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Musée De L'Œuvre Notre-Dame
The Musée de l'Œuvre Notre-Dame (or Frauenhausmuseum in German) is the city of Strasbourg's museum for Upper Rhenish fine arts and decorative arts, dating from the early Middle Ages until 1681. The museum is famous for its collection of original sculptures, glass windows, architectural fragments, as well as the building plans of Strasbourg Cathedral. It has a considerable collection of works by Peter Hemmel von Andlau, Niclas Gerhaert van Leyden, Nikolaus Hagenauer, Ivo Strigel, Konrad Witz, Hans Baldung and Sebastian Stoskopff. Purpose The ''Musée de l’Œuvre Notre-Dame'' was created in order to merge, under a single roof, four thematically related but differently focussed, collections of all types of Upper Rhenish art created prior to 1681. It is located in the half-Gothic, half-Renaissance core building of the ''Fondation de l’Œuvre Notre-Dame'', and in several early Baroque timber-framed houses which surround it. Origins The first documentary evidence of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg
Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Alsatian, Strossburi , gsw, label=Haut Rhin Alsatian, Strossburig ) is the prefecture and largest city of the Grand Est region of eastern France and the official seat of the European Parliament. Located at the border with Germany in the historic region of Alsace, it is the prefecture of the Bas-Rhin department. In 2019, the city proper had 287,228 inhabitants and both the Eurométropole de Strasbourg (Greater Strasbourg) and the Arrondissement of Strasbourg had 505,272 inhabitants. Strasbourg's metropolitan area had a population of 846,450 in 2018, making it the eighth-largest metro area in France and home to 14% of the Grand Est region's inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 958,421 inhabitants. Strasbourg is one of the ''de facto'' four main capitals of the European Union (alongside Brussels, Luxembourg and Frankfurt), as it is the seat of several European insti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Baldung
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism. Throughout his lifetime, he developed a distinctive style, full of colour, expression and imagination. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altarpieces, and stained glass, often relying on allegories and mythological motifs. Life Early life, c. 1484–1500 Hans was born in Schwäbisch Gmünd (formerly Gmünd in Germany), a small free city of the Empire, part of the East Württemberg region in former Swabia, Germany, in the year 1484 or 1485. Baldung was the son of Johann Baldung, a university-educated jurist, who held the office of leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anonymous Masters
In art history, an anonymous master is an Old Master whose work is known, but whose name is lost. Renaissance Only in the Renaissance did individual artists in Western Europe acquire personalities known by their peers (some listed by Vasari in his ''Lives of the Artists''), such as those known by: * Their true name or their father's name: ** Filippino Lippi after his father Fra Filippo Lippi * A chosen pseudonym, possibly linked to his birthplace or his father's trade: ** Giuliano da Sangallo worked on the gate of Saint Gall ** Antonio del Pollaiuolo, after his father, a chicken farmer (pollo in Italian) ** Jacopo del Sellaio, after his father, a saddler (''sellier'') ** The Della Robbias (after the Tuscan word ''robbia'', dyers' madder, and his father, the dyer Luca della Robbia) ** Masuccio Segondo, student of Masuccio Primo ** etc. * A surname attributed to him: ** Il Cronaca, who never stopped talking about the ruins he had seen in Rome ** Daniele da Volterra, nicknamed ''Il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutzig
Mutzig ( or ; german: Mützig) is a commune in the Bas-Rhin department in Grand Est, in north-eastern France. The commune of Mutzig is located at the entrance of the Bruche river valley, on the Route des Vins d'Alsace. History Evidences of human activities can be traced back to the Paleolithic era with the recent discovery of Neanderthal artifacts. The town Mutzig was first mentioned in the 10th century. It became part of the Prince-Bishopric of Strasbourg in 1308. In the 19th century, several industries were established in Mutzig among which a weapon manufactory on the grounds of the former castle of the . In 1893, when |
St Trophimus' Church, Eschau
Saint Trophimus' Church (french: Église Saint-Trophime) is a Romanesque church in Eschau, a small town in the suburbs of Strasbourg, the historical capital of Alsace. The church is dedicated to Trophimus of Arles. It houses relics of Saint Sophia (French: ''Sainte Sophie'') since 777 and is a place of Christian pilgrimage, especially for members of the Russian Orthodox Church. It is classified as a Monument historique by the French Ministry of Culture since 1898. History The church was originally part of a Benedictine abbey founded by the bishop of Strasbourg, in 770. On 10 May 777, Remigius brought relics of Sophia and her daughters from Rome, where they had been given to him by Pope Adrian I. He dedicated the abbey to St Sophia, and the church both to Mary and St Trophimus. Remigius died on 23 March 783 and was buried in the church. The church was destroyed by the Hungarians in 926. It was rebuilt in 996 by bishop . In 1143, the number of pilgrims to the relics was so co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sainte-Madeleine Church, Strasbourg
The Sainte-Madeleine Church (''Église Sainte-Madeleine'', German: ''Magdalenenkirche'') is a Catholic church in Strasbourg, France, which was built in Gothic style in the late 15th century, but largely rebuilt in a style close to Jugendstil after a devastating fire in 1904. Destroyed again during World War II, the church was re-constructed in its modern form. This is the fourth building dedicated to Mary Magdalene built in the city since the 13th century. The church is classified as a historic monument by a decree of 6 December 1898. Eglise Sainte-Madeleine History and architecture The first convent dedicated to Mary Magdalene was built in 1225 on the outskirts of the city of Strasbourg, on the site of the current ''place de la République''. The institution, which welcomed repentant prostitutes, was evacuated and then destroyed around 1470, since the city feared imminent invasion by the armies of the Duke of Burgundy. A new convent was rebuilt in the Krutenau district. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Saint Peter's Church, Strasbourg
The Church of Old Saint Peters (french: Église Saint-Pierre le Vieux) is a by simultaneum Catholic and Lutheran church building in Strasbourg, Alsace is first mentioned in 1130. In the Middle Ages it was one of Diocese of Strasbourg's nine parish churches. On 22 May 1398 the Chapter of the Abbey of Honau, which had been in Rhinau since 1290, moved to Old St Peter's because of flooding in Rhinau. The Chapter stayed there until 1529, conducting its services in the choir, while the parish occupied the nave. When the Catholic rite was restored in 1683, the Chapter returned to the Church and stayed there until 1790, when it was wound up. On 20 February 1529, when Strasbourg openly joined the Reformation and suspended the practice of the mass, the Church became Lutheran. Martin Bucer and the other Strasbourg reformers had campaigned for several years to have Protestant services in all of Strasbourg's churches, but in 1525 the city council had voted to retain the mass in several chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Neuf, Strasbourg
The Temple Neuf in Strasbourg is a Lutheran church built on the site of the former Dominican convent where Meister Eckhart studied. The Temple was constructed at the end of the 19th century after the old Dominican Church was destroyed during the Siege of Strasbourg on the night of 24 to 25 August, during the Franco-Prussian War. The ensuing fire also destroyed the libraries of the University of Strasbourg and the City of Strasbourg which were located at the Temple Neuf site. The Dominican convent had been built in 1260 and in 1538 the Jean Sturm Gymnasium was attached. When Strasbourg became Protestant in 1590, the library of the Protestant seminary was transferred to the convent building. The current church building was built from 1874 to 1877 in pink sandstone and a Neo-Romanesque style. The architect was Emile Salomon. The name "Temple Neuf" is a translation of the German name "Neue Kirche" that the former Dominican Church had carried since 1681, when, with the annexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm II, German Emperor
Wilhelm II (Friedrich Wilhelm Viktor Albert; 27 January 18594 June 1941) was the last German Emperor (german: Kaiser) and King of Prussia, reigning from 15 June 1888 until his abdication on 9 November 1918. Despite strengthening the German Empire's position as a great power by building a powerful navy, his tactless public statements and erratic foreign policy greatly antagonized the international community and are considered by many to be one of the underlying causes of World War I. When the German war effort collapsed after a series of crushing defeats on the Western Front in 1918, he was forced to abdicate, thereby marking the end of the German Empire and the House of Hohenzollern's 300-year reign in Prussia and 500-year reign in Brandenburg. Wilhelm II was the son of Prince Frederick William of Prussia and Victoria, German Empress Consort. His father was the son of Wilhelm I, German Emperor, and his mother was the eldest daughter of Queen Victoria of the United Kingdom and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrosius Volmar Keller (Baldung)
''Ambrosius Volmar Keller'' is a 1538 portrait painting by the German Renaissance artist Hans Baldung. The painting was offered to the city of Strasbourg by German Emperor Wilhelm II, from his private collection, in 1890. It is on display in the Musée de l'Œuvre Notre-Dame. Its inventory number is MBA 191 ("MBA" stands for '' Musée des Beaux-Arts''). Ambrosius Volmar Keller was the nephew of the prior of Saint-Pierre-le-Jeune Church, at a time when that church still entirely belonged to the Catholic Church, and had just been made canon; he would himself become prior of Saint-Pierre-le-Jeune in 1558. The solemn portrait celebrates the young Keller's gravitas and new social status. ''Ambrosius Volmar Keller'' is Baldung's largest and last portrait painting, and the only one in which he used a landscape as a background. The symbolism of the conspicuous grapevine growing behind Keller's back has not been entirely explained, it could be related to Christianity or to Northern Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Von Bode
Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904. Career Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation ''Frans Hals und seine Schule''. In 1871 Bode participated in the so-called " Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's ''Meyer Madonna' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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