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Musik Produktion Schwarzwald
MPS Records was a German jazz record company and label founded in 1968 by Hans Georg Brunner-Schwer. MPS stands for "Musik Produktion Schwarzwald" (Music Production Black Forest). History Originally based in Villingen, MPS was founded as the successor to the SABA record label by Hans Georg Brunner-Schwer, Joachim-Ernst Berendt, Willy Fruth, and Achim Hebgen (who also worked as producers). Founded in 1968, MPS was the first German label to exclusively release jazz recordings. MPS produced and released albums by American, Canadian, European and Japanese jazz artists. Recordings of the JazzFest Berlin, the Donaueschingen Festival and the New Jazz Meeting Baden-Baden were also issued. Besides its own productions, MPS also licensed and distributed recordings from other companies. Performers under contract to MPS included Oscar Peterson, Hans Koller, Horst Jankowski, George Duke, Erwin Lehn, Volker Kriegel, Albert Mangelsdorff, the Singers Unlimited, Wolfgang Dauner, the Kenny Clarke/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edel AG
Edel SE & Co. KGaA is a German independent media company based in Hamburg. As a label and publishing group, it also operates marketing and sales for artists and smaller music labels. The repertoire of the Edel labels includes dance, rock and pop music to classical music and a children's catalogue. In addition to the development and marketing of music, the group also deals with the production, logistics and distribution of CDs, DVDs, Phonograph record, vinyls, and books at the production site of the subsidiary optimal media GmbH in Röbel/Müritz as well as with services in the online and book business. History Edel was founded in 1986 by the current chairman of the board of directors and the majority shareholder Michael Haentjes as a one-man company under the name ''edel Gesellschaft für Produktmarketing mbH'' and initially dealt exclusively with mail order for film music. In 1992, the company name was changed to ''edel Company Music GmbH''. The company grew steadily and record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Mangelsdorff
Albert Mangelsdorff (September 5, 1928 – July 25, 2005) was a German jazz trombonist. Working mainly in free jazz, he was an innovator in multiphonics. Early life Mangelsdorff was born in Frankfurt on September 5, 1928, as the son of the bookbinder Emil Albert Joseph Mangelsdorff (1891–1963), born in Ingolstadt, and his wife Luise, née Becker (1896–1976), from Wertheim. He was given violin lessons as a child and was self-taught on guitar in addition to knowing trombone. His brother, Emil Mangelsdorff, had a jazz record collection, but during the Nazi period Albert's enthusiasm for the music had to be restrained. Mangelsdorff began his career as a professional musician in 1947 as a rhythm guitarist in the Otto Laufner Big Band, which played in US Army clubs. Mangelsdorff bought his first trombone on the black market for a few cartons of cigarettes. Then he took lessons from the principal trombonist at the Oper Frankfurt, Fritz Stähr (1889–1971). Later life and career H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstrong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Van Damme
Art Van Damme (April 9, 1920February 15, 2010) was an American jazz accordionist. Van Damme toured Europe and was popular with jazz enthusiasts in Japan. Van Damme was married, and had three children. After he retired to Roseville, California, he continued to perform almost to the end of his life. He had been ill with pneumonia for several weeks when he died on February 15, 2010, aged 89. Discography As leader * 1949: ''Cocktail Capers'' (Capitol, CC-105 8rpm 3-disc album setH-178 0" LPT-178 2" LP * 1952: ''More Cocktail Capers'' (Capitol, H-300 0" LPT-300 2" LP * 1953: ''Martini Time'' ( Columbia, CL-6265 0" LPCL-630 2" LP * 1954: ''The Van Damme Sound'' (Columbia, CL-544 2" LP * 1956: ''House Party'' (Columbia, CL-2585 0" LP * 1956: ''Manhattan Time'' (Columbia, CL-801) * 1956: ''The Art Of Van Damme'' (Columbia, CL-876) (Philips, B-07189-L) * 1957: ''Once Over Lightly'' (w/Jo Stafford) (Columbia, CL-968) (Philips, B-07241-L) * 1958: ''They're Playing Our Song: Fifty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Pike
David Samuel Pike (March 23, 1938 – October 3, 2015) was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records. Biography He learned drums at the age of eight and was self-taught on vibraphone. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes, when working with flautist Herbie Mann in the early-1960s. By the late-1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. ''The Doors of Perception'', released in 1970 for the Atlantic Records subsidiary Vortex Records, and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians including alto sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monty Alexander
Montgomery Bernard "Monty" Alexander (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Erroll Garner, Nat King Cole, Oscar Peterson, Ahmad Jamal, Les McCann, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty's recording career has covered many of the well-known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs. Biography Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Mouzon
Alphonse Lee Mouzon (November 21, 1948 – December 25, 2016) was an American jazz fusion drummer and the owner of Tenacious Records, a label that primarily released Mouzon's recordings. He was a composer, arranger, producer, and actor. He gained popularity in the late 1960s and early 1970s. Biography Early life Mouzon, of African, French, and Blackfoot descent, was born on November 21, 1948, in Charleston, South Carolina. He received his first musical training at Bonds-Wilson High School, and moved to New York City upon graduation. He studied drama and music at the City College of New York, as well as medicine at Manhattan Medical School. He continued receiving drum lessons from Bobby Thomas, the drummer for jazz pianist Billy Taylor. He played percussion in the 1968 Broadway show '' Promises, Promises'', and he then worked with pianist McCoy Tyner. He spent a year as a member of the jazz fusion band, Weather Report. After that Mouzon signed as a solo artist to the Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Mariano
Carmine Ugo Mariano (November 12, 1923 – June 16, 2009) was an American jazz saxophonist who focused on the alto and soprano saxophone. He occasionally performed and recorded on flute and nadaswaram as well. Biography Mariano was born in Boston, Massachusetts, United States, the son of Italian immigrants, John (Giovanni) Mariano and Mary (Maria) Di Gironimo of Fallo, Italy. He grew up in the Hyde Park neighborhood of Boston, enlisting in the Army Air Corps after high school, during World War II. After his service in the Army, Mariano attended what was then known as Schillinger House of Music, now Berklee College of Music. He was among the faculty at Berklee from 1965 to 1971. Mariano moved to Europe in 1971, settling eventually in Köln (Cologne), Germany, with his third wife, the painter Dorothee Zippel Mariano. He played with one of the Stan Kenton big bands, Toshiko Akiyoshi (his then wife), Charles Mingus, Eberhard Weber, the United Jazz and Rock Ensemble, Embryo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Ponty
Jean-Luc Ponty (born 29 September 1942) is a French jazz violinist and composer. Early life Ponty was born into a family of classical musicians in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution's highest honor, Premier Prix (first prize). He was hired by the Concerts Lamoureux in which he played for three years. While still a member of the orchestra in Paris, Ponty picked up a side job playing clarinet (which his father had taught him) for a college jazz band, that regularly performed at local parties. It proved life-changing. A growing interest in Miles Davis and John Coltrane compelled him to take up tenor saxophone. One night after an orchestra concert, and still wearing his tuxedo, Ponty found himself at a local club with only his violin. Within four years, he was widely accepted as the leading figure in "jazz fid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
