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Murasaki Shikibu Diary Emaki
The is a mid-13th century (Japanese picture scroll) inspired by the private diary () of Murasaki Shikibu, lady-in-waiting at the 10th–11th century Heian court and author of '' The Tale of Genji''. This belongs to the classical style of Japanese painting known as , and revives the iconography of the Heian period. Today there remain four paper scrolls of the in varying condition, and stored in different collections: Hachisuka, Matsudaira, Hinohara scrolls (Tokyo), and Fujita scroll (Fujita Art Museum, Osaka). Of the extant scrolls, the first relates the celebrations on occasion of the birth of prince Atsunari (Atsuhira, later Emperor Go-Ichijō) in 1008 and the last those of the birth of Prince Atsunaga (later Emperor Go-Suzaku) in 1009. This difference in time indicates that the original most likely consisted of more scrolls than exist today. Description records the daily life of the Heian era lady-in-waiting and writer, Lady Murasaki Shikibu, author of '' The Tale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamakura Period
The is a period of Japanese history that marks the governance by the Kamakura shogunate, officially established in 1192 in Kamakura by the first ''shōgun'' Minamoto no Yoritomo after the conclusion of the Genpei War, which saw the struggle between the Taira and Minamoto clans. The period is known for the emergence of the samurai, the warrior caste, and for the establishment of feudalism in Japan. During the early Kamakura period, the shogunate continued warfare against the Northern Fujiwara which was only defeated in 1189. Then, the authority to the Kamakura rulers waned in the 1190s and power was transferred to the powerful Hōjō clan in the early 13th century with the head of the clan as regent (Shikken) under the shogun which became a powerless figurehead. The later Kamakura period saw the invasions of the Mongols in 1274 and again in 1281. To reduce the amount of chaos, the Hōjō rulers decided to decentralize power by allowing two imperial lines – Northern and Southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia University Press
Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film, and international studies. History Founded in May 1893, In 1933 the first four volumes of the ''History of the State of New York'' were published. In early 1940s revenues rises, partially thanks to the ''Encyclopedia'' and the government's purchase of 12,500 copies for use by the military. Columbia University Press is notable for publishing reference works, such as ''The Columbia Encyclopedia'' (1935–present), ''The Columbia Granger's Index to Poetry'' (online as ''The Columbia World of Poetry Online'') and ''The Columbia Gazetteer of the World'' (also online) and for publishing music. First among American university presses to publish in electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Michinaga
was a Japanese statesman. The Fujiwara clan's control over Japan and its politics reached its zenith under his leadership. Early life Michinaga was born in Kyōto, the son of Kaneiye. Kaneiye had become Regent in 986, holding the position until the end of his life in 990. Due to the hereditary principle of the Fujiwara Regents, Michinaga was now in line to become Regent after his brothers, Michitaka and Michikane. Career Struggle with Korechika Michitaka was regent from 990 until 995, when he died. Michikane then succeeded him, famously ruling as Regent for only seven days, before he too died of disease. With his two elder brothers dead, Michinaga then struggled with Fujiwara no Korechika, Michitaka's eldest son and the successor he had named. Korechika was more popular at court than Michinaga, being a favourite of Empress Teishi and well-liked by the reigning Emperor Ichijō, and held multiple prestigious positions - he had been made Naidaijin the previous year, and Sangi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sei Shōnagon
was a Japanese author, poet, and a court lady who served the Empress Teishi (Sadako) around the year 1000 during the middle Heian period. She is the author of . Name Sei Shōnagon's actual given name is not known. It was the custom among aristocrats in those days to call a court lady by a nickname taken from a court office belonging to her father or husband.Keene 1999 : 412. derives from her father's family name "Kiyohara" (the native Japanese reading of the first character is , while the Sino-Japanese reading is ), while refers to a government post. Her relationship to this post is unknown, though—neither her father nor either of her two husbands held such a post. Bun'ei Tsunoda has suggested that it may have belonged to a third husband, perhaps Fujiwara no Nobuyoshi.Keene 1999 : 412, citing (427, note 3) Tsunoda 1975 : 30-32. Her actual name has been a topic of debate among scholars, and the name is a possibility. Early life Little is known about her life except ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akazome Emon
was a Japanese ''waka'' poet and early historian who lived in the mid-Heian period. She is a member both of the and the . Biography Akazome Emon's year of birth is unknown, but she was likely born between Tentoku 1 (957) and Kōhō 1 (964). She was officially the daughter of Akazome Tokimochi (赤染時用), but the late-Heian karonsho (book of poetic criticism) ' records that her biological father was her mother's first husband, Taira no Kanemori. A poetic exchange between Emon and Fujiwara no Michitaka, dating to around Ten'en 2 (974) to Jōgen 2 (977), when she was likely in her late teens, is the earliest dateable event in her life. At roughly this time, she went to serve in the household of Minamoto no Masanobu, and for a long time thereafter she served his daughter Rinshi ( ja), the wife of Fujiwara no Michinaga. It was also around this time (Ten'en–Jōgen) that she married , a Confucian scholar and poet of both ''waka'' and '' kanshi''. They had a son, , a daugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Izumi Shikibu
was a mid-Heian period Japanese poet. She is a member of the . She was the contemporary of Murasaki Shikibu, and Akazome Emon at the court of empress Joto Mon'in. She "is considered by many to have been the greatest woman poet of the Heian period". Her legacy includes 242 poems and two '' kashu''. "Torn between worldly ties and physical desire, Izumi Shikibu left a wealth of passionate love poetry, fueling rumors that purported that she was a femme fatale with numerous lovers besides her two husbands and two princely lovers." Early life Izumi Shikibu was the daughter of Oe no Masamune, governor of Echizen. Her mother was the daughter of Taira no Yasuhira, governor of Etchu. In 995, at the age of 20, Izumi was married to Tachibana no Michisada, governor of Izumi, the origin for her name. Their daughter was born in 997, Koshikibu no Naishi, who also became a poet. However, Izumi soon divorced, and her former husband died soon afterwards. Introduction by Amy Lowell. As is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vignette (literature)
A vignette (, also ) is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories. Examples of vignettes include Ernest Hemingway’s ''In Our Time'', Margaret Atwood’s ''The Female Body'', Sandra Cisneros’ ''The House on Mango Street'', and Alice Walker’s ''The Flowers.'' Vignettes have been particularly influential in the development of the contemporary notions of a scene as shown in postmodern theater, film and television, where less emphasis is placed on adhering to the conventions of traditional structure and story development. Etymology The word ''vignette'' means "little vine" in French, and was derived from Old French ''vigne'', meaning “vineyard”. In English, the word was first docume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empress Shōshi
, also known as , the eldest daughter of Fujiwara no Michinaga, was Empress of Japan from c. 1000 to c. 1011. Her father sent her to live in the Emperor Ichijō's harem at age 12. Because of his power, influence and political machinations she quickly achieved the status of . As empress she was able to surround herself with a court of talented and educated ladies-in-waiting such as Murasaki Shikibu, author of '' The Tale of Genji''. By the age of 20, she bore two sons to Ichijō, both of whom went on to become emperors and secured the status of the Fujiwara line. In her late 30s she took vows as a Buddhist nun, renouncing imperial duties and titles, assuming the title of Imperial Lady. She continued to be an influential member of the imperial family until her death at age 86. Empress In the middle of the 9th century Fujiwara no Yoshifusa declared himself regent to Emperor Seiwa—his young grandson—the Fujiwara clan dominated court politics until the end of the 11th century, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Era
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Go-Suzaku
was the 69th emperor of Japan,Imperial Household Agency (''Kunaichō'') 後朱雀天皇 (69)/ref> according to the traditional order of succession. Go-Suzaku's reign spanned the years from 1036 through 1045. This 11th-century sovereign was named after the 10th-century Emperor Suzaku and ''go-'' (後), translates literally as "later;" and thus, he is sometimes called the "Later Emperor Suzaku". The Japanese word "''go''" has also been translated to mean the "second one;" and in some older sources, this emperor may be identified as "Suzaku, the second" or as "Suzaku II." Biography Before his ascension to the Chrysanthemum Throne, his personal name (his ''imina'') was Atsunaga''-shinnō'' (敦良親王). His father was Emperor Ichijō. His mother was Fujiwara no Akiko/ Shōshi (藤原彰子), the daughter of Fujiwara no Michinaga (藤原道長). He was the younger brother and heir to Emperor Go-Ichijō. Go-Suzaku had five Empresses and seven Imperial children.Brown, p. 311. Ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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