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Music For Films Volume 2
''Music for Films Volume 2'' is a compilation album by Brian Eno. On the back cover Eno states, "I released the first volume of Music for Films in 1978, and it contained samples of my work, spanning the period of 1975-78. This second volume picks up where the first left off, but is somewhat different in that it contains fewer pieces with greater average length." The majority of tracks on this album also appear on '' Apollo: Atmospheres and Soundtracks''. The remaining tracks that were unique to this release were later reissued on the 2005 compilation ''More Music for Films ''More Music for Films'' is a compilation album by British musician Brian Eno, released in 2005. Track listing *Tracks 1-14 originally appeared on the initial 1976 promo-only LP release of '' Music for Films'', and on CD as part of the 1993 ...''. Track listing Side A #"The Dove" – 1:30 #"Roman Twilight" – 3:45 #"Matta" – 2:25 #"Dawn, Marshland" – 3:00 #"Climate Study" – 3:20 #"The Secret Pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Eno
Brian Peter George St John le Baptiste de la Salle Eno (; born Brian Peter George Eno, 15 May 1948) is a British musician, composer, record producer and visual artist best known for his contributions to ambient music and work in rock, pop and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group Roxy Music as its synthesiser player in 1971, recording two albums with the group before departing in 1973. Eno then released a number of solo pop albums beginning with ''Here Come the Warm Jets'' (1974) and, also in the mid-1970s, began exploring a minimalist direction on influential recordings such as '' Discreet Music'' (1975) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atmospheres And Soundtracks
The standard atmosphere (symbol: atm) is a unit of pressure defined as Pa. It is sometimes used as a ''reference pressure'' or ''standard pressure''. It is approximately equal to Earth's average atmospheric pressure at sea level. History The standard atmosphere was originally defined as the pressure exerted by 760 mm of mercury at and standard gravity (''g''n = ). It was used as a reference condition for physical and chemical properties, and was implicit in the definition of the Celsius temperature scale, which defined as the boiling point of water at this pressure. In 1954, the 10th General Conference on Weights and Measures (CGPM) adopted ''standard atmosphere'' for general use and affirmed its definition of being precisely equal to dynes per square centimetre (). This defined both temperature and pressure independent of the properties of particular substance. In addition, the CGPM noted that there had been some misapprehension that it "led some physicists to believe t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pearl (album)
''The Pearl'' is a studio album by ambient musicians Harold Budd and Brian Eno released in 1984, produced by Eno and Daniel Lanois in Hamilton, Ontario. ''The Pearl'' is similar to Budd and Eno's previous collaboration, '' Ambient 2: The Plateaux of Mirror'' (1980), consisting mostly of subtly treated piano textures, but with more pronounced electronic treatments and nature recordings. The album has been well received by music critics, and is considered by some as a landmark work in ambient music. Production ''The Pearl'' was recorded in Hamilton, Ontario in 1984 by Harold Budd, Brian Eno, and Daniel Lanois. The trio shared a house during the recording sessions and worked on the record seven days per week. The music was recorded over two weeks, and then it took 8-12 months to finish production and decide which tracks worked best together. The group had no set approach to working beyond looking for and capturing unique moments; such as "Lost In The Humming Air", on which Budd im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
