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Music For A First Love
''Music for a First Love'' is the eighth studio album by American jazz singer Dinah Washington released in 1957 via Mercury label. The tracks were recorded in various sessions between January 1946 and September 1950. Track listing Personnel * Dinah Washington – vocals * Willie Cook (1), Harry "Pee Wee" Jackson (1, 3), George Hudson (6, 12), Bob Merrill (9), Cootie Williams (9) - trumpet * Gus Chappell (1), Benny Powell (possibly 11) - trombone * Andrew Gardner (3) Rupert Cole (6, possibly 9, 12), Ernie Wilkins (6, 11-12) - alto sax * Dave Young (possibly 1; 3), William Parker (9) - tenor sax * Cecil Payne (6, 11-12) - baritone sax * Tony Aless (2), Rudy Martin (possibly 1; 3-4), James Forman (6, 12), Arnold Jarvis (9) - piano * Billy Bauer (2), Hurley Ramey (possibly 4), Freddie Green (6, 11-12), Mundell Lowe James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician. ...
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Dinah Washington
Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as "the most popular black female recording artist of the 1950s songs". Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993. Early life Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped out of Wendell Phillips High Sch ...
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What Can I Say After I Say I'm Sorry
"What Can I Say After I Say I'm Sorry?" is a popular music, popular song by Walter Donaldson and Abe Lyman, published in 1926 in music, 1926. The song has become a popular and jazz standard, recorded by many artists. Notable recordings * Josephine Baker! (1926) * Will Bradley & His Orchestra (vocal by Ray McKinley). This charted briefly in the Billboard chart at No. 26. * California Ramblers (1926) * The King Cole Trio - included in the album ''The King Cole Trio (album), The King Cole Trio'' (vol. 2) (1946) * Bobby Darin - for his album ''Winners (Bobby Darin album), Winners'' (1964) * Buddy DeFranco - ''Sweet and Lovely'' (1956). * Tommy Dorsey - recorded on February 1, 1940, for Victor. * Ruth Etting (1926) * Ella Fitzgerald - recorded for Decca on October 12, 1939. * Jean Goldkette & His Orchestra - recorded on January 28, 1926, for Victor. * Benny Goodman - ''B.G. in Hi-Fi'' (1954). * Bobby Hackett & His Orchestra - recorded on January 25, 1940, for Okeh . * Jack Jenney & His ...
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I Want To Be Loved (But Only By You)
"I Want To Be Loved (But Only By You)" is a 1947 ballad written by and recorded by Savannah Churchill and The Sentimentalists. The single was Savannah Churchill's most successful release on the R&B charts, spending six months on the chart and reaching number one on the R&B Juke Box chart. Cover versions *Also in 1947, Lionel Hampton and His Hamptonians, reached number two on the R&B Juke Box chart, with their version of the song. *Also in 1947, Dinah Washington recorded the song. It was released as a single ''Stairway to the Stars c/w I Want to be Loved''. It is often confused with her 1950 single ''I Wanna Be Loved'' (written by Johnny Green, Edward Heyman and Billy Rose.) *In 1956 Johnnie Ray recorded a version for Columbia Records. *In 1969 Mina covered the song on her album '' Mina for You''. See also * Billboard Most-Played Race Records of 1947 Billboard Most-Played Race Records of 1947 is a year-end chart compiled by ''Billboard (magazine), Billboard'' magazine ranking ...
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Richard Himber
Richard Himber (born Herbert Richard Imber; February 20, 1899 – December 11, 1966) was an American bandleader, composer, violinist, magician and practical joker. Early life He was born as Herbert Richard Imber in Newark, New Jersey to the owner of a chain of meat stores. His parents gave him violin lessons, but when they found him performing in a seedy Newark dive, they took the instrument away from him and sent him to military school. In 1915, he stole away into New York City, where Sophie Tucker heard him play and hired him as a novelty act to play with her and the ''Five Kings of Syncopation'' where Himber was the highlight of the cabaret act. He worked his way through Vaudeville and down Tin Pan Alley. He managed Rudy Vallee's orchestra service, which sent out bands for private parties and society functions. A suave salesman and irrepressible idea man, he soon had his own band booking agency. In 1932, he acquired the first known "vanity" telephone number, ''R-HIMBER'', ...
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It Isn't Fair
"It Isn't Fair" is a popular song written by Richard Himber, Frank Warshauer, and Sylvester Sprigato and published in 1933. Isham Jones and His Orchestra (vocal by Rita Smith) had a hit with it the same year. 1950 revival The song enjoyed a revival in 1950 when the best-known version was done by Don Cornell and the Sammy Kaye orchestra. This recording was released by RCA Victor Records as catalog number 20-3609 (78 rpm) and 47-3115 (45 rpm). It first reached the '' Billboard'' Best Sellers chart on February 3, 1950 and lasted for 22 weeks on the chart, peaking at number three. Other hits with the song that year were by Benny Goodman and His Orchestra (vocal by Buddy Greco); Bill Farrell; and by Les Brown and His Orchestra (vocal by Four Hits and a Miss). Bing Crosby sang "It Isn't Fair" twice on his radio show in May 1950, though he never made a commercial recording of the song. The song did not appear in the UK's sheet music charts during this period. However, a Britis ...
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Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma'!'. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows that the team produced on Broadway during their lifetimes, ''Flower Drum Song'' was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academ ...
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If I Loved You
"If I Loved You" is a show tune from the 1945 Rodgers and Hammerstein musical '' Carousel''. Background In the show, the characters of Billy Bigelow and Julie Jordan sing this song as they hesitantly declare their love for one another, yet are too shy to express their true feelings. The song was in turn inspired by lines of dialogue from Ferenc Molnár's original ''Liliom'', the source material for the musical. Carousel The song was introduced by John Raitt as "Billy Bigelow" and Jan Clayton as "Julie" in the original Broadway production. The song was performed in the 1956 film version ''Carousel'' by Gordon MacRae and Shirley Jones. Other recordings There were four hit versions of the song in 1945: Perry Como (#3), Frank Sinatra (#7), Bing Crosby (#8) and Harry James (#8). In 1954, Roy Hamilton's recording went to #4 on Billboard's, Best Sellers in Stores The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, publ ...
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Irving Berman
Irving Berman, was a Newark, New Jersey businessman, record company owner, and nightclub impresario. Berman founded the jazz imprint Regis Records (1943–1946), and then the more successful Manor Records (1945–1949).In 1949 The Four Tunes left Manor and signed with RCA causing Berman to sue for breach of contract. The Musicians Union believed the allegations of non-payment of royalties so Berman lost both the litigation and his artists and furthermore had his licence to record revoked by the union. He then turned up as A&R director for the newly-formed Arco Records (1949 onwards). Many of his artist stable turned up there too. Savannah Churchill was his most successful artist on Manor,(he also fulfilled the role as her personal manager) with two hit singles.J. Jerome Zolten ''Great God A'mighty!, the Dixie Hummingbirds'' 2003 "Regis was owned by Irving Berman, a Newark businessman and nightclub impresario. Like most other independent label operators in the Northeast, Berman direc ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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How Deep Is The Ocean
How may refer to: * How (greeting), a word used in some misrepresentations of Native American/First Nations speech * How, an interrogative word in English grammar Art and entertainment Literature * ''How'' (book), a 2007 book by Dov Seidman * ''HOW'' (magazine), a magazine for graphic designers * H.O.W. Journal, an American art and literary journal Music * "How", a song by The Cranberries from ''Everybody Else Is Doing It, So Why Can't We?'' * "How", a song by Maroon 5 from ''Hands All Over'' * "How", a song by Regina Spektor from ''What We Saw from the Cheap Seats'' * "How", a song by Daughter from ''Not to Disappear'' * "How?" (song), by John Lennon Other media * HOW (graffiti artist), Raoul Perre, New York graffiti muralist * ''How'' (TV series), a British children's television show * ''How'' (video game), a platform game People * How (surname) * HOW (graffiti artist), Raoul Perre, New York graffiti muralist Places * How, Cumbria, England * How, Wisconsin, Un ...
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Jimmy Kennedy
James Kennedy (20 July 1902 – 6 April 1984) was a Northern Irish songwriter. He was predominantly a lyricist, putting words to existing music such as "Teddy Bears' Picnic" and "My Prayer" or co-writing with composers like Michael Carr, Wilhelm Grosz and Nat Simon. In a career spanning more than fifty years, he wrote some 2000 songs, of which over 200 became worldwide hits and about 50 are popular music classics. Early life Kennedy was born in Omagh, County Tyrone, Northern Ireland. His father, Joseph Hamilton Kennedy, was a policeman in the Royal Irish Constabulary (RIC). While growing up in the village of Coagh, Kennedy wrote several songs and poems. He was inspired by local surroundings—the view of the Ballinderry River, the local Springhill House and the plentiful chestnut trees on his family's property, as evidenced in his poem ''Chestnut Trees''. Kennedy later moved to Portstewart, a seaside resort in County Londonderry. Kennedy graduated from Trinity College, ...
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Will Grosz
Wilhelm Grosz (11 August 1894 – 10 December 1939) (sometimes credited as Hugh Williams) was an Austrian composer, pianist, and conductor. Wilhelm Grosz was born in Vienna. He studied music with Richard Robert, Franz Schreker and Guido Adler. In 1921 he was appointed conductor of the Mannheim Opera, but returned to Vienna in 1922, where he worked as a pianist and composer. From 1927 he was the artistic manager of the Ultraphone Gramophone company in Berlin. In 1933 he became conductor of the Kammerspiele Theater in Vienna. Forced to flee his native land because of the Nazi takeover, Grosz resettled in England in 1934. However, he found little interest there for his avant garde musical style. He was able to apply a considerable melodic gift to setting the lyrics of popular songs, some of which became international successes. Most of his most popular titles were written with lyricist Jimmy Kennedy: " Harbour Lights", " Red Sails in the Sunset", "When Budapest Was Young", and " I ...
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