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Musée Des Beaux-Arts D'Angers
The Musée des beaux-arts d'Angers is a museum of art located in a mansion, the "logis Barrault", place Saint-Éloi near the historic city of Angers. Building The museum is part of the Toussaint complex, which includes the garden of Fine Arts, the David d'Angers gallery, the city library and the canteen. It displays a rich collection of art works acquired over the centuries on a total area of distributed as follows: * for permanent collections * for temporary exhibitions * for the public reception areas: lobbies, passing museums, auditorium, video room, coffee shop ... * for technical buildings Thanks to recent restoration the site combines history and development with the most modern presentation. The museum has been classified by the Journal des Arts Museum on 2010 as the best of western France and fourth museum in France (outside Paris). This ranking is due to a redesign of the museum's website and the richness and diversity of the exhibitions. History After the French Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angers
Angers (, , ) is a city in western France, about southwest of Paris. It is the prefecture of the Maine-et-Loire department and was the capital of the province of Anjou until the French Revolution. The inhabitants of both the city and the province are called ''Angevins'' or, more rarely, ''Angeriens''. Angers proper covers and has a population of 154,508 inhabitants, while around 432,900 live in its metropolitan area (''aire d'attraction''). The Angers Loire Métropole is made up of 29 communes covering with 299,500 inhabitants (2018).Comparateur de territoire INSEE Not including the broader metropolitan area, Angers is the third most populous |
Benvenuto Tisi
Benvenuto Tisi (or Il Garofalo) (1481September 6, 1559) was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, ''Garofalo'', may derive from his habit of signing some works with a picture of a carnation (in Italian, ''garofano''). Biography Early training Born in Canaro near Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under his maternal uncle Niccolò Soriano, and at the school of Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more influenced by Giulio Romano. Invited by a Ferrarese gentleman, Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as history painting, genre painting, , |
Jacob Foppens Van Es
Jacob Foppens van Es, Jacob Fopsen van Es or Jacob van Es (c. 1596 Antwerp – 1666 Antwerp) was a Flemish Baroque painter known for his still lifes mainly of food and occasionally flower paintings. He collaborated with other artists on garland paintings. Together with Osias Beert and Clara Peeters, he was one of the leading representatives of the first generation in Flemish still-life painting.Christine van Mulders. "Es, Jacob van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 March 2017 Life Biographical data about Jacob Foppens van Es' life are scarce. The inscription on a portrait of Foppens van Es engraved by Wenceslaus Hollar after a design by Joannes Meyssens states that he was born in Antwerp. There is no documentary evidence that corroborates his place of birth. In 1617 he became a master of the Antwerp Guild of St. Luke. The fact that he was not registered as a pupil with the Guild before becoming a master, indicates that he likely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodoor Van Thulden
Theodoor van Thulden (1606–12 July 1669) was a painter, draughtsman and engraver from 's-Hertogenbosch. He is mainly known for his altarpieces, mythological subjects, allegorical works and portraits. He was active in Antwerp, where he had trained, as well as in Paris and his native 's-Hertogenbosch.Theodoor van Thulden at the Life Theodoor van Thulden was born in 's-Hertogenbosch where he was baptized on 9 August 1606 in the St. John's Cathedral as "Dirrick". Van Thulden ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Van Ruisdael
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Van Mieris
Willem van Mieris (3 June 166226 January 1747) was an 18th-century painter from the Northern Netherlands. Biography Willem van Mieris was a painter, sculptor and etcher active in Leiden. He was born in Leiden and studied under his father Frans van Mieris the Elder (1635–1682), who was a successful genre painter. Willem had a reasonably successful career, being supported by a few patrons who commissioned and collected various of his works. His oeuvre consists mostly of genre and portraiture, with some landscape painting, as well as some sculptures. Van Mieris' style was that of the (painters in the "fine manner"), and his genre works, especially later in his career, depicted scenes from upper-class society. At age 19, Van Mieris took over the family workshop after his father died in 1681, aged 45. He had barely finished his training in the family studio and it would take another two years before he entered the Leiden painters' guild in 1685. He set out to uphold his father's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Kessel, Senior
Jan van Kessel the Elder or Jan van Kessel (I) (baptized 5 April 1626, Antwerp – 17 April 1679, Antwerp) was a Flemish painter active in Antwerp in the mid 17th century. A versatile artist he practised in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre scenes.Jan van Kessel (I) at the A scion of the Brueghel family many of his subjects took inspiration of the work of his grandfather |
Jan Asselijn
Jan Asselijn (c.1610 – October 1, 1652) was a Dutch Golden Age painter. Biography Asselijn was born at Dieppe from a French Huguenot family as ''Jean Asselin''. He received instruction from Esaias van de Velde (1587–1630), and distinguished himself particularly in landscape and animal painting, though his historical works and battle pieces are also admired. He traveled in France and Italy, and modeled his style after Bamboccio (Pieter van Laer), also a member of the Bentvueghels. Nicolaes de Helt Stockade and Asselijn married two sisters in Lyons in 1645, both daughters of Houwaart Koorman of Antwerp. According to Houbraken, he heard this story from Abraham Genoels, who in turn heard it from Laurens Frank, an artist who was staying in the Koorman household with Artus Quellinus in Lyons at the time. Their marriages brought both Asselijn and Helt-Stockade back to the Netherlands after their travels. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolaes Pieterszoon Berchem
Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst, p. 26–27. However, he is best known today for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Franken
Frans Francken I or Frans Francken the Elder (1542, Herentals – 1616, Antwerp) was a Flemish painter who was one of the principal painters in Antwerp during the Counter-Reformation.Ursula Härting. "Francken." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 10 May. 2014 He is mainly known for his large altarpieces and allegorical paintings. He was a member of the Francken dynasty of painters that played an important role in the Antwerp art scene in the 17th century.Frans Francken (I) at the |
