Málaháttr
Málaháttr (Old Norse: ) is a poetic metre in Old Norse poetry, which is usually described as "conversational style." It is similar to fornyrðislag except that there are more syllables in a line; usually five. Poems with verses in this metre: * Atlamál (the only eddic poem composed entirely in Málaháttr) * Atlakviða (partly) * Hárbarðsljóð (partly) * Hávamál (partly) * Hrafnsmál ''Hrafnsmál'' (Old Norse: ; "raven song") is a fragmentary skaldic poem generally accepted as being written by the 9th-century Norwegian skald Þorbjörn Hornklofi. ''Hrafnsmál'' largely consists of a conversation between an unnamed valkyrie an ... ReferencesCarmina Scaldica Old Norse poetry {{poetry-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Atlakviða
''Atlakviða'' (''The Lay of Atli'') is one of the heroic poems of the ''Poetic Edda''. One of the main characters is Atli who originates from Attila the Hun. It is one of the most archaic Eddic poems, possibly dating to as early as the 9th century. Owing to its stylistic similarity to ''Hrafnsmál'' it has been suggested that the poem might have been composed by Þorbjörn Hornklofi.Genzmer, Felix. 1926. ‘Der Dichter der Atlakviða’. ANF 42, 97-134. It is preserved in the Codex Regius and the same story is related in the ''Völsunga saga''. In the manuscript the poem is identified as Greenlandic but most scholars believe that this results from a confusion with ''Atlamál''. The metre of the poem alternates irregularly between ''málaháttr'' and ''fornyrðislag''. This may be an indication that two or more original poems have been merged or that the short and long lines were not felt as constituting two different metres at the time the poem was composed. Historical background ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fornyrðislag
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Atlamál
''Atlamál in grÇ¿nlenzku'' (''The Greenlandic Lay of Atli'') is one of the heroic poems of the ''Poetic Edda''. It relates the same basic story as ''Atlakviða'' at greater length and in a different style. The poem is believed to have been composed in Greenland, most likely in the 12th century. It has 103 stanzas and is the only Eddic poem written entirely in the metre málaháttr. Plot Plotting to kill his brothers-in-law, Atli dispatches messengers to Gunnarr and Högni, the sons of Gjúki, with an invitation to his hall. Guðrún daughter of Gjúki, Atli's wife, learns about the plot and sends a runic message to her brothers but the runes are corrupted by one of the messengers, Vingi. Nevertheless, Kostbera, Högni's wife, discerns from the runes that something is wrong and warns Högni. Högni dismisses her fears but she persists and describes dreadful dreams she has had, interpreting them as warnings. Högni remains unmoved and explains the dreams away. Glaumvör, Gunnarr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hárbarðsljóð
''Hárbarðsljóð'' (Old Norse: 'The Lay of Hárbarðr') is one of the poems of the ''Poetic Edda'', found in the Codex Regius and AM 748 I 4to manuscripts. It is a flyting poem with figures from Norse Paganism. ''Hárbarðsljóð'' was first written down in the late 11th century but may have had an older history as an oral poem. Synopsis In this poem, the ferryman Harbard and the god Thor compete in a flyting or verbal contest with one other. The ferryman Hárbarðr (''Greybeard'') is rude and obnoxious towards Thor who is returning to Asgard after a journey in Jötunheimr, the land of the jötnar. Hárbarðr obstructs his way and refuses him passage across a swollen river. He begins by saying that Thor dresses poorly (in a beggars clothes, without pants) and that his mother is dead. In the course of the poem, Harbard boasts of his sexual prowess, his magical and tactical abilities, asking Thor about his. Thor responds, telling how he defeated Giants. Ultimately, after mocking hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Old Norse Poetry
Old Norse poetry encompasses a range of verse forms written in Old Norse, during the period from the 8th century (see Eggjum stone) to as late as the far end of the 13th century. Most of the Old Norse poetry that survives was preserved in Iceland, but there are also around 122 verses preserved in Swedish rune inscriptions, 54 in Norwegian and 12 in Danish. Poetry played an important role in the social and religious world of the Vikings. In ''Skáldskaparmál'' (1), Snorri Sturluson, recounts the myth of how Odin brought the mead of poetry to Asgard. Poetry is referred to in such terms as 'the drink of the raven-god (= Odin)' even in the oldest preserved poetry, which is an indicator of its significance within the ancient Scandinavian culture. Old Norse poetry developed from the common Germanic alliterative verse, and as such has many commonalities with Old English, Old Saxon, and Old High German poetry, including alliteration, poetic circumlocutions termed kennings, and an exp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hávamál
''Hávamál'' ( ; Old Norse: ,Unnormalised spelling in the :Title: Final stanza: ../ref> classical pron. , Modern Icelandic pron. , ‘Words of he High One€™) is presented as a single poem in the Icelandic , a collection of Old Norse poems from the Viking age. The poem, itself a combination of numerous shorter poems, is largely gnomic, presenting advice for living, proper conduct and wisdom. It is considered an important source of Old Norse philosophy. The verses are attributed to Odin; the implicit attribution to Odin facilitated the accretion of various mythological material also dealing with the same deity. For the most part composed in the metre , a metre associated with wisdom verse, is both practical and philosophical in content. Following the gnomic " proper" comes the , an account of how Odin won the runes, and the , a list of magic chants or spells.Larrington, Carolyne. (Trans.) (1999) ''The Poetic Edda'', p. 14. Oxford World's Classics Name The Old Norse name ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hrafnsmál
''Hrafnsmál'' (Old Norse: ; "raven song") is a fragmentary skaldic poem generally accepted as being written by the 9th-century Norwegian skald Þorbjörn Hornklofi. ''Hrafnsmál'' largely consists of a conversation between an unnamed valkyrie and a raven; the two discuss the life and martial deeds of Harald Fairhair. Due to this, the poem is sometimes referred to as ''Haraldskvæði''Orchard (1997:89). . The meter of the poem is dominantly ''Málaháttr'', while smaller portions are in Ljóðaháttr and Fornyrðislag.Hollander (1980:54). Through dating of the parts as well as the meter is consistent, they may be separate compositions but scholarly consensus is indecisive. The poem is usually described as a praise poem, but bears more resemblance in style to the Eddic poems. In style, it so much resembles ''Atlakviða'' (one of the oldest Eddic poems) that it has been suggested they were both composed by Hornklofi.Genzmer, Felix. 1926. ‘Der Dichter der Atlakviða’. ANF 42, 97-13 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |