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Music In Ancient India
Music in ancient India, can be reproduced from written works dating to the Indian classical period, such as the '' Nātya Shastra'', and through surviving examples of liturgical music such as the hymns of the Samaveda. Musical instruments dating to the prehistoric period have been recovered from archaeological excavations. Prehistoric music Archaeological discoveries Musical instruments, such as the seven-holed flute and various types of stringed instruments such as Ravanahatha, cymbals have been recovered from Indus Valley civilization archaeological sites. Evidence suggests use of drum or dhol in the Indus valley civilization. There have not been a lot of depictions of musical instruments from IVC, but contemporary BMAC civilization which traded with it has archaeological depictions of lyre and many cylinderical drums were also discovered from Indus Valley. A kind of harp is also depicted in the chalcolithic cave drawings of India along with Gong. There is also evidence o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Kingdoms Of India
The middle kingdoms of India were the political entities in the Indian subcontinent from 200 BCE to 1200 CE. The period begins after the decline of the Maurya Empire and the corresponding rise of the Satavahana dynasty, starting with Simuka, from 230 BCE. The "middle" period lasted for about 1,500 years and ended in 1200 CE, with the rise of the Delhi Sultanate, founded in 1206, and the end of the Later Cholas (Rajendra Chola III, who died in 1279 CE). This period encompasses two eras: Classical India, from the Maurya Empire up until the end of the Gupta Empire in 500 CE, and early Medieval India from 500 CE onwards. It also encompasses the era of classical Hinduism, which is dated from 200 BCE to 1100 CE. From 1 CE until 1000 CE, India's economy is estimated to have been the largest in the world, having between one-third and one-quarter of the world's wealth. It is followed by the late Medieval period in the 13th century. The Northwest During the 2nd century BCE, the Maur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patha
The oral tradition of the Vedas (Śruti) consists of several pathas, "recitations" or ways of chanting the Vedic mantras. Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts ( samhitas) as preserved dating to roughly the time of Homer (early Iron Age).Scharfe, Ch. 13: "Memorising the Veda", p. 240 ff. UNESCO proclaimed the tradition of Vedic chant a Masterpiece of the Oral and Intangible Heritage of Humanity on November 7, 2008. Tones Vedic chantings use 4 tones – ''Udatta'' उदात्त (middle tone), ''Anudaatta'' अनुदात्त (lower tone), ''Svarita'' स्वरित (higher tone) and ''Deergha Svarita'' दीर्घस्वरित (High tone extended). These are usually marked with intuitive ''svara marks'' – an underline for lower tone, a small vertical line above the letter for a higher tone and two vertical lines for Deergha Svarita. Pathas The various pathas or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Music
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world. Succeeding the music of prehistoric societies and lasting until the Post-classical era, major centers of Ancient music developed in China (the Shang, Zhou, Qin and Han dynasties), Egypt (the Old, Middle and New Kingdoms), Greece (the Archaic, Classical and Hellenistic periods), India (the Maurya, Shunga, Kanva, Kushan, Satavahana and Gupta dynasties), Iran/Persia (the Median, Achaemenid, Seleucid, Parthian and Sasanian Empires), the Maya civilization, Mesopotamia, and Rome (the Roman Republic and Empire). Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation and the dominance of text in musical settings. Overview Written musical notation was the first mark of a literate society. During the time of prehistoric music, people had a tendency to primarily convey their music and idea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Tamil Music
The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. Many poems of the classical Sangam literature were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as ''Ettuthokai'' and '' Pattupattu''. The early narrative poem ''Cilappatikaram'', belonging to the post-Sangam period (5th or 6th century) also mentions various forms of music practiced by the Tamil people. Music was an integral part of the compositions of the Tamil Saiva saints such as Appar, Siva Prakasar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the 6th and the 10th century. Sangam music The Sangam age grammatical work '' Tolkappiyam'' mentions the various music pertaining to the five landscapes (''thinai'') of the Sangam literature. The five landscapes are associated with a particular mood of the poem and to give colour to these mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Origins And History Of Carnatic Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinava Gupta
Abhinavagupta (c. 950 – 1016 CE) was a philosopher, mystic and aesthetician from Kashmir. He was also considered an influential musician, poet, dramatist, exegete, theologian, and logicianRe-accessing Abhinavagupta, Navjivan Rastogi, page 4 – a polymathic personality who exercised strong influences on Indian culture. Abhinavagupta was born in a Kayastha family of scholars and mystics who whose ancestors were immigrated from Ujjain by the great king of Kashmira, Lalitaditya Muktapida. He studied all the schools of philosophy and art of his time under the guidance of as many as fifteen (or more) teachers and gurus. In his long life he completed over 35 works, the largest and most famous of which is ''Tantrāloka'', an encyclopedic treatise on all the philosophical and practical aspects of Kaula and Trika (known today as Kashmir Shaivism). Another one of his very important contributions was in the field of philosophy of aesthetics with his famous '' Abhinavabhāratī'' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinavabharati
''Abhinavabharati'' is a commentary on ancient Indian author Bharata Muni's work of dramatic theory, the ''Natyasastra''. It is the oldest commentary available on the treatise. The ''Abhinavabharati'' was written by Abhinavagupta (c. 950–1020), the great Kashmiri Saivite spiritual leader and a yogi. In this monumental work, Abhinavagupta explains the ''rasasutra'' of Bharata in consonance with the theory of ''abhivyakti'' (expression) propounded in Anandavardhana's (820–890) work ''Dhvanyaloka'' ("aesthetic suggestion"), as well as the tenets of the Pratyabhijna philosophy of Kashmir. According to Abhinavagupta, the aesthetic experience is the manifestation of the innate dispositions of the self, such as love and sorrow, by the self. It is characterised by the contemplation of the bliss of the self by the connoisseur. It is akin to the spiritual experience as one transcends the limitations of one's limited self because of the process of universalisation taking place during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata Muni (Hindi: भरत मुनि) was an ancient sage who the musical treatise '' Natya Shastra'' is traditionally attributed to. The work covers ancient Indian dramaturgy and histrionics, especially Sanskrit theatre. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishi Muni
''Rishi'' () is a term for an accomplished and enlightened person. They find mentions in various Vedic texts. Rishis are believed to have composed hymns of the Vedas. The Post-Vedic tradition of Hinduism regards the rishis as "great yogis" or "sages" who after intense meditation (Tapas (Sanskrit), tapas) realized the supreme truth and eternal knowledge, which they composed into hymns.Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, , pp. 13–15. The term appears in Pali literature as Ishi and in Buddhism, they can be either Buddhahood, Buddhas, Pratyekabuddha, Paccekabuddhas, Arhat, Arahats or a Buddhist monasticism, monk of high rank. Etymology According to Indian tradition, the word may be derived from two different meanings of the root 'rsh' (). Sanskrit grammarians derive this word from the second meaning: "to go, to move". V. S. Apte gives this particular meaning and derivation, and Monier-Williams also gives the same, with some qualification. Anoth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shlokas
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
