Mabel Terry-Lewis
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Mabel Terry-Lewis
Mabel Gwynedd Terry-Lewis (born as Mabel Gwynedd Lewis) ( 28 October 1872 – 28 November 1957) was an English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries. After a successful career in her twenties and thirties she married and retired from the stage in 1904. Her husband died in 1917 and she returned to the theatre in 1920, continuing to act on stage and in films until the late 1940s. Among her celebrated roles was Lady Bracknell in ''The Importance of Being Earnest'', which she played opposite her nephew John Gielgud in 1930. Life and career Early years Mabel Terry-Lewis was born in London, the youngest of the five children, four daughters, and one son, of Arthur James Lewis (1824–1901) and his wife, Kate (née) Terry. Lewis was a prosperous businessman, co-owner of the haberdashery firm of Lewis and Allenby, and an amateur painter, illustrator and musician. Before their marriage, Kate Terry had been a well-known actress; h ...
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Mabel Terry-lewis
Mabel Gwynedd Terry-Lewis (born as Mabel Gwynedd Lewis) ( 28 October 1872 – 28 November 1957) was an English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries. After a successful career in her twenties and thirties she married and retired from the stage in 1904. Her husband died in 1917 and she returned to the theatre in 1920, continuing to act on stage and in films until the late 1940s. Among her celebrated roles was Lady Bracknell in ''The Importance of Being Earnest'', which she played opposite her nephew John Gielgud in 1930. Life and career Early years Mabel Terry-Lewis was born in London, the youngest of the five children, four daughters, and one son, of Arthur James Lewis (1824–1901) and his wife, Kate (née) Terry. Lewis was a prosperous businessman, co-owner of the haberdashery firm of Lewis and Allenby, and an amateur painter, illustrator and musician. Before their marriage, Kate Terry had been a well-known actress; h ...
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John Hare (actor)
Sir John Hare (16 May 1844 – 28 December 1921), born John Joseph Fairs, was an English actor and theatre manager of the later 19th– and early 20th centuries. Born and brought up in London, with frequent visits to the West End, Hare had a passion for the theatre from his childhood. After acting as an amateur as a young man he joined a professional company in Liverpool, before making his London debut in 1865 at the age of 21 with Marie Wilton's company. Wilton was a pioneer of naturalistic theatre, with which Hare was greatly in sympathy, and he quickly gained a reputation in character roles, particularly in comedies. Within a decade Hare was well enough established to go into management. He was in partnership with the actor W. H. Kendal at the Court Theatre from 1875 to 1879, and from 1879 to 1888 at the St James's Theatre with Kendal and the latter's wife, Madge. They presented, mostly successfully, a succession of new British plays, adaptations of French works, and ...
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You Never Can Tell (play)
''You Never Can Tell'' is an 1897 four-act play by George Bernard Shaw that debuted at the Royalty Theatre. It was published as part of a volume of Shaw's plays entitled ''Plays Pleasant''. Characters *Mr. (or Dr.) Valentine, the dentist – Mr. Yorke Stephens *Gloria Clandon, the eldest daughter – Miss Margaret Halstan *Walter, the waiter – Mr. James Welch *Dolly Clandon, twin to Philip – Miss Winifred Fraser *Philip Clandon, twin to Dolly – Mr. Roland Bottomley *Mrs. Clandon, the mother – Miss Elsie Chester *Mr. Fergus Crampton, the landlord and father – Mr. Herman Vezin *Mr. Finch McComas, a solicitor – Mr. Sydney Warden *Bohun, a QC (Queens Counsel) – Mr. Charles Charrington *The Parlor-maid ...
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Novello Theatre
The Novello Theatre is a West End theatre on Aldwych, in the City of Westminster. It was known as the Strand Theatre between 1913 and 2005. History The theatre was built as one of a pair with the Aldwych Theatre on either side of The Waldorf Hilton, London, both being designed by W. G. R. Sprague. The theatre was opened by The Shubert Organization as the Waldorf Theatre on 22 May 1905, and was renamed the Strand Theatre, in 1909. It was again renamed as the Whitney Theatre in 1911, before again becoming the Strand Theatre in 1913. In 2005, the theatre was renamed by its owners (Delfont Mackintosh Theatres) the Novello Theatre in honour of Ivor Novello, who lived in a flat above the theatre from 1913 to 1951. The black comedy ''Arsenic and Old Lace (play), Arsenic and Old Lace'' had a run of 1337 performances here in the 1940s, and ''Sailor Beware! (play), Sailor Beware!'' ran for 1231 performances from 1955. Stephen Sondheim's musical ''A Funny Thing Happened on the Way to ...
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The Gay Lord Quex (play)
''The Gay Lord Quex'' is an 1899 comedy play by the British playwright Arthur Wing Pinero. It depicts the vicissitudes of a reformed philanderer attempting to embark on monogamy. The original production provoked controversy, some critics finding the plot at best questionable and at worst immoral. The play premiered at the Globe Theatre, London, on 8 April 1899, and ran for 300 performances. It was produced by John Hare, who also played the title role. Others in the cast included Charles Cherry, Frank Gillmore, May Fortescue, Irene Vanbrugh and Mabel Terry-Lewis. The play was revived in the West End in five productions during the 20th century and has been adapted for the cinema, radio and television. Background and original production By 1899 Pinero was established as a leading playwright, with a series of long-running plays from the mid 1880s onwards. His works ranged from farces such as '' The Magistrate'' (1885) and '' Dandy Dick'' (1887) to more serious pieces including '' ...
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Caste (play)
''Caste'' is a comedy drama by Thomas William Robertson, first seen in 1867. The play was the third of several successes by Robertson produced in London's West End by Squire Bancroft and his wife Marie Wilton. As its name suggests, ''Caste'' concerns distinctions of class and rank. The son of a French nobleman marries a ballet dancer and then goes to war. When word arrives that he has been killed in action, his mother tries to wrest the child from his penniless widow. History and early productions ''Caste'' is based on the short story "The Poor Rate Unfolds a Tale", written by Thomas William Robertson in 1866 for ''Rates and Taxes'', a Christmas publication edited by Tom Hood.Full text of ''Society'' and ''Caste'' edited by T. Edgar Pembe ...
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Marie Wilton
Marie Effie Wilton, Lady Bancroft (1839–1921) was an English actress and theatre manager. She appeared onstage as Marie Wilton until after her marriage in December 1867 to Squire Bancroft, when she adopted his last name. Bancroft and her husband were important in the development of Victorian era theatre through their presentation of innovative plays at the London theatres that they managed, first the Prince of Wales's Theatre and later the Haymarket Theatre. Life and career Bancroft was born at Doncaster, and as a child appeared on the stage with her parents, who were both actors. Among her early parts was that of Fleance in '' Macbeth'' (1846). She made her London début on 15 September 1856, at the Lyceum Theatre, as the boy Henri in ''Belphegor'', playing the same night in ''Perdita; or, the Royal Milkmaid''. She won great popularity in several boy roles, in burlesques at various theatres, as Cupid in two different plays, and notably as Pippo, in ''The Maid and the ...
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Gielgud Theatre
The Gielgud Theatre is a West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London. The house currently has 986 seats on three levels. The theatre was designed by W. G. R. Sprague and opened on 27 December 1906 as the Hicks Theatre, named after Seymour Hicks, for whom it was built. The first play at the theatre was a hit musical called ''The Beauty of Bath'' co-written by Hicks. Another big success was ''A Waltz Dream'' in 1908. In 1909, the American impresario Charles Frohman became manager of the theatre and renamed the house the Globe Theatre, a name that it retained for 85 years. ''Call It a Day'' opened in 1935 and ran for 509 performances, a long run for the slow inter-war years. ''There's a Girl in My Soup'', opening in 1966, ran for almost three years, a record for the theatre that was not surpassed until ''Daisy Pulls It Off'' opened in April 1983 to run for 1,180 performances. Refurbished in 1987, the th ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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Oxford
Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the University of Oxford, the oldest university in the English-speaking world; it has buildings in every style of English architecture since late Anglo-Saxon. Oxford's industries include motor manufacturing, education, publishing, information technology and science. History The history of Oxford in England dates back to its original settlement in the Saxon period. Originally of strategic significance due to its controlling location on the upper reaches of the River Thames at its junction with the River Cherwell, the town grew in national importance during the early Norman period, and in the late 12th century became home to the fledgling University of Oxford. The city was besieged during The Anarchy in 1142. The university rose to dom ...
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Oxford University Dramatic Society
The Oxford University Dramatic Society (OUDS) is the principal funding body and provider of theatrical services to the many independent student productions put on by students in Oxford, England. Not all student productions at Oxford University are awarded funding from the society. However it is rare, for example, for any student production at the Oxford Playhouse not to receive substantial funding from the society. The society funds many types of shows, mostly at the Oxford Playhouse, Burton Taylor Theatre, and the individual college theatres such as the Moser Theatre at Wadham College, Oxford, Wadham and the O'Reilly Theatre at Keble College, Oxford, Keble. All productions put on by Oxford University students can use the society's services, such as the website, the auditions portal, and advice from the committee, providing their production company is registered. The Society supports a competition for Freshers (''Cuppers''), held in Michaelmas Term and a ''New Writing Festival'' ...
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The Taming Of The Shrew
''The Taming of the Shrew'' is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction, in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself. The nobleman then has the play performed for Sly's diversion. The main plot depicts the courtship of Petruchio and Katherina, the headstrong, obdurate shrew. Initially, Katherina is an unwilling participant in the relationship; however, Petruchio "tames" her with various psychological and physical torments, such as keeping her from eating and drinking, until she becomes a desirable, compliant, and obedient bride. The subplot features a competition between the suitors of Katherina's younger sister, Bianca, who is seen as the "ideal" woman. The question of whether the play is misogynistic has become the subject of considerable controversy, particularly among mode ...
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