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Museum Of The Imperial Collections
The Museum of the Imperial Collections is located on the grounds of the East Garden of Tokyo Imperial Palace. It showcases a changing exhibition of a part of the imperial household treasures. History The Museum of the Imperial Collections was conceived during the change from the Shōwa period (1926 – 1989) to the Heisei period (1989 – 2019) . The Imperial family donated 6,000 pieces of art to the Japanese government in 1989. Many pieces were created by Imperial Household Artists. The museum was opened in 1993 for the study and preservation of the art collection. The collection was further enlarged by the donation of the art collection of Prince Chichibu (1902 – 1953) in 1996, the collection of Kikuko, Princess Takamatsu (1911 – 2004) in 2005, and the collection of Prince Mikasa family in 2014. The number of items in the collection is 9,800 at present, but the exhibition room is a small room of 160 square meters and the storage room is small. Therefore, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiyoda-ku
is a special ward located in central Tokyo, Japan. It is known as Chiyoda City in English.Profile ." ''City of Chiyoda''. Retrieved on December 28, 2008. It was formed in 1947 as a merger of and wards following 's transformation into Tokyo Metropolis. The modern Chiyoda ward exhibits contrasting |
National Treasure (Japan)
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan before the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Tan'yū
was a Japanese painter of the Kanō school. One of the foremost Kanō painters, many of the best known Kanō works today are by Tan'yū. Biography His original given name was Morinobu; he was the eldest son of Kanō Takanobu and grandson of Kanō Eitoku. In 1617, Tan'yū was appointed by the Tokugawa shogunate to become the shogunate's first official painter. Over the following years, he was given many highly prestigious commissions. Over the 1620s and 1630s, he created a number of large-scale works for Edo Castle, Nijō Castle, Osaka Castle, Nagoya Castle, and Nikkō Tōshō-gū. Prolific in a variety of painting styles, Tan'yū's most famous works are probably those he produced for these large-scale commissions. They are screens and panels, prime examples of the Momoyama style, depicting natural subjects such as tigers, birds and plants, in bright colors and with extensive use of gold leaf. The gold, often used to represent clouds, water, or other background elements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iwasa Matabei
Iwasa Matabei ( ja, 岩佐 又兵衛, translit=Iwasa Matabē; original name Araki Katsumochi 1578 – July 20, 1650) was a Japanese artist of the early Tokugawa period, who specialized in genre scenes of historical events and illustrations of classical Chinese and Japanese literature, as well as portraits. He was the son of Araki Murashige, a prominent ''daimyō'' of the Sengoku period who had been made to commit suicide, leaving Matabei to be raised with his mother's family name, Iwasa. Matabei's work was noted for its distinctive figures, with large heads and delicately drawn features, and he was effective both in colour and monochrome ink-wash painting, using an individual brush technique combining Tosa and Kanō elements. Although trained by Kanō Naizen of the Kanō school, he was more influenced by the traditions of the Tosa school, and signed a late series of portraits of the Thirty-six Poetry Immortals (1640) commissioned by the ''shōgun'' Tokugawa Iemitsu for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Eitoku
was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting. Life and works Born in Kyoto, Eitoku was the grandson of Kanō Motonobu (1476–1559), an official painter for the Ashikaga shogunate. He was recognized for his artistic talent at a very young age. Under Motonobu's guidance, he developed his grandfather's style, which had influence from Chinese painting. Collaborating with his father Shōei (1519–92), Eitoku painted the wall panels of the abbot's quarters in Jukō-in, a subtemple of the Daitoku-ji Zen monastic complex in Kyoto. Eitoku's patrons included Oda Nobunaga and Toyotomi Hideyoshi. His standing screen, sliding door, wall, and ceiling paintings decorated Nobunaga's Azuchi castle and Hideyoshi's residence in Kyoto and Osaka Castle. Contemporary accounts indicate that Eitoku was one of the most highly sought-after artists of his time, and recei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaihō Yūshō
; real name: Kaiho Shōeki, " brush name": Yusho (alternative names: ''Josetsusai'', ''Yūkeisai'', ''Yūtoku''), was a Japanese painter of the Azuchi–Momoyama period. He was born in Ōmi province, the fifth son of Kaihō Tsunachika, who was a vassal of Azai Nagamasa. At an early age he became a page at the Tōfuku-ji (temple) in Kyōto and, later a lay priest. He served there under the abbot and associated with the leading Zen priests of Kyōto. In his forties, Yūshō turned to painting and became a pupil in the Kanō School, either under the famous Kanō Motonobu or his grandson Kanō Eitoku. Then, he worked at Jurakudai, under the patronage of Toyotomi Hideyoshi and the Emperor Go-Yōzei. At first, he patterned his work after Song painter Liang Kai, doing only monochrome ink paintings, using a "reduced brush stroke" (''gempitsu''), relying more on ink washes than sharp hard strokes. Later, he worked in fashionable rich colors and gold leaf. Artistically on a level with Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ito Jakuchu
Ito may refer to: Places * Ito Island, an island of Milne Bay Province, Papua New Guinea * Ito Airport, an airport in the Democratic Republic of the Congo * Ito District, Wakayama, a district located in Wakayama Prefecture, Japan * Itō, Shizuoka People * Itō (surname), for people with the Japanese surname Itō * , Japanese voice actor * Princess Ito (died 861), Japanese imperial princess * Ito Giani (1941–2018), Italian sprinter * Ito (footballer, born 1975), full name Antonio Álvarez Pérez, Spanish footballer * Ito (footballer, born 1992), full name Jorge Delgado Fidalgo, Spanish footballer * Ito (footballer, born 1994), full name Mario Manuel de Oliveira, Angolan footballer * , Japanese fashion model and actress (born 1995), Japanese fashion model and actress *Ito Smith (born 1995), American football player * Ito Curata (1959–2020), Filipino fashion designer * Ito Morabito (born 1977), French designer * Ito Ogawa (born 1973), Japanese novelist, lyricist, and translator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kano Eitoku
Kano may refer to: Places *Kano State, a state in Northern Nigeria *Kano (city), a city in Nigeria, and the capital of Kano State **Kingdom of Kano, a Hausa kingdom between the 10th and 14th centuries **Sultanate of Kano, a Hausa kingdom between the 14th and 19th centuries **Kano Emirate, a 19th-century Islamic state People Mononym *Kano (British musician) (born 1985), British rapper *Kano (comics) (born 1973), Spanish comic book artist *Kano (Japanese musician), Japanese musician and virtual YouTuber Surname *Kanō Jigorō (1860–1938), Japanese founder of Judo *Aminu Kano (1920–1983), Nigerian politician *David Kano (actor) (born 1987), American actor, writer and producer *Eiko Kano (born 1982), Japanese comedian and singer *Kano sisters, Kyoko (born 1962) and Mika (born 1967), Japanese celebrities *Michihiko Kano (born 1942), Japanese politician *, Japanese volleyball player *Noriaki Kano (born 1940), Japanese developer of the Kano model *, Japanese footballer *Thea Kan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are thought to have originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each panel was framed by a silk brocade, and the panel was bound with a wood frame. By the Heian period (794–1185), particularly by the 9th century, were indispens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongol Invasion Of Japan
Major military efforts were taken by Kublai Khan of the Yuan dynasty in 1274 and 1281 to conquer the Japanese archipelago after the submission of the Korean kingdom of Goryeo to vassaldom. Ultimately a failure, the invasion attempts are of macro-historical importance because they set a limit on Mongol expansion and rank as nation-defining events in the history of Japan. The invasions are referred to in many works of fiction and are the earliest events for which the word ''kamikaze'' ("divine wind") is widely used, originating in reference to the two typhoons faced by the Yuan fleets. The invasions were one of the earliest cases of gunpowder warfare outside of China. One of the most notable technological innovations during the war was the use of explosive, hand-thrown bombs. Background After a series of Mongol invasions of Korea between 1231 and 1281, Goryeo signed a treaty in favor of the Mongols and became a vassal state. Kublai was declared Khagan of the Mongol Empire in 126 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mōko Shūrai Ekotoba
is a set of two Japanese illustrated handscrolls (''emaki'') commissioned by the samurai Takezaki Suenaga (1246–1314) as a record of his wartime deeds and valor during the Mongol invasions of Japan. The first scroll describes Suenaga's actions at the Battle of Bun'ei (1274), as well as his attempts to seek recognition and rewards from the government. The second scroll describes him at the naval Battle of Kōan (1281). The work dates itself to 1293, while scholars similarly believe it was composed between the late 13th century and early 14th century, during the Kamakura period. Their author and artist are unknown. Together, the scrolls contain some of the earliest artistic depictions of the Mongol invasions of Japan. Both scrolls are currently kept in the Museum of the Imperial Collections at Tokyo Imperial Palace. Contents The scrolls alternate between written accounts and illustrations done in the ''yamato-e'' style. They focus on the actions of Takezaki Suenaga, a ''gok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
