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Musophilus
''Musophilus'' is a long poem by Samuel Daniel, first published in 1599 in his ''Poetical Essays''. Among Daniel's most characteristic works, it is a dialogue between a courtier and a man of letters, and is a general defence of learning, and in particular of poetic learning as an instrument in the education of the perfect courtier or man of action. It is addressed to Fulke Greville. Textual history Daniel first published ''Musophilus'' in his ''Poeticall Essayes'' of 1599. The poem was published again in 1601/1602, largely unchanged except in accidentals such as punctuation, and in the deletion of the final three stanzas, reducing the poem from 1002 to 984 lines. However, the text published in 1607 witnessed not only frequent revisions affecting diction and rhythm, but also extensive cuts, deleting nearly 200 lines. A few further alterations were made for the 1611 reissue, including a new dedicatory poem to Fulke Greville, replacing the dedicatory sonnet to him in all other edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Daniel
Samuel Daniel (1562–1619) was an English poet, playwright and historian in the late- Elizabethan and early- Jacobean eras. He was an innovator in a wide range of literary genres. His best-known works are the sonnet cycle ''Delia'', the epic poem ''The Civil Wars Between the Houses of Lancaster and York'', the dialogue in verse '' Musophilus'', and the essay on English poetry ''A Defense of Rhyme''. He was considered one of the preeminent authors of his time and his works had a significant influence on contemporary writers, including William Shakespeare. Daniel's writings continued to influence authors for centuries after his death, especially the Romantic poets Samuel Taylor Coleridge and William Wordsworth. C. S. Lewis called Daniel "the most interesting man of letters" whom the sixteenth century produced in England. Life and literary career Early life, education and relationship with John Florio Little is known about Samuel Daniel's early life. Biographer Thomas Fuller i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Daniel's Musophilus 1599 Title Page
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of ''Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His genealog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtier
A courtier () is a person who attends the royal court of a monarch or other royalty. The earliest historical examples of courtiers were part of the retinues of rulers. Historically the court was the centre of government as well as the official residence of the monarch, and the social and political life were often completely mixed together. Background Monarchs very often expected the more important nobles to spend much of the year in attendance on them at court. Not all courtiers were noble, as they included clergy, soldiers, clerks, secretaries, agents and middlemen with business at court. All those who held a court appointment could be called courtiers but not all courtiers held positions at court. Those personal favourites without business around the monarch, sometimes called the camarilla, were also considered courtiers. As social divisions became more rigid, a divide, barely present in Antiquity or the Middle Ages, opened between menial servants and other classes at court, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fulke Greville, 1st Baron Brooke
Fulke Greville, 1st Baron Brooke, ''de jure'' 13th Baron Latimer and 5th Baron Willoughby de Broke Order of the Bath, KB Privy Counsellor, PC (; 3 October 1554 – 30 September 1628), known before 1621 as Sir Fulke Greville, was an Elizabethan era, Elizabethan poet, dramatist, and politician, statesman who sat in the House of Commons of England, House of Commons at various times between 1581 and 1621, when he was raised to the peerage. Greville was a capable administrator who served the English Crown under Elizabeth I and James I of England, James I as, successively, treasurer of the navy, chancellor of the exchequer, and commissioner of the Treasury, and who for his services was in 1621 made Baron Brooke, peer of the realm. Greville was granted Warwick Castle in 1604, making numerous improvements. Greville is best known today as the biographer of Sir Philip Sidney, and for his sober poetry, which presents dark, thoughtful and views on art, literature, beauty and other philoso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spenserian Sonnet
The Spenserian sonnet is a sonnet form named for the poet Edmund Spenser. A Spenserian sonnet comprises three interlocked quatrains and a final couplet, with the rhyme scheme ABAB BCBC CDCD EE. Three prominent features of this sonnet type were known already: Italian and French sonnets used five rhymes; sonnets of Thomas Wyatt and the Earl of Surrey Earl of Surrey is a title in the Peerage of England that has been created five times. It was first created for William de Warenne, 1st Earl of Surrey, William de Warenne, a close Companions of William the Conqueror, companion of William the Con ... used final couplets; and the interleaved ABAB rhymes were in the English style. References {{Reflist External linksA compilation of ten Spenserian sonnetsat the online journal of The Society of Classical Poets Sonnet studies Edmund Spenser Scottish poetry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottava Rima
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters. Each stanza consists of three alternate rhymes and one double rhyme, following the ABABABCC rhyme scheme. The form is similar to the older Sicilian octave, but evolved separately and is unrelated. The Sicilian octave is derived from the medieval strambotto and was a crucial step in the development of the sonnet, whereas the ottava rima is related to the canzone, a stanza form. History Italian Boccaccio used ''ottava rima'' for a number of minor poems and, most significantly, for two of his major works, the ''Teseide'' (1340) and the '' Filostrato'' (c. 1335). These two poems defined the form as the main one to be used for epic poetry in Italian for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus And Adonis (Shakespeare Poem)
''Venus and Adonis'' is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. The poem is pastoral, and at times erotic, comic and tragic. It contains discourses on the nature of love, and observations of nature. It is written in stanzas of six lines of iambic pentameter rhyming ABABCC; although this verse form was known before Shakespeare's use, it is now commonly known as the ''Venus and Adonis'' stanza, after this poem. This form was also used by Edmund Spenser and Thomas Lodge. The poem consists of 199 stanzas or 1,194 lines. It was published originally as a quarto pamphlet and published with great care. It was probably printed using Shakespeare's fair copy. The printer was Richard Field, who, like Shakespeare, was from Stratford. ''Venus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tercet
A tercet is composed of three lines of poetry, forming a stanza or a complete poem. Examples of tercet forms English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. Other types of tercet include an enclosed tercet where the lines rhyme in an ABA pattern and terza rima where the ABA pattern of a verse is continued in the next verse by making the outer lines of the next stanza rhyme with the central line of the preceding stanza, BCB, as in the ''terza rima'' or ''terzina'' form of Dante Alighieri's Divine Comedy. There has been much investigation of the possible sources of the Dantesque ''terzina'', which Benedetto Croce characterised as "linked, enclosed, disciplined, vehement and yet calm". William Baer observes of the tercets of terza rima, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terza Rima
''Terza rima'' (, also , ; ) is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (''aba bcb cdc''). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (''yzy z'' or ''yzy zz''). ''Terza rima'' was invented early in the fourteenth century by the Italian poet Dante Alighieri for his narrative poem the ''Divine Comedy'', which he set in hendecasyllabic lines. In English, poets often use iambic pentameter. ''Terza rima'' is a challenging form for a poet, and it did not become common in the century following its invention. The form is especially challenging in languages that are inherently less rich in rhymes than Italian. ''Terza rima'' can gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Danyel
John Danyel or John Daniel (Baptized 6 November 1564 – c. 1626) was an English lute player and songwriter. He was born in Wellow, Somerset, and was the younger brother of poet Samuel Daniel. His surviving works include "Coy Daphne Fled", about the nymph Daphne and her fate, and "Like as the lute delights". Sample lyrics from "Like as the lute delights": :''Like as the lute delights, or else dislikes,'' :''As is his art that plays upon the same;'' :''So sounds my muse, according as she strikes'' :''On my heart strings, high-tuned unto her fame.'' Daniel held some offices at court, and was the author of ''Songs for the Lute, Viol and Voice'' (1606). Sources * Sadie, S. (ed.) (1980) ''The New Grove Dictionary of Music & Musicians'', ol. # 5 References External links *Music Collectionin Cambridge Digital Library The Cambridge Digital Library is a project operated by the Cambridge University Library designed to make items from the unique and distinctive collections of Cambridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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