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My Magic Last Days
''My Magic Last Days'' is a punk-rock, garage, Jewish, industrial dance album, the 21st CD from Jewish-American, bi-polar outsider punk musician, Steve Lieberman, released on 17 July 2012, when he was 54 years old.It was frequently released as a double-record set with ''My Last Rock Show''(2012), in an effort to document the artist's final days on earth through his music. At the time of release, Lieberman's bone-marrow cancer and chemotherapy treatment had progressed to a point where he was forced to retire from decades of live performances and suffered much sickness during the recording and production of '' My Magic Last Days''. Critical reception Martin Atkins Martin Clive Atkins (born 3 August 1959) is an English drummer and session musician, best known for his work in post-punk and industrial groups including Public Image Ltd, Ministry, Nine Inch Nails, Pigface, and Killing Joke. He also works as ... Martin Atkins had said in his review of ''My Magic Last Days''--"Rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lieberman
Steven Paul Lieberman (born June 21, 1958), also known as the Gangsta Rabbi and The King of Jewish Punk, (Hebrew name ליב פרץ בין אליאזר ה־בדלן ה־נזדי or Lev Ava'ran bar-Eli'ezar ha-Bad'lan ha-Naz'ari) is a Jewish-American punk rock /metal singer, songwriter, multi-instrumental musician, composer, arranger, producer and former village comptroller residing in Freeport, New York. He is a Hebrew Nazarite, the founder of The Bad'lanim, a minority sect of Judaism and a vegetarian since 1995. He held the Guinness World Record for Longest Officially Released Song for The Noise Militia (#38/76) at 35 hours, 41 minutes and 9 seconds, from December 3, 2020, until October 2, 2021. On June 1, 2022, Lieberman's sequel to "The Noise Militia" entitled The Post-Militia Pogo-Battalion(#39/77) was completed with a duration of 76 hours, 30 minutes and 27 seconds and was submitted to Guinness unsuccessfully to reclaim the record. During the sessions of The Noise Militia, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outsider Music
Outsider music (from "outsider art") is music created by self-taught or naïve musicians. The term is usually applied to musicians who have little or no traditional musical experience, who exhibit childlike qualities in their music, or who suffer from intellectual disabilities or mental illnesses. The term was popularized in the 1990s by journalist and WFMU DJ Irwin Chusid. Outsider musicians often overlap with lo-fi artists, since their work is rarely captured in professional recording studios. Examples include Daniel Johnston, Wesley Willis, and Jandek, who each became the subjects of documentary films in the 2000s. Etymology The term "outsider music" is traced to the definitions of "outsider art" and "naïve art". "Outsider art" is rooted in the 1920s French concept of "L'Art Brut" ("raw art"). In 1972, academic Roger Cardinal introduced "outsider art" as the American counterpart of "L'Art Brut", which originally referred to work created exclusively by children or the men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JDub Records
JDub Records was a non-profit record and event production company that produced Jewish music and cross cultural musical dialogue. JDub, unlike most record labels, derived half its annual income from foundations and individual donors and the other half from record and ticket sales. As a non-profit Jewish organization its stated mission was to "forge vibrant connections to Judaism through music, media and cultural events." JDub operations included an artists' fellowship program, overseeing the Jewcy website, event production and consulting. Along with the Foundation for Jewish Culture and Avoda Arts, JDub launched The Six Points Fellowship for Emerging Jewish Artists, an artist development program financed by $1 million from the Commission on Jewish Identity and Renewal of UJA-Federation. The grant, described as the largest ever by UJA to an arts organization, gave each of 12 New York-based artists up to $45,000 for living expenses and project-related support for two years. As of 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Atkins
Martin Clive Atkins (born 3 August 1959) is an English drummer and session musician, best known for his work in post-punk and industrial groups including Public Image Ltd, Ministry, Nine Inch Nails, Pigface, and Killing Joke. He also works as a consultant, has written books, and is the music business program coordinator at Millikin University in Decatur, IL. Atkins is an honorary board member of the Chicago-based nonprofit organisation Rock For Kids. Early life Atkins was born in Coventry, England. Career 1979–1981 Atkins' first major exposure as a drummer was with John Lydon's post-Sex Pistols band, Public Image Ltd. He joined in 1979, just in time to contribute to the song "Bad Baby" on the album ''Metal Box''. Atkins' first live show with PiL was recorded and released as a live album '' Paris au Printemps'' and his first year with the band included appearances on The John Peel Sessions for the BBC, ''American Bandstand'' and the BBC's live ''Old Grey Whistle Test'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Rubber Ball
"Red Rubber Ball" is a pop song written by Paul Simon of Simon & Garfunkel and Bruce Woodley of The Seekers and recorded by The Cyrkle, whose version reached 2 on the US ''Billboard'' Hot 100, and in South Africa and New Zealand. In Canada, the song reached No. 1. Synopsis "Red Rubber Ball" is sung from the perspective of a man at the end of an unfulfilling relationship in which his significant other never gave him much attention or affection. He now looks forward to the future with a positive attitude, proclaiming that “the morning sun is shining like a red rubber ball”. Recordings According to Cyrkle guitarist Tom Dawes, Simon offered "Red Rubber Ball" to the band when they were opening for Simon and Garfunkel on tour. The song's tracks were recorded in stereo, with the bass, lead guitar, and percussion on the right track, acoustic guitar and electric organ on left, and the vocals on both. The Columbia picture sleeve issued with the "Red Rubber Ball" single is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Simon
Paul Frederic Simon (born October 13, 1941) is an American musician, singer, songwriter and actor whose career has spanned six decades. He is one of the most acclaimed songwriters in popular music, both as a solo artist and as half of folk rock duo Simon & Garfunkel with Art Garfunkel. Simon was born in Newark, New Jersey, and grew up in the Queens, borough of Queens in New York City. He began performing with his schoolfriend Art Garfunkel in 1956 when they were still in their early teens. After limited success, the pair reunited after an electrified version of their song "The Sound of Silence" became a hit in 1966. Simon & Garfunkel recorded five albums together featuring songs mostly written by Simon, including the hits "Mrs. Robinson", "America (Simon & Garfunkel song), America", "Bridge over Troubled Water (song), Bridge over Troubled Water" and "The Boxer". After Simon & Garfunkel split in 1970, Simon recorded three acclaimed albums over the following five years, all of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Woodley
Bruce William Woodley (born 25 July 1942) is an Australian singer-songwriter and musician. He was a founding member of the successful folk-pop group The Seekers, and co-composer of the songs "I Am Australian," "Red Rubber Ball," and Simon & Garfunkel's " Cloudy." Early life Bruce Woodley was born on 25 July 1942 in Melbourne, Victoria, Australia. He attended Melbourne High School with fellow Seekers, Athol Guy and Keith Potger. The Seekers Woodley had a 'residency' performing at the Treble Clef restaurant in Prahran. With former schoolmates, Athol Guy and Keith Potger, he formed a folk music trio, The Escorts, in the early 1960s. Soon before the arrival of vocalist Judith Durham in 1962 they became The Seekers, and had some success in Australia before travelling to London in 1964 and recording four international hit singles written and produced by Tom Springfield. Woodley played guitar, banjo, and mandolin, as well as one of the four-part vocal harmony, and was the chie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
