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Music For Prancing
''Music for Prancing'' is an album by saxophonist Warne Marsh recorded in 1957 and originally released on the Mode label.Jazzlists: Mode Records discography
accessed May 12, 2017
Enciclopedia del Jazz: Warne Marsh
accessed May 12, 2017


Reception

The review noted "With a reputation as one of the originators of cool jazz, it's ironic that over the years tenor saxophonist Warne Marsh gained a following of musicians mainly associated with the avant-garde, spearheaded by multi-r ...
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Warne Marsh
Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax. Biography Marsh came from an affluent artistic background: his father was Hollywood cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. He was the nephew of actresses Mae Marsh and Marguerite Marsh and film editor Frances Marsh. He was tutored by Lennie Tristano. Marsh was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that Marsh played w ...
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Everything Happens To Me (song)
"Everything Happens to Me" (1940) is a pop standard written by Tom Adair (lyrics) and Matt Dennis (music). It was first recorded by the Tommy Dorsey Orchestra featuring Frank Sinatra. Unusually, the song focused on Sinatra's vocal, with no trombone solo by Dorsey. Years later, Sinatra rerecorded the song with the Hollywood String Quartet; this version was featured on his 1957 album '' Close to You''. Notable versions *Chet Baker – '' (Chet Baker Sings) It Could Happen to You'' (1958) *June Christy – ''A Friendly Session, Vol. 1'' (2000) with the Johnny Guarnieri Quintet, ''Cool Christy'' (2002) *Rosemary Clooney *Duke Jordan - ''Flight to Denmark'' (1990) *Nat King Cole *Bill Evans – '' Trio 64'' *Clare Fischer – '' Alone Together'' (recorded 1975, released 1977 in Germany by MPS Records, and in the US by Discovery Records in 1980). Speaking with the ''Los Angeles Times'' in 1986, the composer - himself a popular singer-pianist who counted Fischer as one of his major inf ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Stan Levey
Adolph Stanley Levey known professionally as Stan Levey (April 5, 1926 – April 19, 2005) was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had stint with bandleader Stan Kenton. Levey retired from music in the 1970s to work as a photographer. Biography He was born in Philadelphia, Pennsylvania, United States, Levey is considered one of the earliest bebop drummers, and one of the very few white drummers involved in the formative years of bebop. He played in Philadelphia with Dizzy Gillespie's group in 1942, at the age of 16. Soon after, he went to New York City, where he and Gillespie worked on 52nd Street with Charlie Parker and Oscar Pettiford. After his tenure with the Stan Kenton Orchestra he moved to the West Coast in 1954, joining Howard Rumsey, Don Joham and the Lighthouse All-Stars, and was a major influence in West Coast jazz. Though "cool" jazz w ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Red Mitchell
Keith Moore "Red" Mitchell (September 20, 1927 – November 8, 1992) was an American jazz double-bassist, composer, lyricist, and poet. Biography Mitchell was born in New York City. His younger brother, Whitey Mitchell, also became a jazz bassist. Mitchell was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the U.S. Army playing bass. The next year, he was in a jazz trio in New York City. Mitchell performed and/or recorded with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with André Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Stan Seltzer, Ornette Coleman, and others such as Mahalia Jackson. He also worked as a bassist in television and film studios around L ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Ronnie Ball
Ronald Ball (December 22, 1927 – October 1984) was a jazz pianist, composer and arranger, born in Birmingham, England. Biography Ball moved to London in 1948, and in the early 1950s he worked both as a bandleader and under Ronnie Scott, Tony Kinsey, Victor Feldman, and Harry Klein. In 1952, he moved to New York City and studied with Lennie Tristano. At the time, it was his ambition to learn more about the American jazz scene and in the 1950s and 1960s he worked extensively with other jazz musicians. Among the musicians Ball performed with are Chuck Wayne (1952), Dizzy Gillespie, Lee Konitz (1953–55), Kenny Clarke, Hank Mobley, Art Pepper, J.J. Johnson (1956), Kai Winding (1956, 1958), Warne Marsh,(1956–57), Buddy Rich (1958), Gene Krupa (1958), Roy Eldridge (1959) and Chris Connor (1961–63). Ball plays on the Warne Marsh album ''Jazz of Two Cities'' (recorded during October 1956 in Los Angeles) with Marsh and Ted Brown (tenor saxophone), Ben Tucker (bass), and Jeff Mo ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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It's All Right With Me
"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical '' Can-Can'', where it was introduced by Peter Cookson as the character Judge Aristide Forestier. The song is also used in the Cole Porter musical ''High Society''. In the original 1998 Broadway production it was performed by the character Tracy Samantha Lord, played by Melissa Errico. Other performances of the song *Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009. *Chris Connor on the album ''This Is Chris'' (1955) *Sonny Rollins - ''Work Time'' (1956) *Erroll Garner (1956) *Peggy Lee on the album ''Dream Street'' (1957) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Cole Porter Songbook'' (1956), '' Ella at the Opera House'' (1958), '' Ella in Rome: The Birthday Concert'' (1959) *Rita Reys - ''The Cool Voice of Rita Reys'' (1 ...
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Tom Adair
Thomas Montgomery Adair (June 15, 1913 – May 24, 1988) was an American songwriter, composer, and screenwriter. Biography Adair was born on 15 June 1913, in Newton, Kansas, where his father owned a clothing store: he was the only child of William Adair and Madge Cochran. Around 1923 the family moved to Los Angeles, where Tom Adair attended Los Angeles Junior College (now Los Angeles City College). In his early career he worked as a complaints clerk at the local power company, while writing poetry and song lyrics in his spare time. In 1941, Adair met Matt Dennis in a club and the duo began writing songs together. Adair's song-writing career took him to New York during the 1940s where he penned several Broadway hits, and worked with Tommy Dorsey and Frank Sinatra. He later returned to Los Angeles and worked with writer James B. Allardice on scripts for sit-coms. In 1949, Adair married Frances Adelle Jeffords; in later life, they worked together on songs and teleplays for Disney. ...
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