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Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" (german: "Die Moritat von Mackie Messer", italic=no, link=no) is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (german: Die Dreigroschenoper, link=no). The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his street organ introduces and closes the drama with the tale of the dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Kurt Gerron
Kurt Gerron (11 May 1897 – 28 October 1944) was a German History of the Jews in Germany, Jewish actor and film director. He and his wife, Olga were murdered in the Holocaust. Life Born Kurt Gerson into a well-off merchant family in Berlin, he studied medicine before being called up for military service in World War I. After being seriously wounded, he was qualified as a military doctor in the German Army (German Empire), German Army, despite having been only in his second year at university. After the war Gerron turned to a stage career, becoming a theatre actor under director Max Reinhardt in 1920. He appeared in secondary roles in several silent films and began directing film shorts in 1926. Gerron's popular cinema breakthrough came with ''The Blue Angel'' (''Der Blaue Engel'', 1930) opposite Marlene Dietrich. Two years before, Gerron originated the role of "Tiger" Brown in the 1928 premiere production of ''The Threepenny Opera'' (''Die Dreigroschenoper'') at the Berlin Theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pocketknife
A pocketknife is a knife with one or more blades that fold into the handle. They are also known as jackknives (jack-knife), folding knives, or may be referred to as a penknife, though a penknife may also be a specific kind of pocketknife. A typical blade length is . Pocketknives are versatile tools, and may be used for anything from whittling and woodcarving, to butchering small game, gutting and filleting small fish, aiding in the preparation of tinder and kindling for fires, boring holes in soft material, to opening an envelope, cutting twine, slicing a piece of fruit or as a means of self-defense. Specialised designs are also used for mushroom hunting and gardening. Pocketknives designed for gardening include pruning knives, which are folding knives with long curved blades used for pruning, trimming cuttings, taking buds and preparing material for grafting. History The earliest known pocketknives date to at least the early Iron Age. A pocketknife with a bone handl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off-Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Blitzstein
Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical ''The Cradle Will Rock'', directed by Orson Welles, was shut down by the Works Progress Administration. He is known for ''The Cradle Will Rock'' and for his off-Broadway translation/adaptation of ''The Threepenny Opera'' by Bertolt Brecht and Kurt Weill. His works also include the opera '' Regina'', an adaptation of Lillian Hellman's play ''The Little Foxes''; the Broadway musical ''Juno'', based on Seán O'Casey's play '' Juno and the Paycock''; and ''No for an Answer''. He completed translation/adaptations of Brecht's and Weill's musical play ''Rise and Fall of the City of Mahagonny'' and of Brecht's play ''Mother Courage and Her Children'' with music by Paul Dessau. Blitzstein also composed music for films, such as ''Surf and Seaweed'' (1931) and '' The Spanish Earth'' (1937), and he contributed two songs to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Translation
Translation is the communication of the Meaning (linguistic), meaning of a #Source and target languages, source-language text by means of an Dynamic and formal equivalence, equivalent #Source and target languages, target-language text. The English language draws a terminology, terminological distinction (which does not exist in every language) between ''translating'' (a written text) and ''Language interpretation, interpreting'' (oral or Sign language, signed communication between users of different languages); under this distinction, translation can begin only after the appearance of writing within a language community. A translator always risks inadvertently introducing source-language words, grammar, or syntax into the target-language rendering. On the other hand, such "spill-overs" have sometimes imported useful source-language calques and loanwords that have enriched target languages. Translators, including early translators of sacred texts, have helped shape the very l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Sauvage
Catherine Sauvage (26 May 1929 – 20 March 1998) was a French singer and actress. Early life Born Marcelle Jeanine Saunier in Nancy, France, she moved with her family in 1940 to the Free Zone in Annecy. After high school, she turned to the theater, performing under the name Janine Saulnier. After eight years of studying piano, singing and drama, in 1950 she met Léo Ferré and fell in love with his songs. In 1952 she sang his "Paris canaille", which became a hit. In 1954, she won the "Grand Prix du Disque", a famous French award, for the song "L'Homme", again by Ferré. On tour in Canada, she made the acquaintance of Gilles Vigneault, who wrote "Mon Pays, Le Corbeau, la Manikoutai" for her. Professional career Arriving in Paris, she adopted the surname Sauvage, borrowed from a childhood friend, and, began studying drama: :I did my apprenticeship with Jean-Louis Barrault, with John Vilar, Roger Blin, Marcel Marceau. ..The chance of life allowed me to be presented to Moyses, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Mauprey
André Mauprey (19 August 1881 – 3 February 1939) was a French writer, composer, librettist, and actor. He helped to popularize ''The Three Penny Opera,'' and was the first to translate many of its songs into French. Working with Robert de Mackiels and Serge Veber, he wrote the lyrics for the operetta '' Tip-Toes'' based on the melodies of George Gershwin. His music and lyrics were sung by Édith Piaf, Juliette Gréco, Marianne Oswald, Marlene Dietrich, and Mathé Altéry. Discography Most widely held works with lyrics by Andre Mauprey * ''Complainte De Mackie'' ( Mack the Knife) * ''J'ai Laisse Mon Coeur'' * ''Je T'ai Donné Mon Coeur'' * ''Surabaya-Johnny'' * ''Le Jazz Me Porte A La Peau'' * ''Chanson De Barbara'' * ''La Fiancée Du Pirate'' * ''Jalousie'' Selected filmography André Mauprey was a versatile artist, contributing as a writer, lyricist, composer, and actor to many films in the 1920s and 30s. ; Screenplay * ''Le Baron tzigane'' (1935) * ''Le Cavalier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Threepenny Opera (film)
''The Threepenny Opera'' (german: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG ( Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, ''L'Opéra de quat'sous'', with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version went unproduced. The two existing versions were released on home video by The Criterion Collection. ''The Threepenny Opera'' differs in significant respects from the play and the internal timeline is somewhat vague. The whole of society is presented as corrupt in one form or another. Only some of the songs from the play are used, in a different order. Plot summary In 19th century Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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