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Kaihō Yūshō
; real name: Kaiho Shōeki, " brush name": Yusho (alternative names: ''Josetsusai'', ''Yūkeisai'', ''Yūtoku''), was a Japanese painter of the Azuchi–Momoyama period. He was born in Ōmi province, the fifth son of Kaihō Tsunachika, who was a vassal of Azai Nagamasa. At an early age he became a page at the Tōfuku-ji (temple) in Kyōto and, later a lay priest. He served there under the abbot and associated with the leading Zen priests of Kyōto. In his forties, Yūshō turned to painting and became a pupil in the Kanō School, either under the famous Kanō Motonobu or his grandson Kanō Eitoku. Then, he worked at Jurakudai, under the patronage of Toyotomi Hideyoshi and the Emperor Go-Yōzei. At first, he patterned his work after Song painter Liang Kai, doing only monochrome ink paintings, using a "reduced brush stroke" (''gempitsu''), relying more on ink washes than sharp hard strokes. Later, he worked in fashionable rich colors and gold leaf. Artistically on a level with Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toyotomi Hideyoshi
, otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: Military Innovations that Changed the Course of History, Viking Press 1988. p. 68. Hideyoshi rose from a peasant background as a Affinity (medieval), retainer of the prominent lord Oda Nobunaga to become one of the most powerful men in Japan. Hideyoshi succeeded Nobunaga after the Honnō-ji Incident in 1582 and continued Nobunaga's campaign to unite Japan that led to the closing of the Sengoku period. Hideyoshi became the ''de facto'' leader of Japan and acquired the prestigious positions of Daijō-daijin, Chancellor of the Realm and Sesshō and Kampaku, Imperial Regent by the mid-1580s. Hideyoshi launched the Japanese invasions of Korea (1592–1598), Japanese invasions of Korea in 1592 to initial success, but eventual military stalemate damaged his prestige before his death in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Go-Yōzei
was the 107th Emperor of Japan, according to the traditional order of succession. Go-Yōzei's reign spanned the years 1586 through to his abdication in 1611, corresponding to the transition between the Azuchi–Momoyama period and the Edo period. This 16th-century sovereign was named after the 9th-century Emperor Yōzei, and , translates as ''later'', and thus, he could be called the "Later Emperor Yōzei". The Japanese word ''go'' has also been translated to mean ''the second one'', and in some older sources, this emperor may be identified as "Yōzei, the second", or as "Yōzei II". Genealogy Before Go-Yōzei's ascension to the Chrysanthemum Throne, his personal name (''imina'') was or . He was the eldest son of , also known as Prince Sanehito and posthumously named Yōkwōin ''daijō-tennō'', who was the eldest son of Emperor Ōgimachi. His mother was a lady-in-waiting. Go-Yōzei's Imperial family lived with him in the Dairi of the Heian Palace. The family included at lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Name
An art name (pseudonym or pen name), also known by its native names ''hào'' (in Mandarin), ''gō'' (in Japanese), ''ho'' (in Korean), and ''tên hiệu'' (in Vietnamese), is a professional name used by East Asian artists, poets and writers. The word and the concept originated in China, where it was used as nicknames of the educated, then became popular in other East Asian countries (especially in Japan, Korea, Vietnam, and the former Kingdom of Ryukyu). In some cases, artists adopted different pseudonyms at different stages of their career, usually to mark significant changes in their life. Extreme practitioners of this tendency were Tang Yin of the Ming dynasty, who had more than ten ''hao'', and Hokusai of Japan, who in the period 1798 to 1806 alone used no fewer than six. History China In Chinese culture, ''Hao'' refers to honorific names made by oneself or given by others when one is in middle age. After one's gaining the ''Hao'', other persons may then call such a person ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azuchi–Momoyama Period
The was the final phase of the in Japanese history from 1568 to 1600. After the outbreak of the Ōnin War in 1467, the power of the Ashikaga Shogunate effectively collapsed, marking the start of the chaotic Sengoku period. In 1568, Oda Nobunaga entered Kyoto to install Ashikaga Yoshiaki as the 15th and ultimately final Ashikaga ''shōgun''. This entrance marked the start of the Azuchi-Momoyama period. Nobunaga overthrew Yoshiaki and dissolved the Ashikaga Shogunate in 1573, launching a war of conquest to politically unify Japan by force from his base in Azuchi. Nobunaga was forced to commit suicide in the Honnō-ji Incident in 1582. His successor Toyotomi Hideyoshi completed Nobunaga's campaign of unification and enacted reforms to consolidate his rule, marking the end of the Sengoku period. Hideyoshi launched the Japanese invasions of Korea in 1592, but the invasion's failure damaged his prestige, and his young son and successor Toyotomi Hideyori was challenged by Tokugawa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaihō Tsunachika
was a Japanese samurai and commander of the Sengoku period who served Azai clan as a senior retainer. His son Kaihō Yūshō was a representative painter of the Azuchi–Momoyama period in Japan. Tsunachika served as a senior retainer and military commissioner for three generations of the Azai clan. Together with Akao Kiyotsuna and Amenomori Kiyosada, Tsunachika was known as one of the . In 1573, Tsunachika is considered to have been killed in action when Oda Nobunaga attacked and toppled Odani Castle 280px, Map of Odani Castle was a Sengoku period mountain-top Japanese castle located in the former town of Kohoku, now part of Nagahama city, in Shiga Prefecture, Japan. Only the ruins remain today. It was the home castle of the Azai clan and t .... References Samurai 1535 births 1573 deaths Azai clan {{Samurai-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azai Nagamasa
was a Japanese ''daimyō'' of the Sengoku period known as the brother-in-law and enemy of Oda Nobunaga. Nagamasa was head of the Azai clan seated at Odani Castle in northern Ōmi Province and married Nobunaga's sister Oichi in 1564, fathering her three daughters – Yodo-dono, Ohatsu, and Oeyo – who became prominent figures in their own right. Nagamasa became one of Nobunaga's enemies in 1570 due to the Azai alliance with the Asakura clan, and fought against Nobunaga at major battles including the Battle of Anegawa. Nagamasa and his clan were destroyed by Nobunaga in August 1573, and he committed '' seppuku'' during the siege of Odani Castle. Early life Azai Nagamasa was the son of Azai Hisamasa, from whom he inherited clan leadership in 1560. Hisamasa had been compelled to step down by many of his retainers in favor of his son, Nagamasa. Hisamasa retired, and would later commit suicide along with his son in August 1573. Nagamasa successfully battled both Rokkaku Yoshikat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Motonobu
was a Japanese painter and calligrapher. He was a member of the Kanō school of painting. Through his political connections, patronage, organization, and influence he was able to make the Kanō school into what it is today. The system was responsible for the training of a great majority of painters throughout the Edo period (1603–1868). After his death, he was referred to as Kohōgen (古法眼). Family Background The Kanō family are presumed to be the descendants from a line of warriors from the Kanō district. The Kanō district is now called Shizuoka Prefecture. The forebear of this family was Kanō Kagenobu. He seems to have been a retainer of the Imagawa family. It has been reported that he painted a picture of Mount Fuji for a visit to the ''shōgun'' Ashikaga Yoshinori in 1432. The Kanō family dominated the painting world from the end of the Muromachi period (1336–1573) to the end of the Edo period (1603–1868). Kanō Masanobu, Motonobu's father, was the founder o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Eitoku
was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting. Life and works Born in Kyoto, Eitoku was the grandson of Kanō Motonobu (1476–1559), an official painter for the Ashikaga shogunate. He was recognized for his artistic talent at a very young age. Under Motonobu's guidance, he developed his grandfather's style, which had influence from Chinese painting. Collaborating with his father Shōei (1519–92), Eitoku painted the wall panels of the abbot's quarters in Jukō-in, a subtemple of the Daitoku-ji Zen monastic complex in Kyoto. Eitoku's patrons included Oda Nobunaga and Toyotomi Hideyoshi. His standing screen, sliding door, wall, and ceiling paintings decorated Nobunaga's Azuchi castle and Hideyoshi's residence in Kyoto and Osaka Castle. Contemporary accounts indicate that Eitoku was one of the most highly sought-after artists of his time, and recei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jurakudai
The Jurakudai or Jurakutei () was a palace constructed at the order of Toyotomi Hideyoshi in Kyoto, Japan. Construction began in 1586, when Hideyoshi had taken the post of , and required nineteen months to complete. Its total area was almost equal to the Imperial Palace Enclosure. It was decorated exceptionally lavishly, but had thick walls and a moat more reminiscent of fortresses such as that at Osaka. It was located in present-day Kamigyō, on the site where the Imperial palace had stood in the Heian period. In late 1587, following the Jurakudai's completion, Hideyoshi moved there from his castle at Osaka, just after his victory over the Shimazu family in Kyūshū. He made it the base for his administration and invited Go-Yōzei, the reigning emperor, to stay there in the first month of 1588. Maeda Geni, one of his Five Commissioners, studied previous receptions of emperors and the requisite protocols. The emperor was escorted by many Court nobles, mounted samurai (including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liang Kai
Liang Kai (; ''c''. 1140 - ''c''. 1210) was a Chinese painter of the Southern Song Dynasty. He was also known as Madman Liang because of his very informal pictures. He was born in Shandong and worked in Lin An (later Hangzhou). He is known to have studied with the master Jia Shigu. He was awarded the rank of Painter-in-Attendance at the court of Jia Tai (1201-1204 CE, Southern Song Dynasty) where he was known for mastery in painting figures, landscapes, and other minor subjects. He was also awarded the Golden Belt, however he left it behind when he left his position at court to practise Chan Buddhism. Painting style Liang Kai is most famous for originating or developing the "Xie Yi" (sometimes translated as "sketch style") of painting, where the objective is to evoke the subject or atmosphere with minimal use of detail; it requires a profound mastery of painting technique and perfect concentration, but also allows for the beauty of accidental effects. The Xie Yi style is clos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasegawa Tōhaku
was a Japanese painter and founder of the Hasegawa school. He is considered one of the great painters of the Azuchi–Momoyama period (1573-1603), and he is best known for his folding screens, such as ''Pine Trees'' and ''Pine Tree and Flowering Plants'' (both registered National Treasures), or the paintings in walls and sliding doors at Chishaku-in, attributed to him and his son (also National Treasures). Biography Hasegawa Tōhaku, born in 1539 in Nanao,"Suiboku-ga." Encyclopædia Britannica Online. December 10, 2009 a town in (in the vicinity of present-day Ishikawa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kennin-ji
is a historic Zen Buddhist temple in Kyoto, Japan, and head temple of its associated branch of Rinzai Buddhism. It is considered to be one of the so-called Kyoto ''Gozan'' or "five most important Zen temples of Kyoto". History Kennin-ji was founded in 1202 CE and claims to be the oldest Zen temple in Kyoto. The monk Eisai, credited with introducing Zen to Japan, served as Kennin-ji's founding abbot and is buried on the temple grounds. For its first years the temple combined Zen, Tendai, and Shingon practices, but it became a purely Zen institution under the eleventh abbot, (1213–1278). The Zen master Dōgen, later founder of the Japanese Sōtō sect, trained at Kennin-ji. It is one of the Rinzai sect's headquarter temples. Kennin-ji school Kennin-ji is the main temple of the Kennin-ji branch, one of the 14 divisions of the Rinzai sect. The branch is regarded to have 72 temples throughout Japan, and approximately 25,000 adherents. Architecture When first built, the temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
