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Mustapha (play)
''Mustapha'' is a 1739 tragedy by the British writer David Mallet.Nicoll p.343 It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent. The original cast included James Quin as Solyman, William Milward as Mustapha, Thomas Wright as Zanger, William Mills as Rustan, Richard Winstone as Mufti, William Havard as Achmet, Elizabeth Barry as Roxalana and Anna Marcella Giffard as Emira. The prologue was written by Mallet's friend James Thomson. The play was dedicated to Frederick, Prince of Wales who had become a popular symbol of the Patriot Whigs The Patriot Whigs, later the Patriot Party, were a group within the Whig Party in Great Britain from 1725 to 1803. The group was formed in opposition to the government of Robert Walpole in the House of Commons in 1725, when William Pulteney (l ... including Mallet and Thomson. References Bibliography * Baines, Paul & Ferarro, Julian & Rogers, Pat. ''The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mallet (writer)
David Mallet (or Malloch) ( 1705–1765) was a Scottish poet and dramatist. He was educated at the University of Edinburgh, and went to London in 1723 to work as a private tutor. There he became friendly with Alexander Pope, James Thomson, and other literary figures including Henry St John, Viscount Bolingbroke. His best-known work was written in the same year: '' William and Margaret'', adapted from a traditional ballad. In 1740, he collaborated with Thomson on a masque, ''Alfred'', which was the vehicle for "Rule, Britannia!". His other plays and poetry (e.g. ''Amyntor and Theodora''), popular at the time, are largely forgotten, but Bolingbroke's writings were edited and published by Mallet in 1754. Life Mallet was probably the second son of James Malloch of Dunruchan, a well-to-do tenant farmer on Lord Drummond's Perthshire estate, a Roman Catholic, and a member of the outlawed Clan MacGregor. The household suffered during the Jacobite Rebellion of 1715. Mallet gave his age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry (actress)
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1739 Plays
Events January–March * January 1 – Bouvet Island is discovered by French explorer Jean-Baptiste Charles Bouvet de Lozier, in the South Atlantic Ocean. * January 3: A 7.6 earthquake shakes the Ningxia Hui Autonomous Region in China killing 50,000 people. * February 24 – Battle of Karnal: The army of Iranian ruler Nader Shah defeats the forces of the Mughal emperor of India, Muhammad Shah. * March 20 – Nader Shah occupies Delhi, India and sacks the city, stealing the jewels of the Peacock Throne, including the Koh-i-Noor. April–June * April 7 – English highwayman Dick Turpin is executed by hanging for horse theft. * May 12 – John Wesley lays the foundation stone of the New Room, Bristol in England, the world's first Methodist meeting house. * June 13 – (June 2 Old Style); The Royal Swedish Academy of Sciences is founded in Stockholm, Sweden. July–September * July 9 – The first group purporting to represent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patriot Whigs
The Patriot Whigs, later the Patriot Party, were a group within the Whig Party in Great Britain from 1725 to 1803. The group was formed in opposition to the government of Robert Walpole in the House of Commons in 1725, when William Pulteney (later 1st Earl of Bath) and seventeen other Whigs joined with the Tory Party in attacks against the ministry. By the mid-1730s, there were over one hundred opposition Whigs in the Commons, many of whom embraced the Patriot label. For many years, they provided a more effective opposition to the Walpole administration than the Tories were. The Whig Patriots believed that under Walpole, the executive had grown too powerful by the abuse of patronage and government placemen in the Parliament of Great Britain. They also accused Walpole personally of being too partisan, too important and too eager to keep competent potential rivals out of positions of influence. He was further suspected of enriching himself from the public purse. Discontent with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick, Prince Of Wales
Frederick, Prince of Wales, (Frederick Louis, ; 31 January 170731 March 1751), was the eldest son and heir apparent of King George II of Great Britain. He grew estranged from his parents, King George and Queen Caroline. Frederick was the father of King George III. Under the Act of Settlement passed by the English Parliament in 1701, Frederick was fourth in the line of succession to the British throne at birth, after his great-grandmother Sophia, Dowager Electress of Hanover; his grandfather George, Elector of Hanover; and his father, George, Electoral Prince of Hanover. The Elector ascended the British throne in 1714. After his grandfather died and his father became king in 1727, Frederick moved to Great Britain and was created Prince of Wales in 1729. He predeceased his father, however, and upon the latter's death in 1760, the throne passed to Frederick's eldest son, George III. Early life Prince Frederick Louis was born on in Hanover, Holy Roman Empire (Germany), as Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Thomson (poet, Born 1700)
James Thomson (c. 11 September 1700 – 27 August 1748) was a Scottish poet and playwright, known for his poems '' The Seasons'' and ''The Castle of Indolence'', and for the lyrics of "Rule, Britannia!" Scotland, 1700–1725 James Thomson was born in Ednam in Roxburghshire around 11 September 1700 and baptised on 15 September. He was the fourth of nine children of Thomas Thomson and Beatrix Thomson (née Trotter). Beatrix Thomson was born in Fogo, Berwickshire and was a distant relation of the house of Hume. Thomas Thomson was the Presbyterian minister of Ednam until eight weeks after Thomson's birth, when he was admitted as minister of Southdean, where Thomson spent most of his early years. Thomson may have attended the parish school of Southdean before going to the grammar school in Jedburgh in 1712. He failed to distinguish himself there. Shiels, his earliest biographer, writes: 'far from appearing to possess a sprightly genius, homsonwas considered by his schoolmaster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Marcella Giffard
Anna Marcella Giffard (1707-1777) was an Irish stage actress. She was a member of the Lyddal acting family of Dublin, and began appearing herself at the Smock Alley Theatre under the name of Nancy Lyddal in the 1720s. In around 1728 she married the English actor Henry Giffard who had been acting at Smock Alley for some years. He had previously been married to Mary Lyddal, probably Anna Marcella's sister, with whom he had two children including William Giffard. After the marriage she was generally styled Mrs Giffard on playbills. She accompanied her husband to London in 1729 and frequently appeared alongside him over the coming years. She made her British debut at the Goodman's Fields Theatre, and this became a base for the couple after Henry took over management of the company and attempted to turn it into the third major London theatre, despite operation without a patent. The Licensing Act 1737 largely ended this attempt, and in subsequent years they played in many theatres aro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Havard (actor)
William Havard (1710?–1778), was a British actor and dramatist. Havard appeared at Goodman's Fields Theatre, 1730–1737, and then at the Drury Lane Theatre until retirement in 1769. He generally played secondary parts; depreciated in Rosciad. He also appeared in his own plays, '' King Charles I'' at Lincoln's Inn Fields, 1737; ''Regulus'' Drury Lane, 1744; and ''The Elopement'' Drury Lane, 1763. Selected roles * Montesini in '' The Parricide'' (1736) * Rosebrand in ''The Independent Patriot'' (1737) * Talthybius in ''Agamemnon'' (1738) * Hartly in '' The Coffee House'' (1738) * Achmet in '' Mustapha'' (1739) * Young Freeman in '' Love the Cause and Cure of Grief'' (1743) * Decius in ''Regulus'' (1744) * Young Whimsey in '' The Astrologer'' (1744) * Rodolpho in '' Tancred and Sigismunda'' (1745) * Bellamy in ''The Suspicious Husband'' (1747) * Colonel Raymond in '' The Foundling'' (1748) * Abdalla, An Officer in '' Irene'' (1749) * Arnold in ''Edward the Black Prince'' (1750 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Winstone
Richard Winstone (1699-1787) was a British stage actor of the eighteenth century. In 1732 Winstone joined Henry Giffard's Goodman's Fields Theatre. After this he worked at several London theatres including Lincoln's Inn Fields, Haymarket Theate and Bartholomew Fair. From 1734 to 1753 he was an established part of the Drury Lane company working with David Garrick amongst others, making occasional appearances at other theatres. From 1743 he spent his summers working at the Jacobs Well Theatre in Bristol. After making his final London appearance in May 1753 he settled in Bristol and took an active role in the company there, which eventually gained a new home at the Theatre Royal, Bristol and also performed in Bath. He retired in 1784 and died in the city three years later.Highfill, Burnim & Langhans p.190 Selected roles * Selim in '' Scanderbeg'' (1733) * Silvus in '' Junius Brutus'' (1734) * Paulinus in '' The Christian Hero'' (1735) * Touchwood in ''The Double Dealer'' (1735 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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