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Musée Fesch
The musée Fesch (officially, Palais Fesch-musée des beaux-arts) is the central museum of fine arts in Ajaccio on Corsica. Located within the gated Palais Fesch, it is in the town's Borgu d'Ajaccio quarter. It was established by Napoleon I's uncle, cardinal Joseph Fesch (a Prince of France from 1807), in Fesch's birthplace. Location The Fesch museum is located in Ajaccio, the birthplace of its founder, the cardinal Joseph Fesch. It is housed in the 19th-century Palais Fesch on Rue Cardinal Fesch. The Palais Fesch also houses a college of that name, which contains a large collection of pictures, though most of them are copies. There is also a library of 30,000 volumes, and a collection of Corsican minerals. The courtyard contains a bronze statue of Cardinal Fesch. In the right wing of the palace is the Chapelle Fesch, built in 1855, containing the tombs of Letizia Ramolino, mother of Napoleon, and of Cardinal Fesch. The Bibliothèque Municipale, an adjacent building, contains rare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajaccio
Ajaccio (, , ; French: ; it, Aiaccio or ; co, Aiacciu , locally: ; la, Adiacium) is a French commune, prefecture of the department of Corse-du-Sud, and head office of the ''Collectivité territoriale de Corse'' (capital city of Corsica). It is also the largest settlement on the island. Ajaccio is located on the west coast of the island of Corsica, southeast of Marseille. The original city went into decline in the Middle Ages, but began to prosper again after the Genoese built a citadel in 1492, to the south of the earlier settlement. After the Corsican Republic was declared in 1755, the Genoese continued to hold several citadels, including Ajaccio, until the French took control of the island. The inhabitants of the commune are known as ''Ajacciens'' (men) or ''Ajacciennes'' (women). The most famous of these is Napoleon Bonaparte, who was born in Ajaccio in 1769, and whose ancestral home, the Maison Bonaparte, is now a museum. Other dedications to him in the city incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmè Tura
Cosmê Tura (c. 1430 – 1495), also known as Il Cosmè or Cosimo Tura (), was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara (Painting), School of Ferrara. Biography Formation The painter's origins are humble: he was born in Ferrara, the son of a shoemaker named Domenico. There is no news on his apprenticeship, which Vasari linked to the mysterious artist Galasso Ferrarese, an almost mythical figure, linked by friendship to Piero della Francesca. The first documents concerning him are dated to the two-year period 1451–1452, when he decorated some objects for the Este court, such as some flags with Este coats of arms for the Castle or a helmet given as a prize to the winner of a tournament. These works were the order of the day in the artistic workshops and represented for them one of the major sources of livelihood. Perhaps he was able to work among the court illuminators. From mid-1452 to April 1456 there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariotto Di Nardo
Mariotto di Nardo di Cione (''fl''. 1388–1424) was a Republic of Florence, Florentine painter in the Florentine Gothic style. He worked at the Duomo (Florence), Duomo of Florence, the church of Santa Maria Maggiore (Florence), Santa Maria Maggiore, and the Orsanmichele. He created both frescoes and panel paintings, and was also active as a manuscript Limner, illuminator. Personal life Mariotto flourished from 1394 to 1424. He was the grandson of Orcagna, Andrea di Cione di Arcangelo and the son of, and apprentice to, Nardo di Cione. Nardo had worked in Siena in 1380 and Volterra in 1381 as a stonecutter. With the lack of personal information on Mariotto, there is essentially no information on Mariotto's direct family, or if he had one at all. Influences Mariotto's style belongs to the Florentine Gothic and shows the influence of Spinello Aretino and Niccolò di Pietro, Niccolo di Pietro Gerini. his later style was influenced slightly by Lorenzo Monaco. Career Mariot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculpture, sculptor whose work is noted for its classical Ancient Rome, Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the Holy Roman Emperor, emperor Frederick II, Holy Roman Emperor, Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two Griffin, griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. On Verrocchio's behalf he completed the famous ''Madonna di Piazza'' for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Lorenzo's earliest independent works include an ''Annunciation'' in the Uffizi, two panels of the ''Madonna and Child'' at the Galleria Sabauda in Turin, another at the National Gallery in London and ''Adoration of the Child'' at the Pinacoteca Querini Stampali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Di Tommaso
Niccolò di Tommaso (active 1346–1376) was an Italian painter active in Florence, Naples and Pistoia. He is documented as joining the Arte dei Medici e Speziali around 1346. He shows the influence of Maso di Banco, but worked with Nardo di Cione on the Strozzi chapel in Santa Maria Novella by 1370. That same year he worked in the church of San Giovanni Fuorcivitas in Pistoia. In 1371 he travelled to Naples to paint a polyptych for the church of Sant’Antonio Abate. On his return to Tuscany, Niccolò frescoed for the Church of Tau, Pistoia. He painted a ''Coronation of the Virgin'' (Accademia, Venice), and ''The Massacre of the Innocents'' (Uffizi, Florence). He also painted a ''Madonna del Parto'' in the church of San Lorenzo, Florence The Basilica di San Lorenzo (Basilica of St. Lawrence) is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Daddi
Bernardo Daddi ( 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.Biography and analysis of artist's style at the J. Paul Getty Museum He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity. Life and work Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of |
Giuseppe Recco
__NOTOC__ Giuseppe Recco (1634 – 29 May 1695) was an Italian painter in the Baroque style. He specialized in a variety of still lifes. Career Born in Naples, he likely apprenticed with his family, including his father Giacomo Recco and uncle . Later, he perfected his technique with Paolo Porpora, who had been one of his father's students. During a stay in Lombardy, from 1644 to 1654 with his uncle, he was influenced by the works of Evaristo Baschenis. As his fame spread, he was invited to come to Spain by King Charles II. His assemblies of victuals, both vegetable and animal, were very popular there. His style is often compared to that of Giovan Battista Ruoppolo, who was also a student of Porpora. Early in his career, he went from painting flowers to more varied assemblies and was among the first Italian painters to do so. Recco may have died at Alicante, Spain, before reaching Madrid, although contemporary sources indicate that he lived there for seven years and bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leda And The Swan
Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta. According to many versions of the story, Zeus took the form of a swan and had sexual intercourse with Leda on the same night she slept with her husband King Tyndareus. In some versions, she laid two eggs from which the children hatched. In other versions, Helen is a daughter of Nemesis, the goddess who personified the disaster that awaited those suffering from the pride of Hubris. Especially in art, the degree of consent by Leda to the relationship seems to vary considerably; there are numerous depicions, for example by Leonardo da Vinci, that show Leda affectionately embracing the swan, as their children play. The subject was rarely seen in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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