Madonna In Glory With Saints (Perugino)
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Madonna In Glory With Saints (Perugino)
The ''Madonna in Glory with Saints'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1500–1501. It is housed in the Pinacoteca Nazionale of Bologna, Italy. It was originally located in the Scarani Chapel of the church of San Giovanni in Monte. Description The scheme of the composition, typical of Perugino's mature works (based on the lost ''Assumption'' of the Sistine Chapel and used in numerous works of the period, such as the ''San Francesco al Prato Resurrection'' and the Vallombrosa Altarpiece), includes two different levels. The Madonna with Child, depicted within an almond in the upper part; and a group of four saints above a hilly landscape in the lower one. The saints are, from the left: the Archangel Michael (with a decorated armor), Catherine of Alexandria (with her traditional attributed of the torture wheel), Apollonia (with the pincer of her martyrdom) and John the Evangelist, who has the Tetramorph eagle). Perugino's signature ('' ...
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ...
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Pincer (tool)
Pincers are a hand tool used in many situations where a mechanical advantage is required to pinch, cut or pull an object. Pincers are first-class levers, but differ from pliers in that the concentration of force is either to a point, or to an edge perpendicular to the length of the tool. This allows pincers to be brought close to a surface, which is often required when working with nails. Pincers are primarily used for removing objects (typically nails) out of a material that they have been previously applied to. Carpenter's pincers are particularly suited to these tasks. If the pincers have perpendicular cutting edges, the pincers are often called end-nippers or end-cutters. Pincers, often red-hot, have also been used as an instrument of torture since ancient Roman times or earlier. Pliers are a similar tool with a different type of head used for squeezing, rather than cutting and pulling. See also * Chela (organ) * Pincer (biology) A pincer is the part of an arthropod ...
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Paintings Depicting John The Apostle
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Depicting Michael (archangel)
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings In The Collection Of The Pinacoteca Nazionale Di Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Paintings Of The Madonna And Child By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1500s Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Tetramorph
A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek ''tetra'', meaning four, and ''morph'', shape. In Christian art, the tetramorph is the union of the symbols of the Four Evangelists, derived from the four living creatures in the Book of Ezekiel, into a single figure or, more commonly, a group of four figures. Each of the four Evangelists is associated with one of the living creatures, usually shown with wings. The most common association, but not the original or only, is: Matthew the man, Mark the lion, Luke the ox, and John the eagle. In Christian art and iconography, Evangelist portraits are often accompanied by tetramorphs, or the symbols alone used to represent them. Evangelist portraits that depict them in their human forms are often accompanied by their symbolic creatures, and Christ in Majesty is often shown surrounded by the four symbols. The word comes from ...
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Vallombrosa Altarpiece
The ''Vallombrosa Altarpiece'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy. Description The painting was commissioned to Perugino for the high altar of the Vallombrosa Abbey, in the Florence countryside, and was finished within July 1500. The work was originally completed by a predella, of which only two portraits remain (Biagio Milanesi, the then-abbot, and of the monk Baldassarre); both works are now at the Uffizi Gallery. After the Napoleonic invasion of Italy and the suppression of the abbey, the canvas was moved to Paris in 1810. However, it was restored to Tuscany in 1817, being assigned to the Florentine gallery in this occasion. As for other Perugino's works, the panel is divided into two sections, in a pattern derived from his ''Assumption'' (now lost) of the Sistine Chapel: the upper part with God and celestial figures, and the lower one, with the saints. In the mi ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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San Francesco Al Prato Resurrection
The ''San Francesco al Prato Resurrection'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1499. It is housed in the Pinacoteca Vaticana, Rome. History The work takes its name from the church of San Francesco al Prato of Perugia, where it was originally located. It was commissioned in 1499 and finished presumably around 1501. During the artworks spoliations following the French Napoleonic invasion of Italy, it was brought to Paris. It returned to Italy in 1815, and thenceforth it has been exhibited at the Vatican Museums' art gallery. According to art historian Giovanni Battista Cavalcaselle, Raphael, then an assistant of Perugino, had a major role in the execution of the ''Resurrection''. This opinion is however generally rejected by most other art historians. Description The work follows a typical scheme of Perugino's art. The divinity, in this case the resurrected Jesus, is depicted within a mandorla occupying the upper part of the painting, a ...
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Sistine Chapel
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescoes that decorate the interior, most particularly the Sistine Chapel ceiling and ''The Last Judgment (Michelangelo), The Last Judgment'', both by Michelangelo. During the reign of Sixtus IV, a team of Italian Renaissance painting, Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescos depicting the ''Life of Moses'' and the ''Life of Christ ...
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