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The ''Madonna in Glory with Saints'' is a painting by the
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
painter
Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pup ...
, dating to c. 1500–1501. It is housed in the Pinacoteca Nazionale of
Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...
,
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
. It was originally located in the Scarani Chapel of the church of
San Giovanni in Monte San Giovanni in Monte is a 15th-century Roman Catholic church in Bologna, Italy. History The current church can be traced back to a round church from the 5th century known as the Monte Oliveto, traditionally said to be founded by Saint Petronius ...
.


Description

The scheme of the composition, typical of Perugino's mature works (based on the lost ''Assumption'' of the
Sistine Chapel The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name ...
and used in numerous works of the period, such as the ''
San Francesco al Prato Resurrection The ''San Francesco al Prato Resurrection'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1499. It is housed in the Pinacoteca Vaticana, Rome. History The work takes its name from the church of San Francesco al Pr ...
'' and the Vallombrosa Altarpiece), includes two different levels. The Madonna with Child, depicted within an almond in the upper part; and a group of four saints above a hilly landscape in the lower one. The saints are, from the left: the Archangel Michael (with a decorated armor), Catherine of Alexandria (with her traditional attributed of the torture wheel), Apollonia (with the
pincer Pincer may refer to: * Pincers (tool) *Pincer (biology), part of an animal *Pincer ligand In chemistry, a transition metal pincer complex is a type of coordination complex with a pincer ligand. Pincer ligands are chelating agents that binds tig ...
of her martyrdom) and John the Evangelist, who has the
Tetramorph A tetramorph is a symbolic arrangement of four differing elements, or the combination of four disparate elements in one unit. The term is derived from the Greek ''tetra'', meaning four, and ''morph'', shape. In Christian art, the tetramorph is t ...
eagle). Perugino's signature (''PETRUS PERUSINUS PINXIT'') can be seen on Catherine's wheel.


Sources

* {{Pietro Perugino 1500s paintings Paintings of the Madonna and Child by Pietro Perugino Paintings in the collection of the Pinacoteca Nazionale di Bologna
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ...
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ...
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ...
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ...