Musikvereinssaal, Vienna
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Musikvereinssaal, Vienna
The ( or ; ), commonly shortened to , is a concert hall in Vienna, Austria, which is located in the Innere Stadt district. The building opened in 1870 and is the home of the Vienna Philharmonic orchestra. The acoustics of the building's 'Great Hall' () have earned it recognition alongside other prominent concert halls, such as the Konzerthaus in Berlin, the Concertgebouw in Amsterdam and Symphony Hall in Boston. With the exception of Boston's Symphony Hall, none of these halls was built in the modern era with the application of architectural acoustics, and all share a long, tall and narrow shoebox shape. Building The 's main entrance is situated on Musikvereinsplatz, between Karlsplatz and . The building is located behind the Hotel Imperial that fronts on Kärntner Ring, which is part of the Vienna Ring Road (Ringstraße). It was erected as the new concert hall run by the Society of Friends of Music in Vienna, on a piece of land provided by Emperor Franz Joseph I of Aus ...
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Karlsplatz
Karlsplatz () is a town square on the border of the Innere Stadt, first and Wieden, fourth districts of Vienna. It is one of the most frequented and best connected transportation hubs in Vienna. The Karlskirche is located here. The first district can be reached either by subway (Karlsplatz (Vienna U-Bahn), Karlsplatz station) or via Operngasse (a street). The pavilions of the former Karlsplatz Stadtbahn Station remain despite the construction of the Vienna U-Bahn, U-Bahn system. Architecture The largest area of the square on the south side, Resselpark, is named after the inventor Josef Ressel. To the east is the Karlskirche, located in front of a water pool with a sculpture by Henry Moore with the building of the Vienna Museum (formerly the Historical Museum of Vienna) and the Winterthur Insurance building. On the west side of it is the main building of the Technische Universität Wien (Vienna Technical University) and the Protestant school. In Resselpark, monuments and busts ar ...
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Hotel Imperial
The Hotel Imperial, also known as The Imperial, is a five-star luxury hotel in Vienna, Austria. It is located on the Vienna Ring Road (''Ringstraße'') at Kärntner Ring 16, in the Innere Stadt district. Description The Hotel Imperial's façade is in the Italian Neo-Renaissance style. The top of the building contains a stone balustrade that frames heraldic animals from the Württemberg coat of arms. The main entrance portal contains four statues that are also symbolic. The original portal was wide enough for a two-horse-drawn carriage. The hotel's interior furnishings highlight the nineteenth-century Viennese elegance with ornate marble, hand-carved statues, and massive crystal chandeliers. In the lobby, the Royal Staircase leads up to suites and rooms that are also illuminated by magnificent chandeliers hanging from the high stucco ceilings. The hotel's private balconies offer views of the ''Altstadt'' skyline. History The building was designed by architect Arnold Zenetti and ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ...
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Friedrich Ladegast
Friedrich Ladegast (August 30, 1818 – June 30, 1905) was a famous German organ builder. Ladegast was born in Hochhermsdorf (now Hermsdorf), Saxony, to a carpenter and cabinet-maker. He worked first for his brother Christlieb, an organ builder at Geringswalde, and built his first two organs at the age of twenty. He then traveled as a journeyman to various workshops, including those of Johann Gottlob Mende in Leipzig, Urban Kreutzbach in Borna, Adolf Zuberbier in Dessau, Martin Wetzel in Strasbourg, and Aristide Cavaillé-Coll in Paris. His work with Cavaillé-Coll was especially influential on his own designs; the two developed a friendship, and Ladegast introduced many technical innovations learned from Cavaillé-Coll's workshop to Germany, such as swell pedals and Barker levers. He set up his own workshop at Weißenfels in 1846, with his first commission being for a small organ in Geusa. He went on to build over 200 organs, with notable works including the reconstruc ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Reflection (physics)
Reflection is the change in direction of a wavefront at an interface between two different media so that the wavefront returns into the medium from which it originated. Common examples include the reflection of light, sound and water waves. The ''law of reflection'' says that for specular reflection (for example at a mirror) the angle at which the wave is incident on the surface equals the angle at which it is reflected. In acoustics, reflection causes echoes and is used in sonar. In geology, it is important in the study of seismic waves. Reflection is observed with surface waves in bodies of water. Reflection is observed with many types of electromagnetic wave, besides visible light. Reflection of Very high frequency, VHF and higher frequencies is important for radio transmission and for radar. Even hard X-rays and gamma rays can be reflected at shallow angles with special "grazing" mirrors. Reflection of light Reflection of light is either ''Specular reflection, specular'' (mi ...
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Architectural Acoustics
Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston. Architectural acoustics can be about achieving good speech intelligibility in a theatre, restaurant or railway station, enhancing the quality of music in a concert hall or recording studio, or suppressing noise to make offices and homes more productive and pleasant places to work and live in. Architectural acoustic design is usually done by acoustic consultants. Building skin envelope This science analyzes noise transmission from building exterior envelope to interior and vice versa. The main noise paths are roofs, eaves, walls, windows, door and penetrations. S ...
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Vienna New Year's Concert
The Vienna New Year's Concert () is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same concert programme on 30 December, 31 December, and 1 January but only the last concert is regularly broadcast on radio and television. Music and setting The concert programmes always include pieces from the Strauss family—Johann Strauss I, Johann Strauss II, Josef Strauss and Eduard Strauss. On occasion, music principally of other Austrian composers, including Joseph Hellmesberger Jr., Joseph Lanner, Wolfgang Amadeus Mozart, Otto Nicolai (the Vienna Philharmonic's founder), Emil von Reznicek, Franz Schubert, Carl Zeller, Carl Millöcker, Franz von Suppé, and Carl Michael Ziehrer has featured in the programmes. In 2009, music by Joseph Haydn was played for the first time, where the 4th movement of his "Farewell" Symphony marked the ...
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Skandalkonzert
The ' ("scandal concert") was a concert conducted by Arnold Schoenberg, held on 31 March 1913. The concert was held by the Vienna Concert Society in the Great Hall of the Musikverein in Vienna. The concert consisted of music by composers of the Second Viennese School. During the concert, the audience, shocked by the expressionism and experimentalism of the music, began rioting, and the concert ended prematurely. Amid the unrest, concert organizer Erhard Buschbeck was said to have slapped a concertgoer in the face; this would eventually lead to a lawsuit against Buschbeck. The event also led to an alternate name for the ''Skandalkonzert'': ''Watschenkonzert'', from the Austrian German for "slap concert". Operetta composer Oscar Straus, a witness to the alleged assault, testified that the slap had been "the most harmonious sound of the evening." Programme The programme listed: * Anton Webern: ''Six Pieces for Orchestra'', Op. 6. * Alexander von Zemlinsky: ''Four Orchestral Songs ...
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Nikolaus Dumba
Nikolaus Dumba (Greek: Νικόλαος Δούμπας; 24 July 1830, Vienna – 23 March 1900, Budapest) was an Austrian industrialist and liberal politician. He is considered to have been an important patron of the arts and music and a benefactor of Greece. Biography In 1817, Nikolaus' father Stergios, an immigrant to Vienna from a family from Vlasti of Aromanian-Greek descent, then part of the Ottoman Empire and today a village in Northern Greece, became a merchant. Nikolaus attended the Akademische Gymnasium and spent the revolutionary years of 1847-48 with his brother Michael at the residence of the Austrian Ambassador Anton von Prokesch-Osten in Athens. In 1852, he took a trip to Egypt with the travel writer Alexander Ziegler. He was trained for a commercial career and took over a cotton mill in Tattendorf that had been operated by his cousin Theodore. It had approximately 180 employees and soon became a highly profitable enterprise. This financial base allowed him to ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Ancient Greek Temple
Greek temples ( grc, ναός, naós, dwelling, semantically distinct from Latin , "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic (a god or goddess that does not reside on the Earth) deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which foll ...
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