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Music Of Northumberland
Here Northumbria is defined as Northumberland, the northernmost county of England, and County Durham. According to 'World Music: The Rough Guide', "nowhere is the English living tradition more in evidence than the border lands of Northumbria, the one part of England to rival the counties of the west of Ireland for a rich unbroken tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipes (a form of bagpipes unique to North East England) and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions (and vice versa), particularly southern Scotland and other parts of the north of England, as well as Irish immigrants. Local musical forms and styles Northumbria shares with southern Scotland the long history of border ballads, such as ' The Ballad of Chevy Chase'. It is also known for local dances, namely rapper danc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northumbria
la, Regnum Northanhymbrorum , conventional_long_name = Kingdom of Northumbria , common_name = Northumbria , status = State , status_text = Unified Anglian kingdom (before 876)North: Anglian kingdom (after 876)South: Danish kingdom (876–914)South: Norwegian kingdom (after 914) , life_span = 654–954 , flag_type = Oswald's Stripes, the provincial flag of Northumbria and red was previously purple , image_coat = , image_map = Map_of_the_Kingdom_of_Northumbria_around_700_AD.svg , image_map_size = 250 , image_map_caption = Northumbria around 700 AD , image_map2 = , image_map2_size = , image_map2_caption = , government_type = Monarchy , year_start = 653 , year_end = 954 , event_end = South is annexed by Kingdom of England , event1 = South is annexed by the Danelaw , date_even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Highland Bagpipe
The Great Highland bagpipe ( gd, a' phìob mhòr "the great pipe") is a type of bagpipe native to Scotland, and the Scottish analogue to the Great Irish Warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world. The bagpipe is first attested in Scotland around 1400, having previously appeared in European artwork in Spain in the 13th century. The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the Great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into decline by the late 19th and early 20th century. Though widely famous for its role in military and civilian pipe bands, the Great Highland bagpipe is also used for a solo virtuosic style called ''pìobaireachd'', ''ceòl mòr' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Reid (pipemaker)
Robert Reid (1784 – 1837) is widely acknowledged as the creator of the modern form of the Northumbrian Smallpipes. He lived and worked at first in Newcastle upon Tyne, but moved later to the nearby town of North Shields at the mouth of the Tyne, probably in 1802. North Shields was a busy port at this time. The Reids were a family with a long-standing connection to piping; Robert's father Robert Reed (sic), a cabinet maker, had been a player of ''the Northumbrian big-pipes'', and an associate of James Allan, his son Robert was described later by James Fenwick as ''a beautiful player as well as maker'' of smallpipes, while Robert's son James (1814–1874) joined his father in the business. Robert died in North Shields on the 13th or 14 January 1837, and his death notice in the Newcastle Journal referred to him as a "piper, and as a maker of such instruments is known from the peer to the peasant, for the quality of their tone, and elegance of finish". He is buried in the graveyard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dunn (pipemaker)
John Dunn (ca. 1764–1820) was a noted pipemaker, or maker of bagpipes. Born in Newcastle upon Tyne, England, Dunn was a cabinet maker by profession, initially a junior partner with George Brummell. In the trade directories, he also appears in his own right as a turner (Whitehead 1790) and a plumb maker and turner (Mackenzie & Dent 1811). His address was Bell's Court, off Pilgrim Street. He was buried on 6 February 1820 in St. John's, Newcastle. His father may have been one John Dunn of Longhorsley; if so, he was born on 3 September 1764. He should not be confused with one M. Dunn, the maker of several surviving sets of Union pipes. Work with bagpipes Dunn was a maker of Northumbrian smallpipes and is regarded as the first to have added keys to the chanter, (c. 1800 AD), extending the range of the instrument from an octave to a twelfth. He may thus be regarded as an inventor of the modern instrument. The earliest evidence of such a keyed chanter is the illustration and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Purvis (1784-1853)
Billy Purvis may refer to two different musicians and performers from Tyneside, England: * Billy Purvis (1832) William Purvis, probably better known as "Blind Willie" (1752 – 20 July 1832), was a Tyneside concert hall song writer and performer in England at the end of the 18th and start of the 19th century. His most famous song is " Broom Buzzems". He ..., a blind street entertainer * Billy Purvis (1853), a traveling showman and piper {{hndis, Purvis, Billy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Smallpipes
The Scottish smallpipe is a bellows-blown bagpipe re-developed by Colin Ross and many others, adapted from an earlier design of the instrument. There are surviving bellows-blown examples of similar historical instruments as well as the mouth-blown Montgomery smallpipes, dated 1757, which are held in the National Museum of Scotland. Some instruments are being built as direct copies of historical examples, but few modern instruments are directly modelled on older examples; the modern instrument is typically larger and lower-pitched. The innovations leading to the modern instrument, in particular the design of the reeds, were largely taken from the Northumbrian smallpipes. Although there is evidence of small pipes dating back to 15th century, in its current form it is perhaps the youngest bagpipe with widespread popularity, having only existed in this form since the early 1980s. Characteristics Scottish smallpipes are distinguished from the Northumbrian smallpipes by the open en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stamfordham, Northumberland
Stamfordham is a village and civil parish in Northumberland, England. The population of the civil parish at the 2001 Census was 1,047, rising to 1,185 at the 2011 Census. The place-name ''Stamfordham'' is first attested in the Pipe Rolls for 1188, where it appears as ''Stanfordhamn'', which roughly translates as 'village at the stony ford'. The Church of England parish church of St Mary the Virgin was built in the 13th century and overrestored under the direction of Benjamin Ferrey in 1848. In addition tSt Mary's there is a non-denominationa The large village green contains both a market cross (the Butter Crossdatingfrom 1735) and a village lock-up which is Grade II listed and dates from the early 19th century, pre-dating the formation of police forces. The village has an Ofsted 'outstanding' rated schoolStamfordham Primary School, a historiVillage Hall(originally the school), a public houseSwinburne Arms, an annual fête and car show held on the August bank holiday Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dixon Manuscript
The William Dixon manuscript, written down between 1733 and 1738 in Northumberland, is the oldest known manuscript of pipe music from the British Isles, and the most important source of music for the Border pipes. It is currently located in the A.K. Bell Library, Perth, Scotland. Little is known of William Dixon's biography, except what has been learned from this manuscript, and from parish records in Northumberland. The man The only direct evidence for the author's identity comes from the manuscript itself, giving his name and two others, Parcival and John, who may have been his sons. It also gives dates from 1733 to 1738. Many of the tunes in the manuscript were, and some remain, current in Northumberland, or are named after places in the region. Baptismal records for that county show that a William Dixson was christened in Stamfordham, Northumberland, in 1678, and that Parsivall and John, sons of William Dixson, were baptised nearby at Fenwick, near Stamfordham, in 1708 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uilleann Pipes
The uilleann pipes ( or , ) are the characteristic national bagpipe of Ireland. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral Pipes
The pastoral pipe (also known as the hybrid union pipes, organ pipe and union pipe) was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today.Brian. E. McCandless. “The Pastoral Bagpipe” Iris na bPiobairi (The pipers review) 17 (Spring 1998), 2: p. 19-28.P Roberts 'Unravelling the History of the Uilleann Pipes', Common Stock. vol no2 pp11-16 (1984) Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed. History This bagpipe was commonly played in the Lowlands of Scotland, the Borders, and Ireland from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingering (music)
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without changing hand position too often. A fingering can be the result of the working process of the composer, who puts it into the manuscript, an editor, who adds it into the printed score, or the performer, who puts his or her own fingering in the score or in performance. A substitute fingering is an alternative to the indicated fingering, not to be confused with finger substitution. Depending on the instrument, not all the fingers may be used. For example, saxophonists do not use the right thumb and string instruments (usually) only use the fingers. Instruments Brass instruments Fingering applies to the rotary and piston valves employed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
