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My Lula Gal
"Bang Bang Lulu" is a traditional American song with many variations. It derives from older songs most commonly known as "Bang Bang Rosie" in Ireland, "Bang Away Lulu" in Appalachia,Cray, Ed. ''The Erotic Muse: American Bawdy Songs'' 2nd ed.p. 173 ff. UIP ( Champaign), 1999. Accessed 13 Jan 2014. and "My Lula Gal" in the West.Logsdon, Guy. ''The Whorehouse Bells Are Ringing and Other Songs Cowboys Sing''pp. 154 ff.1995 reprint of UIP ( Champaign), 1989. Accessed 13 Jan 2014. The form "Bang Bang Lulu" became widespread in the United States from its use as a cadence during the World Wars. The song uses the tune of "Goodnight, Ladies". Traditional song All versions concern a woman and her various lovers. The early forms were sometimes very directly crude, violent, or infanticidal. Published versions probably drastically understate the song's popularity, particularly since the first mentions allude to 78 or 900 additional verses unfit for pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Popular Music
American popular music has had a profound effect on music across the world. The country has seen the rise of popular styles that have had a significant influence on global culture, including ragtime, blues, jazz, swing, rock, bluegrass, country, R&B, doo wop, gospel, soul, funk, punk, disco, house, techno, salsa, grunge and hip hop. In addition, the American music industry is quite diverse, supporting a number of regional styles such as zydeco, klezmer and slack-key. Distinctive styles of American popular music emerged early in the 19th century, and in the 20th century the American music industry developed a series of new forms of music, using elements of blues and other genres These popular styles included country, R&B, jazz and rock. The 1960s and 1970s saw a number of important changes in American popular music, including the development of a number of new styles, such as heavy metal, punk, soul, and hip hop. Though these styles were not in the sense of ''mainstream ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gretna, Louisiana
Gretna is the second-largest city in, and parish seat of, Jefferson Parish in the U.S. state of Louisiana. "Gretna, Louisiana (LA) Detailed Profile" (notes), ''City Data'', 2007, webpage: C-Gretna "Census 2000 Data for the State of Louisiana" (town list), US Census Bureau, May 2003, webpage: C2000-LA Gretna lies on the west bank of the Mississippi River, just east and across the river from uptown New Orleans. It is part of the New Orleans– Metairie–Kenner metropolitan statistical area. The population was 17,814 at the 2020 U.S. census. History According to the history published by the city, Gretna's history can be traced to a plantation established by Jean-Charles de Pradel by 1750 (when the plantation house, ''Monplaisir'', was built). By 1813, the plantation had passed into the hands of one François Bernoudy. John McDonogh (also spelled John McDonough), then a resident of New Orleans, bought the establishment, moved into the house and founded a settle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boney M
Boney M. was a German- Caribbean vocal group that specialized in disco and funk created by German record producer Frank Farian, who was the group's primary songwriter. Originally based in West Germany, the four original members of the group's official line-up were Liz Mitchell and Marcia Barrett from Jamaica, Maizie Williams from Montserrat, and Bobby Farrell from Aruba. The group was formed in 1976 and achieved popularity during the disco era of the late 1970s. Since the 1980s, various line-ups of the band have performed with differing personnel. The band has sold more than 100 million records worldwide and is known for international hits including " Daddy Cool", "Ma Baker", "Belfast", " Sunny", "Rasputin", " Mary's Boy Child/Oh My Lord" and "Rivers of Babylon". 1970s German singer-songwriter Frank Farian recorded the dance track "Baby Do You Wanna Bump" in December 1974. Farian sang the repeated line "Do you do you wanna bump?" in a deep voice (entirely studio creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goombay Dance Band
Goombay Dance Band is a German band created in 1979 by Oliver Bendt, named after a small bay on the Caribbean island of Saint Lucia. Their music has a distinctive sound (somewhat similar to Boney M.), which is a mixture of soca, calypso and western pop. The group enjoyed greatest commercial success at the beginning of the 1980s, spawning such number 1 hits as "Sun of Jamaica", "Seven Tears" and "Aloha-Oe, Until We Meet Again". Goombay Dance Band built up a fan base across Europe and proved very popular in South Africa too, where "Sun of Jamaica" and "Aloha-Oe" entered the charts. History The band released the song "Sun of Jamaica" at the end of 1979. It topped the German single charts for nine weeks in 1980. Their next single was "Aloha-Oe, Until We Meet Again", based on a Liliuokalani's composition " Aloha ʻOe". The song charted within the top 5 in European charts, including the number 1 spot in Austria. The group's debut album ''Zauber der Karibik'', internationally known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Charmers
Lloyd Charmers (born Lloyd Tyrell, 1938 – 27 December 2012, also known as Lloyd Chalmers, Lloyd Terell, or Lloyd Terrell)Ruddock, George (2012), ''Jamaica Gleaner'', 29 December 2012. Retrieved 29 December 2012 was a Jamaican ska and reggae singer, keyboard player and record producer. Career Lloyd Charmers was born in Kingston, Jamaica.Lloyd Charmers , . Retrieved 29 December 2012 His professional career began in 1962, when he performed as the Charmers with Roy Willis on ' ''Talent Hour'', starting a recording career soon afterward. When the Charmers split, he joined |
Sing And Swing With The Merrymen
The Merrymen, sometimes written as The MerryMen, are a popular calypso band from Barbados. The Merrymen's career spans five decades, from the early-1960s to the 2000s. The Merrymen are still performing as of 2011. At their height they were popular not just throughout the Caribbean, but they had also managed to reach the number one spot on the charts of several European countries. Their trademark sound is an upbeat form of calypso, reminiscent of what was popular in the Caribbean in the late-1960s and early-1970s, that samples liberally from Latin, funk, tuk and spouge musical styles. Lead singer Emile Straker's whistling is one of the most distinctive components of their sound, and often serves as the primary focus of the musical interludes in their songs. They have produced several memorable covers in this style, including versions of "Island in the Sun" (originally by Harry Belafonte), "Jamaica Farewell", " Hot Hot Hot", "Mary's Boy Child" and "Big Bamboo". In addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merrymen
The Merrymen, sometimes written as The MerryMen, are a popular calypso band from Barbados. The Merrymen's career spans five decades, from the early-1960s to the 2000s. The Merrymen are still performing as of 2011. At their height they were popular not just throughout the Caribbean, but they had also managed to reach the number one spot on the charts of several European countries. Their trademark sound is an upbeat form of calypso, reminiscent of what was popular in the Caribbean in the late-1960s and early-1970s, that samples liberally from Latin, funk, tuk and spouge musical styles. Lead singer Emile Straker's whistling is one of the most distinctive components of their sound, and often serves as the primary focus of the musical interludes in their songs. They have produced several memorable covers in this style, including versions of "Island in the Sun" (originally by Harry Belafonte), "Jamaica Farewell", " Hot Hot Hot", "Mary's Boy Child" and "Big Bamboo". In addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" (Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Duck's Yas-Yas-Yas
"The Duck Yas-Yas-Yas" or "The Duck's Yas Yas Yas" is a hokum jazz- blues song, originally recorded by James "Stump" Johnson, but the most well known version was recorded by Oliver Cobb and his Rhythm Kings. The song is perhaps best known for the lyrics: Background The song is a "whorehouse tune", "a popular St. Louis party song." The song's title is explained by quoting the lyrics more fully: "Shake your shoulders, shake 'em fast, if you can't shake your shoulders, shake your yas-yas-yas". Recordings "The Duck's Yas Yas Yas" was originally recorded in St. Louis by pianist James "Stump" Johnson in late 1928 or January 1929. He recorded the tune at least three times during his career. Blues singer Tampa Red and Thomas A. Dorsey also recorded a version on May 13, 1929. Oliver Cobb recorded the song on August 16, 1929, before he died suddenly the next year. Eddie Johnson and The Crackerjacks recorded a cover of the song in 1932. In 1939, Tommy McClennan used some of the lyrics in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus (song)
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flatt & Scruggs
Flatt and Scruggs were an American bluegrass music, bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre.Rosenberg, Neil V. (1998)"Flatt & Scruggs and the Foggy Mountain Boys" ''The Encyclopedia of Country Music'', Oxford University Press, pp. 173-4 Flatt and Scruggs recorded and performed together until 1969. Their backing band, the Foggy Mountain Boys, included fiddle player Paul Warren, a master player in both the old-time and bluegrass fiddling styles whose technique reflected all qualitative aspects of "the bluegrass breakdown" and fast bowing style; dobro player Uncle Josh Graves, an innovator of the advanced playing style of the instrument now used in the genre; stand-up bass player Cousin Jake Tullock; and mandolinist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Monroe
William Smith "Bill" Monroe (; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the " Father of Bluegrass". The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky. He described the genre as "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound." Early life Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, James Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish and English heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
