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Mutterakkord
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within the octave, 1 through 11 (an ordering of every interval, 0 through 11, that contains each (ordered) pitch-interval class, 0 through 11). A "twelve-note ''spatial set'' made up of the eleven intervals etween consecutive pitches"Schiff, David (1998). ''The Music of Elliott Carter'', second edition (Ithaca: Cornell University Press), pp. 34–36. . Labels added to image. There are 1,928 distinct all-interval twelve-tone rows. These sets may be ordered in time or in register. "Distinct" in this context means in transpositionally and rotationally normal form (yielding 3856 such series), and disregarding inversionally related forms. These 1,928 tone rows have been independently rediscovered several times, their first computation probably was by Andre Riotte in 1961, see. Since the sum of numbers 1 through 11 equals 66, an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutterakkord
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within the octave, 1 through 11 (an ordering of every interval, 0 through 11, that contains each (ordered) pitch-interval class, 0 through 11). A "twelve-note ''spatial set'' made up of the eleven intervals etween consecutive pitches"Schiff, David (1998). ''The Music of Elliott Carter'', second edition (Ithaca: Cornell University Press), pp. 34–36. . Labels added to image. There are 1,928 distinct all-interval twelve-tone rows. These sets may be ordered in time or in register. "Distinct" in this context means in transpositionally and rotationally normal form (yielding 3856 such series), and disregarding inversionally related forms. These 1,928 tone rows have been independently rediscovered several times, their first computation probably was by Andre Riotte in 1961, see. Since the sum of numbers 1 through 11 equals 66, an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grandmother Chord
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within the octave, 1 through 11 (an ordering of every interval, 0 through 11, that contains each (ordered) pitch-interval class, 0 through 11). A "twelve-note ''spatial set'' made up of the eleven intervals etween consecutive pitches"Schiff, David (1998). ''The Music of Elliott Carter'', second edition (Ithaca: Cornell University Press), pp. 34–36. . Labels added to image. There are 1,928 distinct all-interval twelve-tone rows. These sets may be ordered in time or in register. "Distinct" in this context means in transpositionally and rotationally normal form (yielding 3856 such series), and disregarding inversionally related forms. These 1,928 tone rows have been independently rediscovered several times, their first computation probably was by Andre Riotte in 1961, see. Since the sum of numbers 1 through 11 equals 66, an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grossmutterakkord
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within the octave, 1 through 11 (an ordering of every interval, 0 through 11, that contains each (ordered) pitch-interval class, 0 through 11). A "twelve-note ''spatial set'' made up of the eleven intervals etween consecutive pitches"Schiff, David (1998). ''The Music of Elliott Carter'', second edition (Ithaca: Cornell University Press), pp. 34–36. . Labels added to image. There are 1,928 distinct all-interval twelve-tone rows. These sets may be ordered in time or in register. "Distinct" in this context means in transpositionally and rotationally normal form (yielding 3856 such series), and disregarding inversionally related forms. These 1,928 tone rows have been independently rediscovered several times, their first computation probably was by Andre Riotte in 1961, see. Since the sum of numbers 1 through 11 equals 66, an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Chord
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within the octave, 1 through 11 (an ordering of every interval, 0 through 11, that contains each (ordered) pitch-interval class, 0 through 11). A "twelve-note ''spatial set'' made up of the eleven intervals etween consecutive pitches"Schiff, David (1998). ''The Music of Elliott Carter'', second edition (Ithaca: Cornell University Press), pp. 34–36. . Labels added to image. There are 1,928 distinct all-interval twelve-tone rows. These sets may be ordered in time or in register. "Distinct" in this context means in transpositionally and rotationally normal form (yielding 3856 such series), and disregarding inversionally related forms. These 1,928 tone rows have been independently rediscovered several times, their first computation probably was by Andre Riotte in 1961, see. Since the sum of numbers 1 through 11 equals 66, an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Heinrich Klein
Fritz Heinrich Klein (2 February 1892 – 12 July 1977) was an Austrian composer. Life and music Klein was born in Budapest. He was a student of Alban Berg and the inventor of the all-interval twelve-tone row.Arnold Whittall: ''The Cambridge Introduction to Serialism'' (New York: Cambridge University Press, 2008), (hardback) (pbk), p. 68. He studied with Schoenberg from 1917 to 1918, with Berg from 1918 to 1924, and prepared the piano-vocal score for Berg's ''Wozzeck'' and the piano score of Berg's '' Chamber Concerto''. Klein's twelve-tone theories, which he refers to as "extonal", appear to originate independently of Schoenberg's as with Josef Matthias Hauer's, and these claims as well as frequent stylistic changes helped to exclude him from the Second Viennese School, though Klein's theories where highly influential on Alban Berg. Klein considered his piece for two pianos, ''Die Maschine: Eine extonale Selbstsatire'' 'The Machine: An Extonal Satire'' Op. 1 (1921) the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Suite Movement I Tone Row
Lyric may refer to: * Lyrics, the words, often in verse form, which are sung, usually to a melody, and constitute the semantic content of a song * Lyric poetry is a form of poetry that expresses a subjective, personal point of view * Lyric, from the Greek language, a song that is played with a lyre * Lyric describes, in the classification of the human voice in European classical music, a specific vocal weight and a range at the upper end of the given voice part * RTÉ lyric fm, a radio station in Ireland * Lyric (group), a rhythm and blues girl group * Lyric (song), "Lyric" (song), a single released in June 2003 by Zwan * Lyric Hearing, an extended wear hearing aid * The Lyric (magazine), ''The Lyric'' (magazine), a North American poetry magazine * The Lyric (album), ''The Lyric'' (album), a 2005 jazz album by Jim Tomlinson and Stacey Kent See also *Lyric Opera (other) *Lyric Theatre (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodor Storm
Hans Theodor Woldsen Storm (; 14 September 18174 July 1888), commonly known as Theodor Storm, was a German writer. He is considered to be one of the most important figures of German realism. Life Storm was born in the small town of Husum, on the west coast of Schleswig, then a formally independent duchy ruled by the king of Denmark. His parents were the lawyer ''Johann Casimir Storm'' (1790–1874) and ''Lucie Storm'', née Woldsen (1797–1879). Storm attended school in Husum and Lübeck and studied law in Kiel and Berlin. While still a law student in Kiel he published a first volume of verse together with the brothers Tycho and Theodor Mommsen (1843). Storm was involved in the 1848 revolutions and sympathized with the liberal goals of a united Germany under a constitutional monarchy in which every class could participate in the political process. From 1843 until his admission was revoked by Danish authorities in 1852, he worked as a lawyer in his home town of Husum. In 1853 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Suite (Berg)
The ''Lyric Suite'' is a six- movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique. Though publicly dedicated to Alexander von Zemlinsky (from whose '' Lyric Symphony'' it quotes), the work has been shown to possess a "secret dedication" and to outline a "secret programme". Berg arranged three of the "pieces" (movements) for string orchestra in 1928. Composition and analysis The string quartet has six movements: As Berg's friend and fellow Schoenberg pupil Erwin Stein wrote in the preface to the score, " e work (Ist and VIth part, the main part of the IIIrd and the middle section of the Vth) has been mostly written strictly in accordance with Schoenberg's technique of the ' Composition with 12 inwardly related tones." A set of 12 different tones gives the rough material of the composition, and the portions which have been treated more freely still adhere more or less to the techniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_~1930_©_Max_Fenichel_(1885–1942).jpg "Click for more on -> Alban Berg")