|
Mulliner Book
The Mulliner Book (British Library Add MS 30513) is a historically important musical commonplace book compiled probably between about 1545 and 1570, by Thomas Mulliner, about whom practically nothing is known, except that he figures in 1563 as ''modulator organorum'' (organist) of Corpus Christi College, Oxford. He is believed to have previously resided in London, where John Heywood inscribed the title page of the manuscript ''Sum liber thomas mullineri / iohanne heywoode teste.'' ('I am Thomas Mulliner's book, with John Heywood as witness.') A later annotation on the same page states that: ''T. Mulliner was Master of St Pauls school'', but this has so far proved unsupportable. The provenance of the MS is unknown before it appears in the library of John Stafford Smith in 1776. After passing through the hands of Edward Francis Rimbault Edward Francis Rimbault (13 June 1816 – 26 September 1876) was an English organist, musicologist, book collector and author. Life Rimbault was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulliner Book No 13 - La Bounette
Mulliner may refer to: People * Stephen Mulliner, croquet world champion * Thomas Mulliner (around 1545–1570), Oxford organist who compiled the commonplace The Mulliner Book, Mulliner Book * The Mulliner family (18th cen. onwards), British coachbuilders from c. 1760 to c. 1908: ** Francis Mulliner (1765–1819) of Mulliner Northampton *** Francis Mulliner (1789–1841) of Mulliner Northampton, including Leamington Spa, Leamington Priors **** Francis Mulliner (1824–1886) Mulliner Northampton, Mulliner Liverpool ***** Augustus Greville Mulliner (1861–1905) of Mulliner Liverpool, including A. G. Mulliner Body Co. and Accrington **** Henry Mulliner (1827–1887) of Mulliner Leamington at Leamington Spa, Leamington Priors ***** Arthur Felton Mulliner (1859–1946) of Arthur Mulliner ***** Herbert Hall Mulliner (1861–1924) of Mulliners (Birmingham) **** Robert Bouverie Mulliner (1830–1902) of Mulliner Chiswick ***** Henry Jervis Mulliner (1870–1967) of H. J. Mulliner & Co., H. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Taverner
John Taverner ( – 18 October 1545) was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for ''Missa Gloria tibi Trinitas'' and ''The Western Wynde Mass'', and ''Missa Corona Spinea'' is also often viewed as a masterwork. Career Nothing is known of Taverner's activities before 1524. He appears to have come from the East Midlands, possibly being born in Tattershall, Lincolnshire, but there is no indication of his parentage. According to one of his own letters, he was related to the Yerburghs, a well-to-do Lincolnshire family. The earliest information is that in 1524, Taverner travelled from Tattershall to the Church of St Botolph in nearby Boston, as a guest singer. Two years later, in 1526, Taverner became the first Organist and Master of the Choristers at Christ Church, Oxford, appointed by Cardinal Thomas Wolsey. The college had been founded in 1525, by Cardinal Wolsey, and was then known as Cardinal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Caldwell (musicologist)
John Anthony Caldwell (born 6 July 1938) is an English people, English musicologist and composer. Life Caldwell was born in Bebington, Cheshire and studied the organ (music), organ at the Matthay School of Music in Liverpool, becoming a FRCO, Fellow of the Royal College of Organists in 1957. He studied at Keble College, Oxford, obtaining his Bachelor of Arts, B.A. in 1960, Bachelor of Music, B.Mus. in 1961 and Doctor of Philosophy, D.Phil. in 1965. For his doctorate, he transcribed and edited a manuscript of English liturgical organ music from between 1548 and 1650. He was an assistant lecturer at Bristol University from 1963 to 1966, before returning to Oxford University as a lecturer in 1966, holding this position until 1996 when he was appointed a Reader. He was a Fellow#Cambridge and Oxford Colleges, Fellow of Keble College from 1967 to 1992. He became a senior research fellow of Jesus College, Oxford in 1999 and given the title of Professor by the University Distinctions C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Stevens
Denis William Stevens CBE (2 March 1922 – 1 April 2004) was a British musicologist specialising in early music, conductor, professor of music and radio producer. Early years He was born in High Wycombe, Buckinghamshire and attended the Royal Grammar School there. From that school, he won a scholarship to read modern languages at Jesus College, Oxford in 1940. During World War II, he served as a cryptanalyst in India and Burma. After the war, he returned to Oxford to complete his degree. From 1949 to 1954, he was a producer at the BBC Third Programme. In 1951, together with John McCarthy, Stevens founded the Ambrosian Singers. Career Among his many other works, Stevens completed the task of producing the Supplementary Volume to the 5th edition of ''Grove's Dictionary of Music and Musicians'', which Eric Blom had not been able to complete by the time of Blom's death in 1959. The Supplementary Volume was published in 1961. He also contributed to ''The Stereo Record Guide'' t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Cromwell's Virginal Book
Anne Cromwell's Virginal Book is a manuscript keyboard compilation dated 1638. Whilst the importance of the music it contains is not high, it reveals the sort of keyboard music that was being played in the home at this time. The manuscript The upright quarto book originally contained 51 pages, five of which have been torn out. It retains its original calf binding with gold tooling, and the initials ''A.C.'' are stamped on both back and front covers. The verso of the title page bears a table of note values and four lines of verse: ' ' ' ' Each of the following 33 pages bears eight sets of six-line ruled staves on which are fifty short pieces of music, written in at least two hands. The remaining pages are blank apart from the last, on the verso of which is written: ''This Book was my Grandmothers Ann Daughter and Coheiresse of Henry Cromwell Esqr. of Upwood in Count. Huntingdon & was dated 1638 But somebody has torn out þe heLeaf.'' The book is currently in Museum of Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Rogers' Virginal Book
''Elizabeth Rogers' Virginal Book'' is a musical commonplace book compiled in the mid-seventeenth century by a person or persons so far unidentified. Of all the so-called English "virginal books" this is the only one to mention the name of the instrument (the virginal) in the title, the others being so-called at a far later date. The manuscript The manuscript is a folio volume of sixty pre-lined pages of six staves containing 94 pieces for keyboard and 18 ''Voycall'' ocal''Lessons''. It was rebound using part of the original covers, in 1949. The first page bears the inscription ''Elizabeth Rogers hir virginall booke. February ye 27 1656''. However, on the same page the name ''Elizabeth Fayre'' is written, and it has been suggested that these two Elizabeths are the same person, before and after marriage. There are various other writings, including the name "John Tillett", who may have been a subsequent owner of the manuscript, some poetic fragments, and a note concerning the tuni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priscilla Bunbury's Virginal Book
Priscilla Bunbury's Virginal Book is a musical commonplace book compiled in the late 1630s by two young women from an affluent Cheshire family. It is important more for its fingering indications than for the quality of the music it contains. The manuscript The manuscript is an upright volume measuring 11.5 inches by 8 inches in a tooled leather binding. The front cover bears the words ''PRISCILLA BVNBURY'' in tooled lettering, and the back cover the initials ''PB''. It contains thirty two-pages pre-ruled with six-line staves. There are thirty-five neatly written pieces of music, but the first and last pages, together with the pieces they bore, are missing. Apart from the music, there is a medicinal recipe and other scribblings. At least two different hands can be discerned. As of 2001, the manuscript was in a private collection in England. The authors The first owner of the book was Priscilla Bunbury (1615–1682), daughter of Sir Henry Bunbury of Little Stanney in Cheshir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenia (music)
''Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls'' was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all plucked keyboard instruments – the harpsichord, muselaar and virginals, but most of the pieces are also suited for the clavichord and chamber organ. Though the date is uncertain, it was probably published around 1612. The 21 pieces included are ascribed to William Byrd, John Bull, and Orlando Gibbons, in three sections. The title ''Parthenia'' comes from the Greek ''parthenos'' meaning "maiden" or "virgin." The music is written for the Virginals, the etymology of which is unknown, but may either refer to the young girls who are often shown playing it, or from the Latin ''virga'', which means "stick" or "wand", possibly referring to part of the mechanism that plucks a string in the harpsichord family of instruments. The "Maydenhead" refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Virginal Book
The ''Fitzwilliam Virginal Book'' is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard. History It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. At the time ''The'' ''Fitzwilliam Virginal Book'' was put together most collections of keyboard music were compiled by performers and teachers: other examples include ''Will Forster's Virginal Book'', ''Clement Matchett's Virginal Book'', and ''Anne Cromwell's Virginal Book''. It is possible that the complexities of typesetting music precluded the printing of much keyboard music durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clement Matchett's Virginal Book
Clement Matchett's Virginal Book is a musical manuscript from the late renaissance compiled by a young Norfolk man in 1612. Although a small anthology, it is notable not only for the quality of its music but also for the precise fingering indications that reveal the contemporary treatment of phrasing and articulation. Moreover, the manuscript is unusual in that each piece bears the exact date of its copying. The manuscript The manuscript consists of a small oblong quarto measuring some 15 by 19 centimetres. It is in excellent condition and retains its original binding formed from several sheets of rough paper folded, pasted and stitched to a strip of vellum to form the spine. The manuscript contains 32 leaves bearing two pairs of hand-ruled six-line staves on which are twelve short pieces written in a neat hand. On the first of the two front flyleaves is the inscription: ''Clement Matchett 1613'', with a table of contents on the verso. The second flyleaf bears a Guidonian ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanne Van Soldt Manuscript
The Susanne van Soldt Manuscript is a keyboard anthology dated 1599 consisting of 33 pieces copied by or for a young Flemish or Dutch girl living in London. Its importance lies mostly in the fact that it is the only known source of early Dutch keyboard music prior to Sweelinck. The author According to the conventional account, by Alan Curtis and others, Susanne van Soldt was the daughter of Hans van Soldt (born circa 1555), a wealthy Protestant merchant from Antwerp. Hans probably took refuge in London after the sack of Antwerp by the Spanish in 1576, and Susanne was born there and baptized at the Dutch Church at Austin Friars on 20 May 1586. Sometime after 1605 Hans and his family left London for Amsterdam, where he appears as a shareholder of the Dutch East India Company in 1609. No trace of Susanne has been found, but a sister or cousin of hers, baptized in London in 1588, was living in Amsterdam in the early 17th century. This has been criticised for ignoring relevant documents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
