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Museum Georg Schäfer
The Museum Georg Schäfer is a German art museum in Schweinfurt, Bavaria. Based on the private art collection of German industrialist Georg Schäfer (industrialist), Georg Schäfer (1896–1975), the museum primarily collects 19th-century paintings by artists from German-speaking countries. History Having already inherited a nucleus of 19th-century German and Austrian paintings from his father, in the 1950s Georg Schäfer began actively collecting paintings by old masters and forgotten ''"lesser"'' masters which, at that time, were being overlooked by the more conservative regional art centres of Munich, Berlin, Dresden and Vienna. He bought much of the art in the 1950s from dealers in Munich, including from Heinrich Hoffmann (photographer), Heinrich Hoffmann, Adolf Hitler's personal photographer, who was deeply involved in Nazi-looted art. As early as 1959, architect Erich Schelling drew up plans for a museum to house the collection. A later design by Mies van der Rohe was rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Rottmann
Carl Anton Joseph Rottmann (11 January 1797, in Handschuhsheim – 7 July 1850, in Munich) was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around King Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter belonged to his school. Biography Rottmann was born in Handschuhsheim (today a part of Heidelberg) on 11 January 1797. There he received his first drawing lessons from his father, , who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with ''Heidelberg at Sunset'' (a water color), and ''Castle Eltz'', he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Philipp Hackert
Jacob Philipp Hackert (15 September 1737 – 28 April 1807) was a landscape painter from Brandenburg, who did most of his work in Italy. Biography Hackert was born in 1737 in Prenzlau in the Margraviate of Brandenburg (now in Germany). He trained with his father Philipp (a portraitist and painter of animals) and his uncle, before going to the Prussian Academy of Arts in Berlin in 1758. Later he traveled to Swedish Pomerania and Stockholm, at the invitation of Adolf Friedrich von Olthof, a Swedish government official and businessman. For a time, he lived with Von Olthof and painted decorative murals at his estate. He spent from 1765 to 1768 in Paris with the Swiss artist Balthasar Anton Dunker, where he focused on painting in gouache. He met and was inspired by Claude Joseph Vernet, who was already famous as a painter of landscapes and seascapes, and the German engraver Johann Georg Wille. In 1768 Hackert left Paris with his brother Georg, and went to Italy, basing himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (''Neue Sachlichkeit''), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany. Life Max Beckmann was born into a middle-class family in Leipzig, Saxony. From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he volunteered as a medical orderly, coincided with a dramatic transformation of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Slevogt
Max Slevogt (8 October 1868 – 20 September 1932) was a German Impressionist painter and illustrator, best known for his landscapes. He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of the plein air style. Biography 250px, Slevogthof Neukastel He was born in Landshut, Germany, in 1868. From 1885 to 1889 he studied at the Munich Academy, and his early paintings are dark in tone, exemplifying the prevailing style in Munich. In 1889 Slevogt visited Paris, where he attended the Académie Julian. In 1896, he drew caricatures for the magazines ''Simplicissimus'' and ''Jugend'', and the next year he had his first solo exhibition in Vienna. Toward the end of the 1890s his palette brightened. He travelled again to Paris in 1900, where he was represented in the German pavilion of the world exhibition with the work ''Scheherezade'', and was greatly impressed by the paintings of Édouard Manet. In 1901 he joined the Berlin Seces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Liebermann
Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works. The son of a Jewish banker, Liebermann studied art in Weimar, Paris, and the Netherlands. After living and working for some time in Munich, he returned to Berlin in 1884, where he remained for the rest of his life. He later chose scenes of the bourgeoisie, as well as aspects of his garden near Lake Wannsee, as motifs for his paintings. Noted for his portraits, he did more than 200 commissioned ones over the years, including of Albert Einstein and Paul von Hindenburg. Liebermann was honored on his 50th birthday with a solo exhibition at the Prussian Academy of Arts in Berlin, and the following year he was elected to the academy. From 1899 to 1911 he led the premier avant-garde formation in Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovis Corinth
Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes. Early life Corinth was born Franz Heinrich Louis on 21 July 1858 in Tapiau, in the Province of Prussia in the Kingdom of Prussia. The son of a tanner, he displayed a talent for drawing as a child. In 1876 he went to study painting in the academy of Königsberg. Initially intending to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Thoma
Hans Thoma (2 October 1839 – 7 November 1924) was a German painter. Biography Hans Thoma was born on 2 October 1839 in Bernau in the Black Forest, Germany. He was the son of a miller and was trained in the basics of painting by a painter of clock faces. He entered the Karlsruhe academy in 1859, where he studied under Johann Wilhelm Schirmer and Ludwig des Coudres – the latter of which had a major influence on his career. He subsequently studied and worked, with but indifferent success, in Düsseldorf, Paris, Italy, Munich and Frankfurt, until his reputation became firmly established as the result of an exhibition of some thirty of his paintings in Munich. He died in Karlsruhe in 1924 at the age of 85. Style In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Von Lenbach
Franz Seraph Lenbach, after 1882, Ritter von Lenbach (13 December 1836 – 6 May 1904), was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince). Biography His father, who originally came from South Tyrol where the family name was spelled "Lempach", was a Master Mason for Schrobenhausen, where Lenbach was born. Lenbach completed his primary education at Landsberg in 1848, then attended a business school in Landshut. From 1851 to 1852, he was apprenticed to the sculptor Anselm Sickinger in Munich. At that time, his father died and he went home to help in the family business. He was only there a short time before beginning studies at the Augsburg University of Applied Sciences. While there, he drew and painted in his spare time, befriended Johann Baptist Hofner (1832–1913), the animal painter, and decided to beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Menzel
Adolph Friedrich Erdmann von Menzel (8 December 18159 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century,Fried, 11 and was the most successful artist of his era in Germany.Eisler, 559–565 First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel. His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin.Eisler, 559 Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.Eisler, 559–565 Although he traveled in order to find subjects for his art, to visit exhibitions, and to meet with other artists, Menzel spen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Leibl
Wilhelm Maria Hubertus Leibl (October 23, 1844 – December 4, 1900) was a German realist painter of portraits and scenes of peasant life. Biography Leibl was born in Cologne, where his father was the director of the Cathedral choir. He was apprenticed to a locksmith before beginning his artistic training with the local painter Hermann Becker in 1861. He entered the Munich Academy in 1864, subsequently studying with several artists including Carl Theodor von Piloty. He set up a group studio in 1869, with Johann Sperl, Theodor Alt, and Rudolf Hirth du Frênes. At about the same time, Gustave Courbet visited Munich to exhibit his work, making a considerable impression on many of the local artists by his demonstrations of alla prima painting directly from nature. Leibl's paintings, which already reflected his admiration for the Dutch old masters, became looser in style, their subjects rendered with thickly brushed paint against dark backgrounds. Career In 1869, following Cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Von Uhde
Fritz von Uhde (born Friedrich Hermann Carl Uhde; 22 May 1848 – 25 February 1911) was a German painter of genre and religious subjects. His style lay in-between Realism and Impressionism, he was once known as "Germany's outstanding impressionist" and he became one of the first painters to introduce ''plein-air'' painting in his country. Biography Uhde was born in Wolkenburg, Saxony. His family, moderately wealthy civil servants, had artistic interests. His father was actually a part-time painter and his maternal grandfather was director of the Royal Museums in Dresden. Uhde found art appealing while studying at the Gymnasium at this city, and in 1866 he was admitted to the Academy of Fine Arts in Dresden. Totally at variance with the spirit prevailing there, later that year he left his studies to join the army. He became horsemanship instructor to the regiment of the assembled guard, and was promoted to Lieutenant in 1868. After meeting the painter Makart in Vienna in 187 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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