Multis Gravibusque
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Multis Gravibusque
Masculine ending and feminine ending are terms used in prosody (poetry), prosody, the study of verse form. "Masculine ending" refers to a line ending in a accent (poetry), stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. T ...
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Prosody (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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