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Madonna Of Castelfranco
The ''Madonna and Child Between St. Francis and St. Nicasius'', also known as ''Castelfranco Madonna'', is a painting by the Italian Renaissance artist Giorgione executed around 1504. It remains in the equivalent of its original setting, in a side-chapel of the Cathedral of Castelfranco Veneto, Giorgione's native city, in Veneto, northern Italy, although the present church dates to the 18th century. The picture has all the elements of a typical '' sacra conversazione'', with the Madonna enthroned with the child, with St. Francis to the right and St. Nicasius to the left. However, the extreme height of the throne is most unusual and creates a very different effect from the pictures of this type by Giovanni Bellini and other painters, where the throne is only slightly raised and the figures are at roughly the same level.Steer, 79-84 It is one of a handful of paintings - perhaps three - which can be very firmly attributed to Giorgione. Description The armoured figure has for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tempest (painting)
''The Tempest'' (Italian ''La Tempesta'') is a Renaissance painting by the Italian master Giorgione dated between 1506 and 1508. Originally commissioned by the Venetian noble Gabriele Vendramin, the painting is now in the Gallerie dell'Accademia of Venice, Italy. Despite considerable discussion by art historians, the meaning of the scene remains elusive. Description and interpretations On the right a woman sits, suckling a baby. The woman has been described as a gypsy since at least 1530, and in Italy, the painting is also known as ''La Zingara e il Soldato'' ("The Gypsy Woman and the Soldier"), or as ''La Zingarella e il Soldato'' ("The Gypsy Girl and the Soldier"). Her pose is unusual – normally the baby would be held on the mother's lap; but in this case the baby is positioned at the side of the mother, so as to expose her pubic area. A man, possibly a soldier, holding a long staff or pike, stands in contrapposto on the left. He smiles and glances to the left, but does not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1500s Paintings
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Paintings By Giorgione
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Steer (art Historian)
John Steer (1928 – 20 February 2012) was Professor of the History of Art at Birkbeck College, University of London, from 1979 to his retirement in 1984. Subsequently, he was Emeritus Professor of the History of Art, University of London. He was a specialist in Venetian art. Steer was the founder of the departments of art history at both Bristol Bristol () is a city, ceremonial county and unitary authority in England. Situated on the River Avon, it is bordered by the ceremonial counties of Gloucestershire to the north and Somerset to the south. Bristol is the most populous city in ... and then St Andrews universities. Steer received an Honorary Doctorate from Heriot-Watt University in 1991. Selected publications *''A concise history of Venetian painting.'' London: Thames and Hudson, 1970. *''Alvise Vivarini: His art and influence.'' Cambridge: Cambridge University Press, 1982. *''Atlas of western art history: Artists, sites and movements from ancient Greece to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Republic
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Condottiero
''Condottieri'' (; singular ''condottiero'' or ''condottiere'') were Italian captains in command of mercenary companies during the Middle Ages and of multinational armies during the early modern period. They notably served popes and other European monarchs during the Italian Wars of the Renaissance and the European Wars of Religion. Notable ''condottieri'' include Prospero Colonna, Giovanni dalle Bande Nere, Cesare Borgia, the Marquis of Pescara, Andrea Doria, and the Duke of Parma. The term ''condottiero'' in medieval Italian originally meant "contractor" since the ''condotta'' was the contract by which the condottieri put themselves in the service of a city or of a lord. The term, however, became a synonym of "military leader" during the Renaissance and Reformation era. Some authors have described the legendary Alberto da Giussano as the "first condottiero" and Napoleon Bonaparte (in virtue of his Italian origins) as the "last condottiero". According to this view, the condott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giobbe Altarpiece
The ''San Giobbe Altarpiece'' (Italian: ''Pala di San Giobbe'') is a c. 1487 oil painting by the Italian Renaissance master Giovanni Bellini. Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that it was designed in situ with the surrounding architecture of the church (a first for Bellini), and was one of the largest sacra conversazione paintings at the time. Although it was originally located in the Church of San Giobbe, Venice, it is now housed in the Gallerie dell'Accademia in Venice after having been stolen by Napoleon Bonaparte. History Creation Just prior to 1478, Giovanni Bellini was commissioned to paint the altarpiece by an unknown individual from the Scuola di San Giobbe, to be placed opposite the Martini Chapel of the soon-to-be consecrated Church of San Giobbe. The friars and sisters of the San Giobbe Hospice had founded the Scuola di San Giobbe and replaced an old oratory dedicated to Job with a new church dedicated to both St. J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
