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Multiple Lining Tool
The multiple lining tool is a burin chisel used in engraving with multiple cutting blades for making parallel lines to create a hatching Hatching (french: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. (It is also used in monochromatic representations of heraldry to indicate what the ... effect. The multiple lining tool is also called the multiple tool, lining tool, multiliner, liner, shooter, multiple graver, comb, and half-tone comb. Description The multiple lining tool allows the engraver to create hatched shading effects by engraving multiple parallel lines at the same time. It achieves this by having two or more cutting blades, which are available in different grades or sizes, such as the density of lines. The resulting hatching has a mechanical look. References Works cited * * * * {{Portal bar, Visual arts Hand tools Printmaking Chisels ...
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Burin (engraving)
A burin ( ) is a steel cutting tool used in engraving, from the French ''burin'' (cold chisel). Its older English name and synonym is graver. Etymology The term ''burin'' refers to a tool used by engravers that has a thin, pointed blade and it used to etch or cut. The first known use of the word dates back to France in the mid-1600s when the term was coined for the tool we know today. Design The burin consists of a rounded handle shaped like a mushroom, and a tempered steel shaft, coming from the handle at an angle, and ending in a very sharp cutting face. The most ubiquitous types have a square or lozenge face, a high-end repertoire has many others. A tint burin consists of a square face with teeth, to create many fine, closely spaced lines. A stipple tool allows for the creation of fine dots. A flat burin consists of a rectangular face, and is used for cutting away large portions of material at a time. The earliest uses of a burin come from the Lower Paleolithic era, t ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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Hatching
Hatching (french: hachure) is an artistic technique used to create tonal or shading effects by drawing (or painting or scribing) closely spaced parallel lines. (It is also used in monochromatic representations of heraldry to indicate what the tincture of a "full-colour" emblazon would be.) When lines are placed at an angle to one another, it is called cross-hatching. Hatching is especially important in essentially linear media, such as drawing, and many forms of printmaking, such as engraving, etching and woodcut. In Western art, hatching originated in the Middle Ages, and developed further into cross-hatching, especially in the old master prints of the fifteenth century. Master ES and Martin Schongauer in engraving and Erhard Reuwich and Michael Wolgemut in woodcut were pioneers of both techniques, and Albrecht Dürer in particular perfected the technique of crosshatching in both media. Artists use the technique, varying the length, angle, closeness and other qualities of th ...
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Viking Press
Viking Press (formally Viking Penguin, also listed as Viking Books) is an American publishing company owned by Penguin Random House. It was founded in New York City on March 1, 1925, by Harold K. Guinzburg and George S. Oppenheim and then acquired by the Penguin Group in 1975. History Guinzburg, a Harvard graduate and former employee of Simon and Schuster and Oppenheimer, a graduate of Williams College and Alfred A. Knopf, founded Viking in 1925 with the goal of publishing nonfiction and "distinguished fiction with some claim to permanent importance rather than ephemeral popular interest." B. W. Huebsch joined the firm shortly afterward. Harold Guinzburg's son Thomas became president in 1961. The firm's name and logo—a Viking ship drawn by Rockwell Kent—were meant to evoke the ideas of adventure, exploration, and enterprise implied by the word "Viking." In August 1961, they acquired H.B. Huesbsch, which maintained a list of backlist titles from authors such as James Joyce an ...
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Hand Tools
A hand tool is any tool that is powered by hand rather than a motor. Categories of hand tools include wrenches, pliers, cutters, files, striking tools, struck or hammered tools, screwdrivers, vises, clamps, snips, hacksaws, drills, and knives. Outdoor tools such as garden forks, pruning shears, and rakes are additional forms of hand tools. Portable power tools are not hand tools. History Hand tools have been used by humans since the Stone Age when stones were used for hammering and cutting. During the Bronze Age tools were made by casting the copper and tin alloys. Bronze tools were sharper and harder than those made of stone. During the Iron Age iron replaced bronze, and tools became even stronger and more durable. The Romans developed tools during this period which are similar to those being produced today. In the period since the industrial revolution, the manufacture of tools has transitioned from being craftsman made to being factory produced. A large collection of ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ...
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