Madonna And Child With Saints (Crivelli)
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Madonna And Child With Saints (Crivelli)
''Madonna and Child with Saints and Donor'' is a oil on panel painting by Carlo Crivelli. It shows the Madonna and child between Francis of Assisi and Bernardino of Siena, with a tiny figure of the painting's donor kneeling on the balustrade in front of the Madonna. It is stored at the Walters Art Museum in Baltimore. History Based on style and location, dating by art critics Hans van Marle, Anna Bovero, and Zera places the work in the late phase of Crivelli's career—around 1490. The relatively large size of the painting indicates that it was probably intended for use in a small church chapel. It might have originated from its commissioner's private chapel in the in Ancona. At some point, the painting was cut down at the top to reduce its height. The painting was documented in Marcello Massarenti's collection in Rima before 1897. It was acquired by Henry Walters in 1910, who bequeathed it to the Walters Art Museum in 1931. The painting was conserved and retouched in 193 ...
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Carlo Crivelli
Carlo Crivelli (Venice, c. 1430 – Ascoli Piceno, c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after bein ...
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Walters Art Museum
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed substantially by major American art and sculpture collectors, a father and son: William Thompson Walters, (1819–1894), who began collecting when he moved to Paris as a nominal Southern/Confederate sympathizer at the outbreak of the American Civil War in 1861; and Henry Walters (1848–1931), who refined the collection and made arrangements for the construction of a later landmark building to rehouse it. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place townhouse/mansion during the late 1800s, he arranged for an elaborate stone palazzo-styled structure built for that purpose in 1905–1909. Located across the back alley, a block south of the Walters mansio ...
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Baltimore
Baltimore ( , locally: or ) is the most populous city in the U.S. state of Maryland, fourth most populous city in the Mid-Atlantic, and the 30th most populous city in the United States with a population of 585,708 in 2020. Baltimore was designated an independent city by the Constitution of Maryland in 1851, and today is the most populous independent city in the United States. As of 2021, the population of the Baltimore metropolitan area was estimated to be 2,838,327, making it the 20th largest metropolitan area in the country. Baltimore is located about north northeast of Washington, D.C., making it a principal city in the Washington–Baltimore combined statistical area (CSA), the third-largest CSA in the nation, with a 2021 estimated population of 9,946,526. Prior to European colonization, the Baltimore region was used as hunting grounds by the Susquehannock Native Americans, who were primarily settled further northwest than where the city was later built. Colonist ...
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Francis Of Assisi
Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi ( it, Francesco d'Assisi; – 3 October 1226), was a mystic Italian Catholic friar, founder of the Franciscans, and one of the most venerated figures in Christianity. He was inspired to lead a life of poverty and itinerant preaching. Pope Gregory IX canonized him on 16 July 1228. He is usually depicted in a robe with a rope as belt. In 1219, he went to Egypt in an attempt to convert the sultan al-Kamil and put an end to the conflict of the Fifth Crusade. In 1223, he arranged for the first Christmas live nativity scene. According to Christian tradition, in 1224 he received the stigmata during the apparition of a Seraphic angel in a religious ecstasy. He founded the men's Order of Friars Minor, the women's Order of St. Clare, the Third Order of St. Francis and the Custody of the Holy Land. Once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis ...
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Bernardino Of Siena
Bernardino of Siena, OFM (8 September 138020 May 1444), also known as Bernardine, was an Italian priest and Franciscan missionary preacher in Italy. He was a systematizer of Scholastic economics. His preaching, his book burnings, and his " bonfires of the vanities" made him famous/infamous during his own lifetime because they were frequently directed against sorcery, gambling, infanticide, witchcraft, homosexuals, Jews, Romani "Gypsies", usury, etc. Bernardino was later canonised by the Catholic Church as a saint – where he is also referred to as "the Apostle of Italy" – for his efforts to revive the country's Catholicism during the 15th century. Sources Two hagiographies of Bernardino of Siena were written by two of his friends; the one the same year in which he died, by Barnaba of Siena; the other by the humanist Maffeo Vegio. Another important contemporary biographical source is that written by the Sienese diplomat Leonardo Benvoglienti, who was another personal acquaint ...
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Marcello Massarenti
Don Marcello Massarenti ( Budrio, 1817 — 1905), a Vatican official who helped Pope Pius IX escape from Rome at the time of the Roman republican uprising of 1849, rose to become Almoner of the Pope. In his official position he traveled extensively and amassed a collection of Italian paintings and Roman antiquities especially during the years following the Unification of Italy, when the suppression of many monastic communities and the displacement of many aristocrats from hereditary positions brought a great number of works of art onto the market in Italy, both privately and publicly. He received an honorary knighthood from Franz Josef of Austria and was decorated with the Order of the Red Eagle of Prussia. His private lodgings were modest, but he rented space for his gallery in Palazzo Rusticucci-Accoramboni, Rome, where he welcomed visitors. The palazzo, in the former piazza Rusticucci, was demolished by Benito Mussolini along with the rest of the ''spina'' of medieval and rena ...
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Henry Walters
Henry Walters (September 26, 1848 – November 30, 1931) was noted as an art collector and philanthropist, a founder of the Walters Art Gallery (now the Walters Art Museum) in Baltimore, Maryland, which he donated to the city in his 1931 will for the benefit of the public. From the late 19th century, Walters lived most of the time in New York City, where from 1903 on, he served on the executive committee of the Metropolitan Museum of Art in Manhattan on Fifth Avenue. He was selected as second vice president in 1913, a position he held until his death. Like his father William Thompson Walters, (1820-1894), he was a businessman in the railroad industry, serving as president of the Atlantic Coast Line Railroad (1894-1902), which had been established by his father. Biography Henry Walters was born in 1848 to William Thompson Walters, (1820-1894), a businessman who later founded the southeastern railroad line, Atlantic Coast Line Company. Henry graduated from Georgetown University ...
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Conservation And Restoration Of Paintings
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports (i.e. the painted surface made from fabric, paper, wood panel, fabricated board, or other). Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care (also known as preventive conservation) will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind. Basi ...
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Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ...
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Christogram
A Christogram ( la, Monogramma Christi) is a monogram or combination of letters that forms an abbreviation for the name of Jesus Christ, traditionally used as a Christian symbolism, religious symbol within the Christian Church. One of the oldest Christograms is the Chi-Rho (☧). It consists of the superimposed Greek letters Chi (letter), chi and Rho (letter), rho , which are the first two letters of Greek "Christ". It was displayed on the ''labarum'' military standard used by Constantine I in AD 312. The IX monogram () is a similar form, using the initials of the name "Jesus (the) Christ", as is the IH monogram, ΙΗ monogram (), using the first two letters of the name "JESUS" in uppercase. There were a very considerable number of variants of "Christograms" or monograms of Christ in use during the medieval period, with the boundary between specific monograms and mere scribal abbreviations somewhat fluid. The name ''Jesus'', spelt "ΙΗΣΟΥΣ" in Greek capitals, has the ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Paintings Of Francis Of Assisi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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