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Madhabi Mukherjee
Madhabi Chakraborty (''née'' Mukherjee; born 10 February 1942) is an Indian actress. She won the National Film Award for Best Actress for her performance in the Bengali film '' Dibratrir Kabya''. She has acted in some of the most critically acclaimed films in Bengali cinema and is considered one of the great actresses of Bengali cinema. Early life Madhabi Mukherjee was born on 10 February 1942 and was raised with her sister Manjari by their mother in Kolkata, in what was then Bengal, India. As a young girl, she became involved in the theater. She worked on stage with doyens such as Sisir Bhaduri, Ahindra Choudhury, Nirmalendu Lahiri and Chhabi Biswas. Some of the plays she acted in included ''Naa'' and ''Kalarah''. She made her film debut as a child artist in Premendra Mitra's ''Dui beaee''. Films Mukherjee first made a major impact with Mrinal Sen's ''Baishey Shravan'' (''Wedding Day'') in 1960. The film is set in a Bengal village before and during the horrific famine of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charulata
''Charulata'' (Spelt as ''Cārulatā''; ) is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel ''Nastanirh'' by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee. The film is considered one of the finest works of Ray. Both the first and the last scenes are critically acclaimed. The first scene, with almost no dialogues shows Charu's loneliness and how she looks at the outside world through the binoculars. In the last scene when Charu and her husband are about to come closer and hold their hands, the screen freezes. This has been described as a beautiful use of freeze frame in cinema. Plot Charulata is based on the story "Nastanirh (the Broken Nest)" by Rabindranath Tagore, set in Calcutta in 1879 (Ray sets the film in 1897). The Bengali Renaissance is at its peak, and India is under British rule. The film revolves around Charulata (Madhabi Mukherjee), the intelligent and beautiful wife of Bhupati (Sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritwik Ghatak
Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his ''Jukti Takko Aar Gappo'' and Best Director's Award from Bangladesh Cine Journalist's Association for ''Titash Ekti Nadir Naam''. The Government of India honoured him with the Padma Shri for Arts in 1970. Family Ritaban Ghatak, his son, is also a filmmaker and is involved in the Ritwik Memorial Trust. He has restored Ritwik's ''Bagalar Banga Darshan'', ''Ronger Golam'' and completed his unfinished documentary on Ramkinkar. He made a film titled ''Unfinished Ritwik''. He is working on adapting Bibhutibhushan Bandopadhyay's novel ''Ichhamati''. Ghatak's elder daughter Samhita, made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calcutta 71
Calcutta 71 is a 1972 Bengali film directed by noted Indian art film director Mrinal Sen. This film is considered to be the second film of Mrinal Sen's Calcutta trilogy, the others being ''Interview An interview is a structured conversation where one participant asks questions, and the other provides answers.Merriam Webster DictionaryInterview Dictionary definition, Retrieved February 16, 2016 In common parlance, the word "interview" ...'', and '' Padatik''. The movie Calcutta 71 is a collection of stories depicting the Seventies. The Naxalite activity, starvation of common people, social and political corruption are shown. There are four stories shown in the film. Plot The ''first story'' is about a lower-middle-class family staying in a cottage in a slum area. On a rainy night they are forced to leave the cottage & move to another safe shelter. They find many others had already taken shelter before them. The ''second story'' is about another middle-class family of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soumitra Chatterjee
Soumitra Chatterjee (also spelt as Chattopadhyay; 16 June 193515 November 2020) was an Indian film actor, play-director, playwright, writer, thespian and poet. He is regarded as one of the greatest and most influential actors in the history of Indian Cinema. He is best known for his collaborations with director Satyajit Ray, with whom he worked in fourteen films. Starting with his debut film, '' Apur Sansar'' (The Family of Apu, 1959), the third part of ''The Apu Trilogy'', as adult Apu, he went on to work in several films with Ray, including '' Abhijan'' (The Expedition, 1962), ''Charulata'' (1964), ''Kapurush'' (1965), '' Aranyer Din Ratri'' (Days and Nights in the Forest, 1969), ''Ashani Sanket'' (Distant Thunder, 1973), ''Sonar Kella'' (The Fortress of Gold, 1974) and '' Joi Baba Felunath'' (The Elephant God, 1978) as Feluda, ''Hirak Rajar Deshe'' (1980), '' Ghare Baire'' (The Home and The World, 1984), Shakha Proshakha (1990) and ''Ganashatru'' (Enemy of the People, 1989). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapurush
''Kapurush'' ( bn, কাপুরুষ), English title ''The Coward'', is a 1965 Indian drama film directed by Satyajit Ray. Plot Amitabha Ray is a Calcutta-based scriptwriter who is driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night, and Amitabha accepts. At Gupta's house, he is introduced to his wife Karuna. Amitabha is shocked to find her to be the girl he once loved and had let down during their student days. Unaware of their past relationship, Gupta entertains Amitabha and gets drunk. Unable to sleep, Amitabha remembers the last time he saw Karuna. Forced to leave town with her uncle who did not approve of the relationship, Karuna came to see Amitabha, offering to sacrifice her comfortable life and educational plans to marry him. Amitabha, however, proved to be a coward, unwilling to make such a commitment. Back in the present, he asks for sleeping pills fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghare Baire (film)
''Ghare Baire'' () is a 1984 Indian Bengali-language romantic drama film directed and written by Satyajit Ray. Based on Rabindranath Tagore's novel of the same name, starring Soumitra Chatterjee, Victor Banerjee, Jennifer Kendal and Swatilekha Chatterjee. Dealing with the subject of the emancipation of women, the film shows what it does to women and to those who love them. Ray prepared a script for it in the 1940s, long before he made his first film ''Pather Panchali''. The film was in competition for the Palme d'Or at the 1984 Cannes Film Festival. At the 32nd National Film Awards, it won the National Film Award for Best Feature Film in Bengali. Plot The story is set in 1907 on the estate of the rich and influential Bengali noble Nikhilesh (Victor Banerjee) in Sukhsayar. In the chaotic aftermath of Lord Curzon's partition of Bengal into Muslim and Hindu states, the Swadeshi movement is trying to impose a boycott of foreign goods by claiming that imports are at the root of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nashtanir
''Nastanirh'' (also ''Nashtanir''; Bengali: নষ্টনীড়, ''Nôshţoniŗh''; English: 'The Broken Nest') is a 1901 Bengali novella by Rabindranath Tagore. It is the basis for the noted 1964 film ''Charulata'', by Satyajit Ray. Background According to Mary Lago in the introduction to the English translation of ''Nashtanir'' (translated by Lago and Supriya Sen), the novella was released three times: in 1901 in serial format, in 1909 as part of a special short story collection, and in 1926 as part of Tagore's standard collection of fiction (p. 9). Scholarship indicates that this story might have been based upon the relationship between Tagore's elder brother Jyotirindranath; his brother's wife, Kadambari Devi (who committed suicide shortly after Tagore's marriage); and Tagore (who spent a great deal of time with Kadambari, reading and writing poetry).Ketaki Kushari Dyson, trans., Rabindranath Tagore, ''I Won't Let You Go: Selected Poems'' (London: Penguin, 2011), 68. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Ebert
Roger Joseph Ebert (; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the ''Chicago Sun-Times'' from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the ''Chicago Sun-Times'' said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the ''Los Angeles Times'' called him "the best-known film critic in America." Ebert was known for his intimate, Midwestern writing voice and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. While a populist, Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, which often resulted in such film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anil Chatterjee
Anil Chatterjee (Chattopadhyay) bn, অনিল চ্যাটার্জী (চট্টোপাধ্যায়) (25 October 1929 – 17 March 1996) was an Indian actor in the Bengali cinema during the early fifties through the mid-nineties and is mostly remembered as a character actor. He acted or performed in about 150 movies, including a few in Hindi. He played different shades, though mostly as a character actor, as well as in leading roles and at times as an antagonist, despite the limited opportunities he received. Irrespective of the roles, he left an indelible impression on the viewers and the critics. He also acted in the leading role in a tele-serial named ''Naqab'' in the national network of Doordarshan. He is one of the very few selected actors who worked with Satyajit Ray, Ritwik Ghatak, Tapan Sinha and Mrinal Sen; with the first three directors, he performed with on more than a number of occasions. His performance in the title role of the film ''Deshbandhu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahanagar
''Mahanagar'' () is a 1963 Indian Bengali-language drama film written and directed by Satyajit Ray. Starring Madhabi Mukherjee in the leading role and based on the short story ''Abataranika'' by Narendranath Mitra, it tells the story of a housewife who disconcerts her traditionalist family by getting the job of a saleswoman. The film marked the first screen appearance of Jaya Bhaduri, one of Hindi cinema's leading actresses. Shot in the first half of 1963 in Calcutta, this was also the first film directed by Ray set entirely in his native Calcutta, reflecting contemporary realities of the urban middle-class, where women going to work is no longer merely driven by ideas of emancipation but has become an economic reality. The film examines the effects of the confident working woman on patriarchial attitudes and social dynamics. Besides ''The Apu Trilogy'', the film, according to veteran film critic Philip French, is one of Ray's greatest films. Plot Set in Calcutta during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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