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Music In Nazi Germany
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (''Gleichschaltung'') by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles. The primary concerns of these organizations was to exclude Jewish composers and musicians from publishing and performing music, and to prevent the public exhibition of music considered to be "Jewish", "anti-German", or otherwise "degenerate", while at the same time promoting the work of favored "Germanic" composers, such as Richard Wagner and Anton Bruckner. These works were believed to be positive contributions to the ''Volksgemeinschaft'', or German folk community. The Nazis promoted Aryan ideologies through heavy censorship and cultural control, blacklisting Jewish compositions, banning specific concert hall performances, and controlling radio content in order to promote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss (1864–1949) Um 1914 © Wilhelm Willinger (1879–1943)
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben'', ''Symphonia Domestica'', and ''An Alpine Symphony''. His first opera to achieve international fame was '' Salome'' which used a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrialisation
Industrialisation ( alternatively spelled industrialization) is the period of social and economic change that transforms a human group from an agrarian society into an industrial society. This involves an extensive re-organisation of an economy for the purpose of manufacturing. Historically industrialization is associated with increase of polluting industries heavily dependent on fossil fuels. With the increasing focus on sustainable development and green industrial policy practices, industrialization increasingly includes technological leapfrogging, with direct investment in more advanced, cleaner technologies. The reorganization of the economy has many unintended consequences both economically and socially. As industrial workers' incomes rise, markets for consumer goods and services of all kinds tend to expand and provide a further stimulus to industrial investment and economic growth. Moreover, family structures tend to shift as extended families tend to no longer live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chancellor Of Germany
The chancellor of Germany, officially the federal chancellor of the Federal Republic of Germany,; often shortened to ''Bundeskanzler''/''Bundeskanzlerin'', / is the head of the federal government of Germany and the commander in chief of the German Armed Forces during wartime. The chancellor is the chief executive of the Federal Cabinet and heads the executive branch. The chancellor is elected by the Bundestag on the proposal of the federal president and without debate (Article 63 of the German Constitution). The current officeholder is Olaf Scholz of the SPD, who was elected in December 2021, succeeding Angela Merkel. He was elected after the SPD entered into a coalition agreement with Alliance 90/The Greens and the FDP. History of the office The office of Chancellor has a long history, stemming back to the Holy Roman Empire, when the office of German archchancellor was usually held by archbishops of Mainz. The title was, at times, used in several states of German-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Degenerate Music
Degenerate music (german: Entartete Musik, link=no, ) was a label applied in the 1930s by the government of Nazi Germany to certain forms of music that it considered harmful or decadent. The Nazi government's concerns about degenerate music were a part of its larger and better-known campaign against degenerate art (german: Entartete Kunst, link=no). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. Racial emphasis Jewish composers such as Felix Mendelssohn and Gustav Mahler were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to '' A Midsummer Night's Dream''. Though the Nazis wanted to discredit Jewish artists because of their ethnicity, they also wanted to have a better reason . The excuse was that some music was "anti-German" and that was why some songs needed to be banned . The certainty of this philosophy was contrasted by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary European History
''Contemporary European History'' is an international peer-reviewed academic history journal, published by Cambridge University Press quarterly since 1992 and covering the history of Europe from 1918 onwards. Currently its editors are Dr Ludivine Broch (University of Westminster), Dr Matthew Frank (University of Leeds) and Dr Jessica Reinisch (Birkbeck, University of London). The Managing Editor is Dr Victoria Harris. In 2022, Phillip W. Magness and Amelia Janaskie of the American Institute for Economic Research noted a "collapse" of "the basic mechanisms of peer review" at ''Contemporary'', regarding the misquoting of Ludwig von Mises Ludwig Heinrich Edler von Mises (; 29 September 1881 – 10 October 1973) was an Austrian School economist, historian, logician, and Sociology, sociologist. Mises wrote and lectured extensively on the societal contributions of classical liberali .... The issue was raised to Cambridge University Press, which declined action. References Externa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Kershaw
Sir Ian Kershaw (born 29 April 1943) is an English historian whose work has chiefly focused on the social history of 20th-century Germany. He is regarded by many as one of the world's leading experts on Adolf Hitler and Nazi Germany, and is particularly noted for his biographies of Hitler. He was the leading disciple of the German historian Martin Broszat, and until his retirement, he was a professor at the University of Sheffield. Kershaw has called Broszat an "inspirational mentor" who did much to shape his understanding of Nazi Germany. Kershaw served as historical adviser on numerous BBC documentaries, notably '' The Nazis: A Warning from History'' and ''War of the Century''. He taught a module titled "Germans against Hitler". Background Kershaw was born on 29 April 1943 in Oldham, Lancashire, England, to Joseph Kershaw and Alice Robinson. He was educated at Counthill Grammar School, St Bede's College, Manchester, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Working Towards Hitler
Sir Ian Kershaw (born 29 April 1943) is an English historian whose work has chiefly focused on the social history of 20th-century Germany. He is regarded by many as one of the world's leading experts on Adolf Hitler and Nazi Germany, and is particularly noted for his biographies of Hitler. He was the leading disciple of the German historian Martin Broszat, and until his retirement, he was a professor at the University of Sheffield. Kershaw has called Broszat an "inspirational mentor" who did much to shape his understanding of Nazi Germany. Kershaw served as historical adviser on numerous BBC documentaries, notably '' The Nazis: A Warning from History'' and ''War of the Century''. He taught a module titled "Germans against Hitler". Background Kershaw was born on 29 April 1943 in Oldham, Lancashire, England, to Joseph Kershaw and Alice Robinson. He was educated at Counthill Grammar School, St Bede's College, Manchester, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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