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Musée Historique De Haguenau
The Musée historique (Historical museum) is one of the three museums of Haguenau, France. It was established in 1900 and inaugurated in 1905, when Haguenau was a German town and part of Alsace-Lorraine. In spite of its name, it is as much an art museum as a museum dedicated to History. The museum was founded by the mayor, Xavier Nessel, who was also a keen amateur archaeologist. The building was initially designed to house the municipal collections, the municipal archive and the municipal library. It was built by the architects Joseph Müller (1863–??) and (1852–1912) who also designed the Strassburger Sängerhaus. Apart from artefacts relating to the history of the town, including its Jewish community, the museum owns a rich collection of archaeological finds from the Neolithic, the Bronze Age, the Iron Age and the Gallo-Roman period. It also displays a number of Romanesque, Gothic, Renaissance and Baroque artworks from religious and secular buildings from the town an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haguenau
Haguenau (; or ; ; historical ) is a Communes of France, commune in the Bas-Rhin Département in France, department of France, of which it is a Subprefectures in France, sub-prefecture. It is second in size in the Bas-Rhin only to Strasbourg, some to the south. To the north of the town, the Forest of Haguenau is the largest undivided forest in France. Haguenau was founded by German dukes and has swapped back and forth several times between Germany and France over the centuries, with its spelling altering between "Hagenau" and "Haguenau" by the turn. After the French defeat in the Franco-Prussian War, Haguenau was ceded to the new German Empire. It was part of the German Empire for 48 years from 1871 to 1918, when at the end of World War I it was returned to France. This transfer was officially ratified in 1919 with the Treaty of Versailles. Haguenau is a rapidly growing town, its population having increased from 22,944 inhabitants in 1968 to 34,504 inhabitants in 2017. Hag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern Europe, Northern, Southern Europe, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Bas-Rhin
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curio Cabinet
A curio cabinet is a specialised type of display case, made predominantly of glass with a metal or wood framework, for presenting collections of curios, like figurines or other interesting objects that invoke curiosity, and perhaps share a common theme. A curio cabinet may also be used to display a solitary object of special interest, such as a hand-crafted doll. Description While display cases for presenting products for sale (such as jewelry) are typically horizontal with a surface covered in felt, a curio cabinet is usually vertical with no felt. Most curio cabinets have glass on each side, glass shelves, and optionally a mirror at the back, to maximize visibility. Another purpose of a curio cabinet is to protect the value of a collection, which it does by preventing contact by dust and vermin. For added security, a locked door or removable panel allows the collection to be seen, while protecting it from damage and theft. See also * China cabinet * Stationery cabinet * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Alsacien (Haguenau)
The ''Museé alsacien'' ( Alsatian museum) is one of the three museums of Haguenau, France. Like its older and much larger counterpart in Strasbourg, it is dedicated to local, mostly rural customs, furniture, and folk art. The museum was established in 1972 when the ethnographic collection of the Musée historique de Haguenau was separated from the rest of the collections to reorganise the existing space. It was moved into the former chancery (), a late 15th-century building. Building The museum has been installed since 1972 in the old medieval chancellery, which was built around 1486 and had this function until 1790. The building was partially restored during the 19th century. The burgundy facade is of great architectural interest. The arms and the seal of the city, the coat of arms of the Empire and the coats of arms of patricians and notables of the city are symbolized on the facade. Manufactured in 1904 by the firm Hörz and remained in the city's historical museum un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Majorelle
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ''ébéniste''. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the '' École de Nancy''. Louis Majorelle is one of those who contributed the most to the transformation of furniture. Thanks to posterity, we recognize today a piece of furniture from him as we recognize a piece of furniture from André Charles Boulle and Charles Cressent, the French Prince regent's favorite artists. During the early 18th century, Cressent replaced the magnificence of ebony and tortoiseshell associated with tin and copper by the softer harmonies of foreign woods. Like him, Louis Majorelle dressed the elegant structure of Art Nouveau furniture with exotic wood inlays. The palett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daum (studio)
Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum (1825–1885). His sons, Auguste Daum (1853–1909) and Antonin Daum (1864–1931), oversaw its growth during the burgeoning Art Nouveau period. Daum is one of the only crystal manufacturers to employ the pâte de verre (glass paste) process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln. History The Daum family worked at the beginning of the Art Nouveau era and created one of France's most prominent glassworks. Established at the end of the 19th century, Daum's renown was originally linked to the École de Nancy and the art of ''pâte-de-cristal'', a major contributing factor to its worldwide reputation. During the Universal Exhibition of 1900 Daum was awarded a 'Grand Prix' medal. Daum glass became more elaborate. Acid etching (by Jacques Grüber) was often combined with carving, enamelling, and engravin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Lalique
René Jules Lalique (; 6 April 1860 – 1 May 1945) was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments. Life Lalique's early life was spent learning the methods of design and art he would use in his later life. At the age of two, his family moved to the suburbs of Paris, but traveled to Aÿ for summer holidays. These trips influenced Lalique later on in his naturalistic glasswork. With the death of his father, Lalique began working as an apprentice to goldsmith Louis Aucoc in Paris. Lalique died on 1 May or 5 May 1945, in Paris. René Lalique was buried in Père Lachaise Cemetery in Paris, France. His daughter Suzanne Lalique was the painter and set designer for the Comédie-Française. His son Marc Lalique continued the family business as a glass artist himself. It was under his impetus that the Maison Lalique began its transition from glass to cry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Gallé
Émile Gallé (; 4 May 1846 in Nancy, France, Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Biography Early life and education Gallé born on 4 May 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau ( ; ; ), Jugendstil and Sezessionstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art. One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg Faience
Strasbourg faience or Strasbourg ware is a form of faience produced by the Strasbourg-Haguenau company in Strasbourg in the 18th century. The company was founded by a Dutch ceramicist, Charles-Francois Hannong. Charles-Francois was born in Maastricht around 1669 and later married Anne Nikke, daughter of a German pipe-maker, in Cologne. In 1709 they moved to Strasbourg, where Charles-François set up a pipe-making factory. At first he concentrated on producing enamelled earthenware stoves. Around 1720 he was working with Henri Wackenfeld, perfecting these stoves and at the same time making experiments in porcelain, in which they attained a certain success, with great improvements being achieved by succeeding members of the Hannong family. Wackenfeld later left Strasbourg and Charles-Francois continued alone. By 1724, the faience was so successful that Charles-Francois opened a second factory in Haguenau. Eight years later he retired, leaving the family business to his sons, Paul-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
