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Mural Panel
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche department o ...
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Capitole Toulouse - Salle Des Illustres - Toulouse Coopérant à La Défense Nationale 1897 - Jean-André Rixens
A capitol, named after the Capitoline Hill in Rome, is usually a legislative building where a legislature meets and makes laws for its respective political entity. Specific capitols include: * United States Capitol in Washington, D.C. * Numerous U.S. state and territorial capitols * Capitolio Nacional in Bogotá, Colombia * Capitolio Federal in Caracas, Venezuela * El Capitolio in Havana, Cuba * Capitol of Palau in Ngerulmud, Palau Capitol, capitols, or The Capitol may also refer to: ;Entertainment and Media * Capitol (board game), a Roman-themed board game * Capitol (The Hunger Games trilogy), a fictional city in The Hunger Games novels * ''Capitol'' (TV series), a U.S. soap opera * Capitol (collection), a book by Orson Scott Card * The Capitols, a Detroit, Michigan-based soul trio ;Business * Capitol Wrestling Corporation, a predecessor organization to World Wrestling Entertainment * Capitol Records, a U.S. record label * Capitol Air, originally known as Capitol Inter ...
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Egyptian Chronology
The majority of Egyptologists agree on the outline and many details of the chronology of Ancient Egypt. This scholarly consensus is the so-called Conventional Egyptian chronology, which places the beginning of the Old Kingdom in the 27th century BC, the beginning of the Middle Kingdom in the 21st century BC and the beginning of the New Kingdom in the mid-16th century BC. Despite this consensus, disagreements remain within the scholarly community, resulting in variant chronologies diverging by about 300 years for the Early Dynastic Period, up to 30 years in the New Kingdom, and a few years in the Late Period. In addition, there are a number of "alternative chronologies" outside scholarly consensus, such as the " New Chronology" proposed in the 1990s, which lowers New Kingdom dates by as much as 350 years, or the " Glasgow Chronology" (proposed 1978–1982), which lowers New Kingdom dates by as much as 500 years. Overview Scholarly consensus on the general outline of the c ...
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Roberto Montenegro
Roberto Montenegro Nervo (February 19, 1885 in Guadalajara – October 13, 1968 in Mexico City) was a painter, muralist and illustrator, who was one of the first to be involved in the Mexican muralism movement after the Mexican Revolution. His most important mural work was done at the former San Pedro and San Pablo monastery but as his work did not have the same drama as other muralists, such as Diego Rivera, he lost prominence in this endeavor. Most of his career is dedicated to illustration and publishing, portrait painting and the promotion of Mexican handcrafts and folk art. Life Roberto Montenegro Nervo was born on February 19, 1885 in Guadalajara.Balderas, p. 11 His parents were Colonel Ignacio L Montenegro and María Nervo, aunt of poet Amado Nervo. Montenegro had four sisters: Rosaura, Ana, Eva and María Eugenia and one brother, Arturo. The family was one of the beneficiaries of the Porfirio Díaz regime, leaving for the United States when the Mexican Revolution broke ...
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José Clemente Orozco
José Clemente Orozco (November 23, 1883 – September 7, 1949) was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers. Life José Clemente Orozco was born in 1883 in Zapotlán el ...
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David Alfaro Siqueiros
David Alfaro Siqueiros (born José de Jesús Alfaro Siqueiros; December 29, 1896 – January 6, 1974) was a Mexican social realist painter, best known for his large public murals using the latest in equipment, materials and technique. Along with Diego Rivera and José Clemente Orozco, he was one of the most famous of the " Mexican muralists". He was a member of the Mexican Communist Party, and a Stalinist and supporter of the Soviet Union who led an unsuccessful attempt to assassinate Leon Trotsky in May 1940. By accordance with Spanish naming customs, his surname would normally have been ''Alfaro''; however, like Picasso (Pablo Ruiz y Picasso) and Lorca (Federico García Lorca), Siqueiros used his mother's surname. It was long believed that he was born in Camargo in Chihuahua state, but in 2003 it was proven that he had actually been born in the city of Chihuahua, but grew up in Irapuato, Guanajuato, at least from the age of six. The discovery of his birth certificate in 2 ...
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Diego Rivera
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera (; December 8, 1886 – November 24, 1957), was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art. Between 1922 and 1953, Rivera painted murals in, among other places, Mexico City, Chapingo, and Cuernavaca, Mexico; and San Francisco, Detroit, and New York City, United States. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York; this was before he completed his 27-mural series known as ''Detroit Industry Murals''. Rivera had four wives and numerous children, including at least one natural daughter. His first child and only son died at the age of two. His third wife was fellow Mexican artist Frida Kahlo, with whom he had a volatile relationship that continued until her death. His fourth and final wife was his agent. Due to his importance ...
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Lohja Church Murals 1
Lohja (; sv, Lojo) is a city and municipality in the Uusimaa region of Finland. The city has a population of 47,518 (2017), and it covers an area of of which , or 8.3 percent, is water. The population density of Lohja is . The municipality is bilingual, with the majority being Finnish and minority Swedish speakers. Lohja has the fourth-most summer houses of any municipality in Finland, with 8,468 located within the city as of June 2018. Lohja is located near Greater Helsinki, and it benefits from a good road network. It takes less than an hour to drive from Helsinki to Lohja on the E18 motorway, which is one of the most significant main road connections in Lohja next to Hangonväylä. City's bilingual slogan is: ''Järvikaupunki - Insjöstaden'' which translates to "Lake city". The landscape of Lohja is characterized by manors and gardens. Its area is divided by the Lohja ridge, which forms a watershed for the largest lake system in Uusimaa, Lake Lohja (Lohjanjärvi); mostly ...
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Fresco Secco
Fresco-secco (or a secco or fresco finto) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto a dry plaster. The paints used can e.g. be casein paint, tempera, oil paint, silicate mineral paint. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique is called lime secco painting. The secco technique contrasts with the fresco technique, where the painting is executed on a layer of wet plaster. Because the pigments do not become part of the wall, as in buon fresco, fresco-secco paintings are less durable. The colors may flake off the painting as time goes by, but this technique has the advantages of a longer working time and retouchability. In Italy, fresco technique was reintroduced around 1300 and led to an increase in the general quality of mural painting. This technological change coincided with the realistic turn in Western art and the changing liturgical use of murals. The treatise ...
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Kerala Mural Painting
Kerala mural paintings are the frescos depicting Hindu mythology in Kerala. Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, 'Chithrasoothram'' - (Chitrasutra is a part of the Vishnu Dharmottara Purana, a book written in Sanskrit about 1500 years ago. It contains 287 short verses in nine chapters and a few prose in the second chapter. There is no other book on painting as detailed as the Chitrasutra. This book answers hundreds of questions about what a painting is, why, its purpose, role, relationship with the painter, connoisseurs, and other arts. Chitrasutra will be useful to understand the true Indian painting.)''Tantrasamuchaya,'' the fifteenth century text authored by Narayanan, '' Abhilashitartha Chintamani'' of the twelfth century and ''Silparat ...
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Plasterwork
Plasterwork is construction or ornamentation done with plaster, such as a layer of plaster on an interior or exterior wall structure, or plaster Molding (decorative), decorative moldings on ceilings or walls. This is also sometimes called pargeting. The process of creating plasterwork, called plastering or rendering, has been used in building construction for centuries. For the art history of three-dimensional plaster, see stucco. History The earliest plasters known to us were lime-based. Around 7500 BC, the people of 'Ain Ghazal in Jordan used lime mixed with unheated crushed limestone to make plaster which was used on a large scale for covering walls, floors, and hearths in their houses. Often, walls and floors were decorated with red, finger-painted patterns and designs. In ancient India and China, renders in clay and gypsum plasters were used to produce a smooth surface over rough stone or mud brick walls, while in early Egyptian tombs, walls were coated with lime and gyps ...
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Pompeii
Pompeii (, ) was an ancient city located in what is now the ''comune'' of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offered a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaste ...
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