River Manzanares in the central part of the Iberian Peninsula. Capital city of both Spain (almost without interruption since 1561) and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic and cultural centre of the country. The city is situated on an elevated plain about from the closest seaside location. The climate of Madrid features hot summers and cool winters. The Madrid urban agglomeration has the second-large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
